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The Archies Review: Zoya Akhtar Brings The Perfect Christmas Movie Date That Is Contemporary And Replete With Messaging

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Director: Zoya Akhtar

Cast: Agastya Nanda, Aditi Saigal aka Dot. Khushi Kapoor, Mihir Ahuja, Suhana Khan, Vedang Raina, Yuvraj Menda, Santana Roach, Rudra Mahuvarkar, Alyy Khan, Luke Kenny, Vinay Pathak, Koel Purie, Tara Sharma Saluja, Sheena Khalid, Delnaz Irani

Where: Streaming now on Netflix

Rating: 4 stars

Experiencing Zoya Akhtar’s sincere tribute to our cherished childhood comic feels deeply personal and, to some extent, cathartic. Having attended an Anglo-Indian institution and with my closest friends hailing from the community, Akhtar’s cultural portrayal resonates with remarkable accuracy.

In the initial stages of the film, a significant character recites a quote from William Faulkner: “You cannot swim for new horizons until you have the courage to lose sight of the shore.” Throughout Akhtar’s promotional campaign, she was often presented with a question that implied she had the freedom to create any film with desired actors and technicians, since she is well-positioned at the top of everyone’s wishlist. However, the filmmaker certainly understands how to enjoy the process and at times, prioritize art for its inherent purpose rather than solely for profit—an ethos that radiates throughout The Archies. As another character aptly notes, “to make art, you must go in, not out.” This clarifies her intention to establish a captivating world, with seven new faces taking centre-stage.

It is the year 1964, and Riverdale, a picturesque town nestled in the hills of North India, bears the traces of English influences in its essence. Inhabitants of this town carry the heritage of English ancestry in their veins, yet their hearts resonate with India as their true home. The beating heart of this town is the community garden known as Green Park. It is the very spot where Archibald ‘Archie’ Andrews (Agastya Nanda), Ethel Muggs (Aditi Saigal aka Dot.), Betty Cooper (Khushi Kapoor), Jughead Jones (Mihir Ahuja), Veronica Lodge (Suhana Khan), Reggie Mantle (Vedang Raina), and Dilton Doiley (Yuvraj Menda) took their initial steps as infants, following their birth in 1947. The resilience of their friendship and the future of the town are put to the test when a suggestion is put forth to construct a hotel instead of the park. Amidst the challenges, they navigate matters of the heart on the threshold of adulthood.

Co-written with her collaborators Ayesha Devitre Dhillon and Reema Kagti, Zoya incorporates multiple themes and concerns, and let me tell you, it’s a delicate path to navigate. Yet, it’s an ingenious move to employ cinema in the form of a musical to convey a message to a new generation that appears to be lost in the pursuit of validation through meaningless reels and endless scrolling on Instagram. The fear of maturing and taking on adult responsibilities, the shared social responsibility, the need for free press and critique, conflicts between humanity and nature, and the imperative need to engage in politics seamlessly align within the narrative, without any element standing out conspicuously. Incorporating all these elements, the film takes a sweeping journey down memory lane to a time when our lives were brimming with innocence and idealism. It harks back to an era where our eyes sparkled with aspirations and ambition. The melodies crafted by Shankar-Ehsaan-Loy, Ankur Tewari and The Islanders perfectly capture the essence of The Archies. From the attire to the production design overseen by Suzanne Caplan Merwanji, to the cinematography skillfully executed by Nikos Anaritsakis, you’ll find yourself irresistibly pulled into this world as it unfolds in front of you. One aspect that the film might be criticized for is its length, an aspect where editor Nitin Baid could have exercised more consideration.

Setting that aside, there isn’t a single false note that can be pinpointed in the performances delivered by the film’s young cast. Agastya effortlessly embodies Archie, a character that occasionally flirts, infusing idealism with his charm. Dot., as Ethel, is delightfully ambitious, and her character resonated with me the most. Vedang effectively portrays the neighborhood heartthrob Reggie, while Mihir, as Archie’s bro-dude Jughead, is hilariously on point. Suhana is aptly yet unconventionally cast as Veronica, a daddy’s princess with a heart. Khushi embodies the perfect girl-next-door who loves to bake. However, my favorite performance has to be Yuvraj as Dilton, the genius whose moment of truth will leave you deeply moved.

The Archies arrives on Netflix as an early Christmas gift, one that will leave you with a heartwarming feeling. It’s a film that you’d cherish revisiting with your friends on lazy Sunday afternoons.

Crime

‘India Got Latent’ row: Ranveer Allahbadia to appear before Assam Police today

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Guwahati, March 4: YouTuber Ranveer Allahbadia is set to appear before the Assam Police in Guwahati on Tuesday in the case related to his controversial comments on the stage of ‘India Got Latent’ show that has attracted massive backlash for the podcaster.

A case against Allahbadia was registered in Guwahati and he was served summons to appear before the Assam Police here.

The Guwahati Crime Branch last week questioned another YouTuber Ashish Chanchalani, who has also been embroiled in the controversy for his comments made during an episode of ‘India’s Got Latent’ show.

The interrogation lasted several hours after the YouTuber arrived at the Crime Branch office.

