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Mumbai Police Denies Report Of Fingerprint Discrepancy In Saif Ali Khan Stabbing Case

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Mumbai, January 26: In the case of Bollywood actor Saif Ali Khan’s stabbing, the Mumbai police have denied a media report claiming that the fingerprints of the accused did not match. Satyanarayan Chaudhary, Joint Commissioner of Police, Law and Order, stated that the report regarding the fingerprints not matching the accused is “not true.”

A section of the media has raised doubts about whether the Mumbai police arrested the correct person. A news report claimed that the fingerprints of the arrested accused, Shariful Islam, 30, did not match the fingerprints collected from the actor’s residence.

Meanwhile, Dixit Gedam, Deputy Commissioner of Police, Zone-9, stated, “The fingerprint report is yet to come,” and denied the claim. However, the initial report had indicated that the fingerprints did match.

A CID officer commented, “The case is being investigated by the Mumbai police, and you must check with them. The report has been sent to the Mumbai police forensic lab.”

The Bandra police collected around 20 fingerprints from the actor’s residence, ‘Satguru Sharan,’ located in Bandra West, following the incident. The incident occurred on January 16, and the accused was arrested on January 19 in Thane. After the arrest, the police took Shariful Islam’s fingerprints, and both sets were sent to the forensic lab for comparison. The police are awaiting the fingerprint report, along with blood match reports. The police also collected the actor’s blood and bloodstained clothing from the accused, both of which were sent to the forensic lab.

Meanwhile, a police team has travelled to Kolkata to investigate how Shariful obtained a SIM card there using the documentation of an Indian national. The police are also investigating how the accused obtained the weapon, and a facial recognition test is still pending. The accused remains in police custody until January 29.

Bollywood

97th Oscars: Priyanka Chopra, Guneet Monga’s ‘Anuja’ loses to Dutch film ‘I’m Not A Robot’

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Los Angeles, March 3: Priyanka Chopra and Guneet Monga backed short film “Anuja” has lost the Dutch-language movie “I’m Not a Robot” at the 97th Oscar Awards held at the Dolby Theater in Los Angeles.

“Anuja”, which tells the story of a gifted nine-year-old girl who, alongside her sister Palak, faces a life-changing opportunity that tests their bond and mirrors the struggles of girls worldwide, was competing at the Oscars 2025 in the Best Live Action Short category.

Other contenders included “A Lien,” “The Last Ranger,” and “The Man Who Could Not Remain Silent”.

“I’m Not A Robot” is a science fiction and directed by Victoria Warmerdam. The synopsis states: “After failing an online CAPTCHA test, Max faces an existential crisis when he believes he might actually be a robot.”

Along with Priyanka and Guneet, “Anuja”, currently streaming on Netflix, Hollywood star-writer Mindy Kaling serves as its producer.

Directed by Adam J. Graves “Anuja” tells the tale of a 9-year-old title character, who works in a back-alley garment factory with her older sister Palak. The narrative follows the young protagonist as she faces a decision that will impact both her future and her family.

The short, developed in partnership with Mira Nair’s Salaam Baalak Trust, features Sajda Pathan, in a leading role. The production team spans Graves Films, Shine Global Inc (Oscar winners “War/Dance” and “Inocente”), Krushan Naik Films and Salaam Baalak Trust.

In January, Priyanka said that she is proud of the “beautiful film” “Anuja”,in which she serves as an executive producer.

Priyanka took to her Instagram stories, where she had shared a snapshot of a news article from variety.com, which had the title “Netflix Acquires ‘Anuja,’ Oscar-Shortlisted Short Film Backed by Priyanka Chopra Jonas, Mindy Kaling and Guneet Monga Kapoor”.

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Exclusive! Govinda-Sunita separation: Actor’s sister Kamini Khanna breaks her silence on the matter

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Mumbai, March 1: In the midst of growing rumors surrounding the separation of Bollywood actor Govinda and his wife Sunita Ahuja, the actor’s sister, Kamini Khanna, has finally spoken out.

In a recent conversation with media, Kamini revealed that she does not have much information about the situation, citing the busy schedules of both Govinda and Sunita. She stated, “No, I don’t know much. I stay very busy, and they are very busy too. We meet very rarely, so I don’t know much. I don’t want to say too much on this topic because both families are involved, and I have a lot of love for both.”

When asked about her bond with Sunita, Kamini shared, “Our parents are no longer with us, so we are like parents to each other. And we are also very good friends.”

Kamini also mentioned that she did not feel it was appropriate to reach out to Sunita and Govinda regarding the speculation. According to her, while she is aware of the rumors circulating in the media, she believes that such personal matters should be handled privately within the family. She emphasized that it’s important to respect the privacy of both Sunita and Govinda, especially when it comes to sensitive issues such as their relationship.

Rumors have been circulating regarding a possible divorce between Govinda and his wife, Sunita Ahuja. It was reported that Sunita had issued a divorce notice to Govinda six months ago. However, the actor’s legal representative has since clarified that the couple has worked through their issues and resolved their differences.

In a recent interview, Sunita made a startling revelation about living separately from Govinda. She also shared that she has been celebrating her birthday alone for the past 12 years, which sparked further speculation about issues in their marriage.

For the unversed, Govinda and Sunita tied the knot in March 1987. The couple welcomed their daughter, Tina, in 1988, followed by their son, Yashvardhan.

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Yash-starrer ‘Toxic’ being shot in English and Kannada, director ensures ‘authentic experience’

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Mumbai, Feb 24: Yash’s “Toxic” is touted to be the first ever large scale Indian film to be conceptualised, written, and filmed in both English and Kannada. Director Geetu Mohandas says the vision was to craft a narrative that resonates with audiences both in “India and globally”.

“Our vision for ‘Toxic’ was to craft a narrative that resonates authentically with audiences both in India and globally,” says director Geetu Mohandas.

“Toxic: A Fairy Tale for Grown-Ups” will be dubbed in multiple Indian and international languages, including Hindi, Telugu, Tamil, and Malayalam.

Mohandas added: “We’ve strived to capture the nuances of the story in both Kannada and English, ensuring an authentic experience for viewers across different linguistic and cultural backgrounds.”

He said that the film “explores a collaboration of artistic vision and precision of commercial storytelling.”

“It’s a journey that transcends borders, languages, and cultural confines, designed to connect with hearts and minds worldwide,” concluded the director.

Toxic, a film jointly produced by Venkat Narayana under KVN Productions and Yash’s Monster Mind Creations, was conceived as a global cinematic experience.

The film’s international team—including action sequences by JJ Perry, best known for his work in the John Wick and Fast & Furious franchises, and visual effects by DNEG, who recently won the BAFTA Film Award for Special Visual Effects for Dune: Part Two—was carefully assembled to match the project’s scale.

Last month, on Yash’s birthday, the makers released a “Birthday Peek” offering a glimpse into the film. Filming began in August 2024.

Producer Venkat K Narayana emphasised the film’s ambitious scope, saying, “Our goal for “Toxic” was crystal clear: a film that resonates in India and globally. From the very beginning, we were driven by a deep conviction in this story and its potential. This unwavering belief fueled our “all-in” approach, required to bring this cinematic experience to life.”

“We embraced the challenge wholeheartedly, confident that “Toxic” will not only captivate audiences worldwide but also showcase the brilliance of Indian cinema on a global stage.”

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