Bollywood
‘Lock Upp’: Ali Merchant eliminated as he failed to entertain
Actor and DJ Ali Merchant’s journey on ‘Lock Upp’ has finally ended and he has been evicted from the show.
Ali entered the show as a wild card contestant. But he got eliminated because the host Kangana Ranaut felt that he failed to entertain the audience.
Ali has revealed several secrets on the show like he opened up about his failed second marriage due to his career as a DJ and his ex-wife’s orthodox upbringing.
His ex-wife Sara Khan blamed him for her eviction. In one of the episodes, Sara had also revealed how Ali cheated on her with one of their spa workers.
On the question that he was unable to keep audiences interested during his elimination, Ali said he is more of a good guy than a badass one that fitted more in this show.
‘Lock Upp’ streams on ALTBalaji and MX Player.
Bollywood
Kangana Ranaut’s Emergency To Finally Hit Theatres In 2025, New Release Date Announced For 4th Time
It will indeed be a happy new year for actress Kangana Ranaut as her much-hyped film, Emergency, will finally see the light of the day in 2025. After several setbacks, delays and controversies, the film is now all set to hit the silver screens on January 17, 2025.
Kangana took to her social media handles on Monday to announce the new release date of Emergency. “17th January 2025 – The epic saga of the nation’s most powerful woman and the moment that altered India’s destiny. #Emergency – Unveils Only in cinemas on 17.01.2025! (sic),” she wrote.
In the poster, Kangana can be seen acing the ‘Indira Gandhi look’, along with Anupam Kher, Shreyas Talapde, Vishak Nair and Milind Soman. While Kher will be seen essaying the role of JP Narayan, Shreyas will play Atal Bihari Vajpayee. Vishak Nair grabbed eyeballs as Sanjay Gandhi in the trailer, and Milind Soman will play Field Marshal Sam Manekshaw in the upcoming film.
This is the fourth time that the makers have announced a release date for Emergency. The film was first supposed to release in November 2023, but it was then pushed to June 2024. The film was once again postponed to September 6, 2024, however, just days before the D-day, the Censor Board refused to grant the film a valid certificate.
Several Sikh bodies objected to certain incidents shown in Emergency and moved court, stating that the film will show their community in a negative light. Taking in cognizance their plea, the CBFC did not give the censor certificate to Emergency, forcing the makers to push the film indefinitely.
It is to be noted that Emergency is even more special for Kangana as it marks her debut as a director. The film also stars Mahima Chaudhry, Satish Kaushik, and others in key roles.
Bollywood
Singham Again Movie Review: Ajay Devgn, Rohit Shetty’s ‘High-Voltage’ Ramayana Is Explosively Entertaining!
Title: Singham Again
Director: Rohit Shetty
Cast: Ajay Devgn, Deepika Padukone, Tiger Shroff, Arjun Kapoor, Ranveer Singh, Jackie Shroff, Akshay Kumar and Shweta Tiwari.
Where: In cinemas
Rating: 3 stars
Positioned and postured as a full-blown action entertainer to be enjoyed with your family, Rohit Shetty brings Ajay Devgn’s Bajirao Singham back to narrate the modern day Ramayana, replete with a bunch of B-town stars to do justice to the epic saga that shows the ultimate victory of good over evil. So, right from Sita-haran (Sita’s abduction) to Jatayu’s sacrifice to Lanka-dahan, every chapter must unfold with cinematic liberty and melodrama that must serve justice to every key situation of the epic battle.
And truth be stated, we get the events, and we even cheer for every sequence and subtext that the film mounts to showcase the Ram Vs Ravan battle. Right from the unconditional love of Laxman and Bharat to the ultimate loyalty of Hanuman to Sita’s cruel abduction– every character has a context placement and contemplation to ruminate over. But hang on a sec! Who is Deepika placed as in this tale? She is neither Shabri, Shurpanakha or Mandodri. Her character seems as misfit and misplaced as her poor acting and her wobbly (read: horribly put on and off-putting) accent!