“YouTuber Ashish Chanchlani showed up for interrogation at the Crime Branch. He has complied with our inquiry. We will phone him if necessary, but we are not currently calling him again. We have not yet received a response from other people connected to the investigation. They will receive new summonses shortly,” Guwahati’s Joint Police Commissioner Ankur Jain told reporters here.

When Allahbadia made controversial comments on the show hosted by comedian Samay Raina, Chanchlani was listed in the Assam FIR.

Due to his remarks regarding parents and sex in an episode of the show, Allahbadia, better known by his stage name BeerBiceps, faced severe criticism and complaints.

Chanchlani has pleaded that the FIR filed at the Guwahati Crime Branch, Guwahati Police Commissionerate’s Cyber Police Station be quashed.

As the Maharashtra FIR was filed first, the YouTuber requested that the Guwahati FIR be transferred to Mumbai. While considering Chanchlani’s anticipatory bail motion, the Gauhati High Court granted him temporary relief on February 18 and instructed him to appear in person before the investigating officer within ten days.

The lawyer for Chanchlani contended that their client made no statements on the show and that the FIR’s accusations were limited to the co-accused. Under certain provisions of the Bharatiya Nyay Sanhtia, Information Technology Act, Cinematograph Act, and Indecent Representation of Women (Prohibition) Act, Guwahati Police filed a formal complaint against Chanchlani on February 10.

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Entertainment

SC permits Ranveer Allahbadia to resume airing his shows

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New Delhi, March 3: The Supreme Court on Monday permitted popular YouTuber Ranveer Allahbadia to resume airing his podcast on the condition that he will maintain the “standards of decency and morality”.

Allahbadia and several other YouTubers, including Ashish Chanchlani and Apoorva Mukhija, have been embroiled in the controversy for vulgar and crass comments made during an episode of Samay Raina’s ‘India’s Got Latent’ show.

A bench of Justices Surya Kant and N. Kotiswar Singh relaxed an earlier condition which had prohibited Allahbadia or his associates from airing any show on YouTube or any other audio/video visual mode of communication till further orders.

During the hearing, the Justice Kant-led Bench asked the Solicitor General Tushar Mehta, the second highest law officer of the Centre, to consider regulating the content in online media.

“We don’t want any regulatory regime which leads to censorship, but it can’t be a free for all,” it said.

The apex court clarified that Allahbadia’s shows should not comment upon the proceedings which are sub-judice.

Earlier, on February 18, the top court had stayed Allahbadia’s arrest subject to the condition that he would join the investigation, as and when summoned by the Investigating Officers.

“The interim protection against arrest is granted further subject to the condition that the petitioner will extend full cooperation to the ongoing investigation,” it had ordered.

The Supreme Court had added that no further FIR would be registered against Allahbadia on the basis of the episode aired on the show ‘India’s Got Latent’, for which two-three FIRs have already been registered.

Amid the controversy, Samay Raina had removed all videos of the show from YouTube, asserting that his intention was only to entertain and make people laugh.

Several complaints seeking legal action have been filed against popular YouTubers Samay Raina, Ranveer Allahabadia, Ashish Chanchlani, and Apoorva Mukhija over allegedly obscene and offensive remarks about parents in the comedy show ‘India’s Got Latent’.

As the legal proceedings unfold, the incident has sparked a broader debate about the limits of comedy and the responsibility of content creators on digital platforms.

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Bollywood

97th Oscars: Priyanka Chopra, Guneet Monga’s ‘Anuja’ loses to Dutch film ‘I’m Not A Robot’

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Los Angeles, March 3: Priyanka Chopra and Guneet Monga backed short film “Anuja” has lost the Dutch-language movie “I’m Not a Robot” at the 97th Oscar Awards held at the Dolby Theater in Los Angeles.

“Anuja”, which tells the story of a gifted nine-year-old girl who, alongside her sister Palak, faces a life-changing opportunity that tests their bond and mirrors the struggles of girls worldwide, was competing at the Oscars 2025 in the Best Live Action Short category.

Other contenders included “A Lien,” “The Last Ranger,” and “The Man Who Could Not Remain Silent”.

“I’m Not A Robot” is a science fiction and directed by Victoria Warmerdam. The synopsis states: “After failing an online CAPTCHA test, Max faces an existential crisis when he believes he might actually be a robot.”

Along with Priyanka and Guneet, “Anuja”, currently streaming on Netflix, Hollywood star-writer Mindy Kaling serves as its producer.

Directed by Adam J. Graves “Anuja” tells the tale of a 9-year-old title character, who works in a back-alley garment factory with her older sister Palak. The narrative follows the young protagonist as she faces a decision that will impact both her future and her family.

The short, developed in partnership with Mira Nair’s Salaam Baalak Trust, features Sajda Pathan, in a leading role. The production team spans Graves Films, Shine Global Inc (Oscar winners “War/Dance” and “Inocente”), Krushan Naik Films and Salaam Baalak Trust.

In January, Priyanka said that she is proud of the “beautiful film” “Anuja”,in which she serves as an executive producer.

Priyanka took to her Instagram stories, where she had shared a snapshot of a news article from variety.com, which had the title “Netflix Acquires ‘Anuja,’ Oscar-Shortlisted Short Film Backed by Priyanka Chopra Jonas, Mindy Kaling and Guneet Monga Kapoor”.

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