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The Archies Review: Zoya Akhtar Brings The Perfect Christmas Movie Date That Is Contemporary And Replete With Messaging

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Director: Zoya Akhtar

Cast: Agastya Nanda, Aditi Saigal aka Dot. Khushi Kapoor, Mihir Ahuja, Suhana Khan, Vedang Raina, Yuvraj Menda, Santana Roach, Rudra Mahuvarkar, Alyy Khan, Luke Kenny, Vinay Pathak, Koel Purie, Tara Sharma Saluja, Sheena Khalid, Delnaz Irani

Where: Streaming now on Netflix

Rating: 4 stars

Experiencing Zoya Akhtar’s sincere tribute to our cherished childhood comic feels deeply personal and, to some extent, cathartic. Having attended an Anglo-Indian institution and with my closest friends hailing from the community, Akhtar’s cultural portrayal resonates with remarkable accuracy.

In the initial stages of the film, a significant character recites a quote from William Faulkner: “You cannot swim for new horizons until you have the courage to lose sight of the shore.” Throughout Akhtar’s promotional campaign, she was often presented with a question that implied she had the freedom to create any film with desired actors and technicians, since she is well-positioned at the top of everyone’s wishlist. However, the filmmaker certainly understands how to enjoy the process and at times, prioritize art for its inherent purpose rather than solely for profit—an ethos that radiates throughout The Archies. As another character aptly notes, “to make art, you must go in, not out.” This clarifies her intention to establish a captivating world, with seven new faces taking centre-stage.

It is the year 1964, and Riverdale, a picturesque town nestled in the hills of North India, bears the traces of English influences in its essence. Inhabitants of this town carry the heritage of English ancestry in their veins, yet their hearts resonate with India as their true home. The beating heart of this town is the community garden known as Green Park. It is the very spot where Archibald ‘Archie’ Andrews (Agastya Nanda), Ethel Muggs (Aditi Saigal aka Dot.), Betty Cooper (Khushi Kapoor), Jughead Jones (Mihir Ahuja), Veronica Lodge (Suhana Khan), Reggie Mantle (Vedang Raina), and Dilton Doiley (Yuvraj Menda) took their initial steps as infants, following their birth in 1947. The resilience of their friendship and the future of the town are put to the test when a suggestion is put forth to construct a hotel instead of the park. Amidst the challenges, they navigate matters of the heart on the threshold of adulthood.

Co-written with her collaborators Ayesha Devitre Dhillon and Reema Kagti, Zoya incorporates multiple themes and concerns, and let me tell you, it’s a delicate path to navigate. Yet, it’s an ingenious move to employ cinema in the form of a musical to convey a message to a new generation that appears to be lost in the pursuit of validation through meaningless reels and endless scrolling on Instagram. The fear of maturing and taking on adult responsibilities, the shared social responsibility, the need for free press and critique, conflicts between humanity and nature, and the imperative need to engage in politics seamlessly align within the narrative, without any element standing out conspicuously. Incorporating all these elements, the film takes a sweeping journey down memory lane to a time when our lives were brimming with innocence and idealism. It harks back to an era where our eyes sparkled with aspirations and ambition. The melodies crafted by Shankar-Ehsaan-Loy, Ankur Tewari and The Islanders perfectly capture the essence of The Archies. From the attire to the production design overseen by Suzanne Caplan Merwanji, to the cinematography skillfully executed by Nikos Anaritsakis, you’ll find yourself irresistibly pulled into this world as it unfolds in front of you. One aspect that the film might be criticized for is its length, an aspect where editor Nitin Baid could have exercised more consideration.

Setting that aside, there isn’t a single false note that can be pinpointed in the performances delivered by the film’s young cast. Agastya effortlessly embodies Archie, a character that occasionally flirts, infusing idealism with his charm. Dot., as Ethel, is delightfully ambitious, and her character resonated with me the most. Vedang effectively portrays the neighborhood heartthrob Reggie, while Mihir, as Archie’s bro-dude Jughead, is hilariously on point. Suhana is aptly yet unconventionally cast as Veronica, a daddy’s princess with a heart. Khushi embodies the perfect girl-next-door who loves to bake. However, my favorite performance has to be Yuvraj as Dilton, the genius whose moment of truth will leave you deeply moved.

The Archies arrives on Netflix as an early Christmas gift, one that will leave you with a heartwarming feeling. It’s a film that you’d cherish revisiting with your friends on lazy Sunday afternoons.

Bollywood

Delhi HC adjourns Salman Khan’s plea against release of ‘Kala Hiran’ till July 1

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New Delhi, June 19: The Delhi High Court on Friday adjourned the hearing on Bollywood actor Salman Khan’s plea seeking to restrain the release of the proposed film “Kala Hiran”, without granting any interim relief at this stage.

A vacation Bench of Justice Madhu Jain directed that a complete copy of the plaint and accompanying documents be supplied to the respondent filmmaker and listed the matter for hearing on July 1.

During the hearing, Salman Khan’s counsel, advocate Nizam Pasha, submitted that the film is purportedly based on the actor’s life and has been produced without his consent.

While pressing for interim relief, Pasha also informed the high court that the poster and trailer of the film had already been released, though the release date of the movie is yet to be announced.

