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Review: ‘Badhaai Do’: Stretched narrative makes for tedious viewing

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Film: ‘Badhaai Do’ (Running in Theatres); Duration: 147 minutes.

Director: Harshavardhan Kulkarni. Cast: Rajkummar Rao, Bhumi Pednekar, Sheeba Chaddha, Seema Pahwa, Loveleen Mishra and Nitesh Pandey.
IANS Rating: **1/2

Bold themes reflecting the changing reality of our society are slowly but surely making their way into Hindi films.

While the honesty and intention are laudable, Harshavardhan Kulkarni’s ‘Badhai Do’ is forcefully stretched to make this point palatable to the audience. Also, somewhere down the line, the message loses its impact and earnestness.

Shardul Thakur (Rajkummar Rao) and Sumi Singh (Bhumi Pednekar) come from middle-class families where societal norms are expected to be complied with. The two of them however are ‘different’.

They belong to the queer community, and discovering a common goal, enter into a marriage of convenience, wherein each one leads his or her life freely while keeping up pretences of being a happily married couple.

The societal pressure of having a baby, and elders in the family trying hard to make it happen, make things spiral out of control, and a chance discovery of Sumi with her partner, Rimjhim (Chum Darang), causes the Pandora’s Box to be opened. How they explain to their families that they are born to be different and are not suffering from a ‘disease’ forms the crux of the film.

Rajkummar Rao, as the policeman, fixated upon fitness and body-building, flaunting his six-pack abs and an enviable physique, every inch looks his part. But somewhere, in his bid to be different and not use stereotypical mannerisms, as he essays this character, he tries too hard and fails to impress. One does not empathise with him and one cannot feel his predicament.

Bhumi Pednekar as Sumi, a Physical Education teacher, scores over Rao in her realistic portrayal and seems to be more comfortable portraying her bold character. Yet, somewhere, neither of them is deeply convincing.

The supporting cast of veteran actors deliver what is expected of them. The scene on the terrace where Shardul’s mother (Sheeba Chaddha) embraces her sobbing son in acceptance is poignant.

The plot is linear, with the narrative having a single-minded focus on delivering this message to its audience. The length of the film and the lacklustre chemistry between the lead cast, however, dilute this impact.

The setting of the film — middle-class small-town families and societal expectations — are a tad exaggerated, merely to drive home the point and heighten the contrast.

The LGBTQ+ rally towards the end, to reiterate their liberation and acceptance of who they are, is one of the several uncalled-for instances in the film, which merely adds to its length, not its gravitas.

Also, the sensitivity of the issue and the societal reactions, particularly those of middle-class families, are made to look trite, and with the several forced attempts to highlight the struggles of this community, somewhere along the way, the seriousness of the message is lost.

The music meshes well with the theme of the film. ‘Atak Gaya’ by Arijit Singh, in particular, encapsulates the essence of the film.

Overall, this film appears to be just another take on LGBTQ+ issues, this time adding the adoption angle to the otherwise commonplace matter of coming out of the closet and making your families understand. Mounted with moderate production values the film tends to get tedious at times.

Bollywood

Varun Dhawan: One must travel to learn

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Mumbai, June 3: Actor Varun Dhawan stressed that travel is essential for gaining knowledge and life experience.

The actor took to Instagram, where he shared three pictures from the airport. The first was an image of the actor posing inside the airport with the airplane docked. The other was of him at the same location but this time his back was towards the camera as he looked at the aircraft. The third was a closeup image of him as he made his way inside the flight.

“One must travel to learn,” Varun wrote as the caption.

A few days ago, Varun wrapped up the Scotland schedule of his upcoming project ‘Hai Jawani Toh Ishq Hona Hai’.

Sharing the professional update on social media, Varun penned, “It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home.”

The post also included some fun moments of the “Badlapur’ actor in Scotland with his co-stars Mrunal Thakur, Mouni Roy, Chunkey Panday and Pooja Hegde.