While the rest of the star cast plays to the gallery amidst the ear-splitting background score, Deepika sticks out like a sore thumb as the lady Singham.
At 2 hours and 24 minutes, Shetty unleashes the mega star-power of his film, and how! From Simmba (Ranveer Singh) to Sooryavanshi (Akshay Kumar), everybody jumps in to offer their bit to ensure that the audience remains engaged and entertained. Equally engaging and pleasant are the backdrops against which the makers have set the pieces of the narrative. Every locale is either scenic, handsomely mounted or ‘explosive’ with the trademark sign of Shetty pasted all over.
The story is simple and straight to state the obvious. Bajirao Singham nabs a notorious terrorist (Jackie Shroff) and his arrest triggers another baddie (Arjun Kapoor) to abduct Singham’ wife (Kareena Kapoor Khan). So, what’s the connection between these two events, you may wonder! You will have to watch the film to find out the link, as Shetty gives you a backstory that sets the current tale rolling.
What’s remarkable is how the makers have designed the entry of each character, and how the sequences have been spaced out to do justice to every character that makes their presence felt. Nobody disappears or gets diluted in terms of the presence and storytelling in the name of cinematic liberty. Add to it Ranveer Singh’s over the top hysteria, Akshay Kumar’s reassuring screen-presence and Tiger Shroff’s crisp, but impactful action chops, and you would know how Shetty elevates the film as a sheer entertainer worthy of all the whistles and cheers.
The sequence where Ranveer sets Arjun Kapoor’s territory on fire or when Shetty brings Chulbul Pandey (Salman Khan) to spice up the already high-voltage drama is incredible!
For a strory where you know how everything is going to unfold and conclude like, Shetty brings his A game to the table to showcase his strength –which is action and comedy–and dare we say, he doesn’t miss a single beat. While some sequences look stretched out beyond their capacities, and some could easily have been edited out, all in all one enjoys this ‘copverse’ studded with bharpoor dialoguebaazi and seemingly never ending ‘action’.
Bollywood
Salman Khan To Shoot For Singham Again Cameo In Mumbai With 120 Guards, 30 Cops
After much back and forth, Bollywood superstar Salman Khan will be fulfilling his commitment of his character Chulbul Pandey’s cameo in Rohit Shetty’s “Singham Again” and will be shooting for it amidst tight security.
the superstar will be shooting in a studio, which cannot be named due to security reasons.
The source said: “Salman Khan will be fulfilling his commitment of Chulbul Pandey cameo in “Singham Again” at 4.00 P.M. today at a Mumbai Suburban Studio. The studio name cannot be given due to security reasons.”
The source also shared that the superstar was advised to not shoot at the moment given the security reasons after politician Baba Siddique was gunned down by three assailants.
The source said: “Mumbai Police and officials had advised to not shoot at the moment for security reasons but to fulfill his commitments given to Rohit he has decided to shoot today amidst 120 individual security guards and 30 police officials.”
It was earlier reported that Salman will not be making a special appearance in the Ajay Devgn-starrer “Singham Again” amid security concerns.
The third installment from the “Singham” franchise has a motley of stars. It has Ajay as Bajirao Singham, Ranveer Singh as Simmba, Akshay Kumar as DCP Veer Sooryavanshi, Kareena Kapoor as Bajirao Singham’s wife Avni, Deepika Padukone as police officer Shakti Shetty, Ravi Kishan, Jackie Shroff and Tiger Shroff.
Actor Arjun Kapoor will be seen playing the role of antagonist named Danger Lanka. The film will have a contemporary spin to the “Ramayana” and is slated to be released on Diwali on November 1.
It was on October 12 night, when NCP leader and former Maharashtra minister Baba Siddiqui was murdered by three armed men. He was attacked outside son Zeeshan Siddique’s office in Mumbai’s Bandra area.
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