Opposing the plea for urgent relief, counsel appearing for the filmmakers submitted that they had not been served the complete set of documents in the case.

“On Wednesday, they served me only a copy of the application, not the plaint,” the counsel argued, adding that the filmmakers were receiving death threats over the project and that an FIR had already been lodged.

After hearing the parties, the Delhi High Court directed Salman Khan to furnish the complete set of documents, including the plaint, to the respondent and fixed the matter for arguments on July 1. Shortly thereafter, the actor’s counsel mentioned the matter again and contended that the filmmakers had already been served, seeking an earlier hearing date.

However, Justice Jain observed that the matter had already been listed in July and declined to advance the hearing.

The dispute reached the Delhi High Court days after Salman Khan’s legal team issued a notice to the makers of “Kala Hiran: The Battle for Legacy”, asking them to halt the release of the film and remove all promotional material, including posters and publicity content.

Directed by Bharat S. Shrinet and produced by Amit Jani, the film is inspired by the blackbuck poaching case involving Salman Khan and also portrays his alleged rivalry with gangster Lawrence Bishnoi. The makers have described it as a blend of courtroom drama and crime thriller mounted on an international scale.

The controversy surrounding the film has intensified in recent days, with producer Jani alleging that he has been receiving death threats ahead of the movie’s release. On June 18, Jani claimed that a Pakistani terrorist had threatened him with a drone and grenade attack over the film and said that he had informed the Union Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Subsequently, Jani alleged that he received a second death threat within 24 hours.

In a complaint lodged with police in Jodhpur, he claimed that an unidentified caller, identifying himself as a Salman Khan fan, threatened to kill him within three days. The producer urged authorities to immediately register a case and arrest the accused.

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Bollywood

AICWA demands high-level investigation into actor Sanchita Ugale’s suicide

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Mumbai, June 15: The sudden demise of actress Sanchita Ugale has left the entire television industry in a state of shock.

All India Cine Workers Association (AICWA) President Suresh Shyamlal Gupta has now urged the Chief Minister of Maharashtra, Devendra Fadnavis, to order a high-level inquiry into the death of Sanchita Ugale.

AICWA has requested an in-depth investigation into every possible angle of the case to ensure justice to the deceased and his family.

An official statement shared by the Association read, “Her untimely departure has left her family shattered and the entire Indian film industry mourning the loss of a young talent whose memories will live on forever.”

“Every life is precious. The truth behind this tragic incident must come out, and the family of Sanchita Ugale deserves nothing less than a fair, impartial, and thorough investigation. AICWA urges the authorities to leave no stone unturned and to ensure that all aspects of this case are examined with complete transparency,” they further shared

AICWA has further urged the Government of Maharashtra and the concerned authorities to establish a dedicated committee to examine the increasing number of deaths and mental health-related crises being reported within the entertainment industry.

Additionally, they have also asked to review the safety, well-being, and support systems available to the artists.

“In recent years, the Indian entertainment industry has witnessed several deaths and alleged suicide cases. In many instances, questions raised by family members, colleagues, and the public have remained unanswered. Therefore, it is essential that investigators examine all available evidence, circumstances, and possible angles in this case with complete transparency,” the statement further read.

According to police reports, Sanchita Ugale died by suicide at her residence in Sai Santoshi Building, in Nalasopara East, Mumbai. The unfortunate incident took place on June 14 between 7:00 pm and 7:30 pm.

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Crime

Maha govt orders probe into Pranit More’s videos on social media, digital platforms

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Mumbai, June 14: The controversy surrounding alleged objectionable remarks made during stand-up comedian Pranit More’s show has further intensified as the Maharashtra Home Department has directed a detailed investigation into the video content available on his social media accounts and other digital platforms.

The investigation has been handed over to the Maharashtra Cyber Police. The cyber team will now examine videos from various shows of the comedian, viral video clips, and other online content as part of the probe.

Meanwhile, Pranit More issued an apology on Saturday amid mounting criticism over the viral “Rs 370 Biryani” clip, saying he deserved the backlash and requested people to give him one more chance.

In a video shared on Instagram, More said: “I wanted to talk to all of you about this, but my Instagram account was suspended. You have seen the crowd-work video circulating on social media, and I have been receiving a lot of hate because of it.”

The comedian admitted that he made a mistake by not intervening when inappropriate remarks were made during the performance.

“I feel I deserve this hate. During the crowd-work session, the man made several derogatory comments. Everyone was laughing, and I, too, got carried away. It was a lapse in judgment. I believe it was my biggest mistake. I could have taken a stand at that moment, but I did not,” he said.

More acknowledged that his reaction gave the remarks a platform and allowed the situation to escalate.

The National Commission for Women (NCW) on Thursday summoned More and web developer Himanshu Jangra over remarks allegedly made during a stand-up comedy show in Gurugram. The commission stated that the comments appeared to glorify sexual coercion and non-consensual conduct towards a woman.

Significantly, KEM Hospital and Seth G.S. Medical College on Saturday sent MBBS student Sejal Pawar on a 15-day forced leave on Saturday following a controversy surrounding a viral social media video in which she allegedly made objectionable remarks during the same stand-up comedy show.

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