The title “Hain Jawani Toh Ishq Hona Hain” is inspired by the song “Ishq Sona Hai” from “Biwi No.1.” starring Salman Khan, Karisma Kapoor, and Sushmita Sen. The 1999 drama was helmed by David Dhawan, who is also directing Varun’s next.

“Hai Jawani Toh Ishq Hona Hai” is reported to have the charm of classic 90s rom-coms.

Varun also has Shashank Khaitan’s “Sunny Sanskari Ki Tulsi Kumari.” Janhvi Kapoor, Sanya Malhotra, Abhinav Sharma, Maniesh Paul, and Manini Chadha are also a part of the project’s pivotal cast.

Furthermore, Varun also had “Border 2”, which is being made under the direction of Anurag Singh. He will be co-starring Sunny Deol, Diljit Dosanjh, and Ahan Shetty in the highly-anticipated sequel.

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Mohit Suri calls ‘Saiyaara’ an ode to his favourite love stories

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Mumbai, May 31: Director Mohit Suri, who is awaiting the release of his upcoming film ‘Saiyaara’, has called it an homage to the love stories that he has grown up loving.

Mohit is known for his musical hits like ‘Zeher’, ‘Kalyug’, ‘Woh Lamhe’, the cult-classic ‘Awarapan’ and the blockbuster ‘Aashiqui 2’.

While all the aforementioned films were made under the banner of Vishesh Films, with ‘Saiyaara’, Mohit has moved into the territory of Yash Raj Films.

‘Saiyaara’ brings together YRF and Mohit, both known for creating timeless romances for an intense love story, and introduces Ahaan Panday and Aneet Padda (of ‘Big Girls Don’t Cry’ fame) as the next YRF heroine.

Talking about the film, Mohit said, “I feel you can tell so many beautiful stories and take people along so many journeys and celebrate so many emotions but romantic genre is always special. ‘Saiyaara’ is my homage to the love stories I love and the sweeping romances that I have come across through my life. I have been fortunate to have met so many people who have been kind enough to share their incredible love stories with me”.

He further mentioned, “I’m delighted to see this unanimous response to the teaser of ‘Saiyaara’. I’m thrilled for Ahaan and Aneet. They deserve all the love because they have really put in everything for people to connect so deeply with the teaser of ‘Saiyaara’. I share this moment with my incredible team and everyone at YRF. I hope people keep engaging and connecting with ‘Saiyaara’ as we peel every layer of emotion, every season of love through our marketing campaign”.

Produced by YRF, ‘Saiyaara’ is set to release in cinemas on July 18, 2025.

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Karan Johar to Shah Rukh Khan: ‘All hail the king of the MET’

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Mumbai, May 6: Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Karan Johar to Shah Rukh Khan: All hail the king of the MET

Mumbai, Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Wearing a sharp ensemble by Sabyasachi Mukherjee, Shah Rukh looked dapper in a floor-sweeping black trench coat layered over an unbuttoned shirt. He completed chunky jewellery including eye-popping diamond-studded pendants emblazoned with “K”.

To add to the drama, he carried a walking stick with a tiger-top, which was completely in sync with this year’s theme “Superfine: Tailoring Black Style”.

Karan took to his Instagram, where he shared a video of Shah Rukh walking out in style. The filmmaker captioned it: “All hail the king of the MET!!! The internet just broke into a gazillion hearts!!! Bhai you rule.”

He then shared a picture of Shah Rukh originally posted by the star’s manager Pooja Dadlani and wrote: “The King” along with the song “Here Comes The Hotstepper” playing in the background.

As per reports, Shah Rukh posed, smiled, waved and even treated fans with his signature pose.

The 2025 theme “Superfine: Tailoring Black Style,” is inspired by Monica L Miller’s book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, published in 2009. The fashion gala for the first time has put the spotlight on menswear.

The Met Gala is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art’s Costume Institute in Manhattan. The Met Gala is popularly regarded as the world’s most prestigious and glamorous fashion event.

Attendees are given the opportunity to express themselves through fashion, often producing elaborate and highly publicized outfits inspired by the evening’s theme and broader cultural context.

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