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The Nightingale will live forever in her 50,000 songs in 14 languages

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As the flames leapt up to consume the mortal remains of Lata Mangeshkar, Gulzar’s words set to R.D. Burman’s music, which the Nightingale immortalised with her ageless voice — “Meri awaaz hi pehchaan hai …” — kept swirling in the hearts and minds of her followers around the world.

There couldn’t have been more appropriate words to encapsulate the truth that only a few souls are able to stir the consciousness of generations, transcending all boundaries. Lata Mangeshkar was one of those rare souls.

The Nightingale’s radiant image seemed to shine above the political and tinsel stars who had converged at Mumbai’s Shivaji Park to pay their final respects to the departed soul. More than her smile, that famous twinkle in her eye seemed to assure Lataji’s countless fans that she was very much there.

And how can she ever go away? Each of her more than 50,000 songs in 14 languages will ensure her immortality.

As much as her voice is mesmerising, equally her carefully draped saree and tightly held hair with a small round ‘bindi’ in the middle of her forehead will remain etched in the memory of every Indian. She looked very much like a goddess in ‘avatar’. It wasn’t without a reason that generations has regarded Lataji as Goddess Saraswati incarnate.

Lata Didi, as the nation fondly calls her, has forever set the standards that perhaps may never be matched. Singing will never be like hers, although clones are in thousands.

Songs for every mood, every age, all seasons, festivals, celebrations, all occasions of happiness or sadness. From spiritually uplifting bhajans to soothing romantic numbers, to racy, pacy tracks, she did them all in her 73-year career as the voice of the nation.

Not a day or hour goes by when her songs are not being aired, sung by talent hunt participants, or remixed by sound engineers. remixed is not being aired or even hummed. Even for the upcoming generation, her songs are the lessons to be learnt and in musical talent shows aired on TV channels or FM radio, it is mostly her songs that are sung.

Lataji continues to live in her songs. She has been immortalised in her songs, and each time a song by her is sung, Lataji will come alive.

All her songs are iconic; each is unique in its own style. There is no one that is the best, because all are the best. Her voice gave that magical touch to Hindi movies that have always been mostly about song and dance.

Lataji is every singer’s dream, and for the masses her songs are emotions that they have grown with. Listening to her songs on the radio and TV, seeing them picturised in movies, singing them in school and college competitions, or in ‘antaksharis’, and dancing to them in wedding sangeet ceremonies, we have lived Lataji’s songs for decades. They have been a part of the growing-up years of all Indians. Lata Mangeshkar has always been there, the quintessential diet of our emotions.

“Meri awaaz hi pehchaan hai … chehra ye badal jayege … meri awaaz hi pechaan hai … ghar yaad rahe” (My voice will be my identity even if the way I look changes). Gulzar sahab seemed to have written these words, which Lataji sang with Bhupinder Singh in ‘Kinara’ in 1977, inspired by her life.

Lata Didi, as the world will always remember her as, her voice and her face radiating magnanimity will never fade away.

Bollywood

Aditya Roy Kapur, Anil Kapoor’s The Night Manager Gets Nominated In Emmys 2024

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Aditya Roy Kapur, Anil Kapoor's The Night Manager Gets Nominated In Emmys 2024

The Indian version of “The Night Manager”, starring Anil Kapoor, Aditya Roy Kapoor and Sobhita Dhulipala, has received a nomination in the drama series category at the 2024 International Emmy Awards.

“The Night Manager” was the only entry from India across 14 categories at the nominations that were announced on Thursday in New York by the International Academy of Television Arts & Sciences.

The series, directed by Sandeep Modi and Priyanka Ghose, is adapted from both — the John le Carré’s novel and the British show, starring Tom Hiddleston, Hugh Laurie and Olivia Colman.

“The Night Manager” will compete with French show “Les Gouttes de Dieu” (Drops of God), “The Newsreader – Season 2” from Australia and “Iosi, El Espia Arrepentido” season two from Argentina in the category.

Actor Anil Kapoor, who played the role of antagonist Shelly Rungta in the series, said he is “ecstatic” over the nomination, which is a “worthy reminder” that hard work always pays off.

“It’s just been brought to my attention that our Indian adaptation of ‘The Night Manager’ has been nominated for an International Emmy. I remember when the offer came in, I was conflicted. It offered me the opportunity to play a character so complex, but also, on the other hand, the huge responsibility of trying to add newness and authenticity to a part that had been played so masterfully by Hugh Laurie.

“This validation from the Emmys, in addition to the tremendous love that we have received from fans worldwide, is a worthy reminder that hard work always pays.. I am ecstatic and hungrier than ever before for what’s to come,” the actor said.

The International Emmys, to be held in New York on November 25, will be hosted by Indian comedian Vir Das, who won an award last year for his stand-up special “Landing”.

Nominees for International Emmys come from different countries such as Argentina, Australia, Belgium, Brazil, India, Chile, Colombia, France, Japan, Germany and many others.

“Every year the international television community competes to be recognized on the International Emmys’ much coveted global stage,” said International Academy President & CEO Bruce L. Paisner.

“We congratulate the Nominees for their outstanding programs and performances, they are once again a testament to the universal appeal of great storytelling across all genres, countries and cultures,” Paisner said.

The other nominee categories are for best performance by an actor, actress, comedy, documentary, non-scripted entertainment, short-form series, sports documentary, telenovela, TV movie / mini-series, kids: animation, kids: factual, kids: live-action.

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Kangana Ranaut’s Emergency Release Update: Bombay HC Asks CBFC To Take A Decision By September 25

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Kangana Ranaut's Emergency Release Update: Bombay HC Asks CBFC To Take A Decision By September 25

The Bombay High Court on Thursday (September 19) expressed displeasure over the Central Board of Film Certification (CBFC) sitting “over the fence” in issuing certification to the Kangana Ranaut-starrer “Emergency” and asked the censor board to take a decision by September 25.

Noting that creative freedom and freedom of expression cannot be curtailed, the court said that the censor board cannot refuse to certify a film just over the apprehension of law and order problems. It questioned whether the CBFC thought that people of this country are so naive to believe everything that is shown in a movie.

The HC was hearing a petition filed by Zee Entertainment Enterprises seeking direction to the CBFC to issue a certificate for the film “Emergency”.

“You (CBFC) have to take a decision one way or the other. You must have the courage to say this film cannot be released. At least then we will appreciate your courage and boldness. We don’t want the CBFC to sit on the fence,” a bench of Justices B P Colabawalla and Firdosh Pooniwalla said.

The movie was slated to release on September 6. However, the release was delayed following opposition by Sikh organisations including the Shiromani Akali Dal accusing that the movie was misrepresenting the community and getting historical facts wrong. The HC, on September 4, refused to grant urgent relief and directed the CBFC to consider the objections by the Sikh community and then issue certification by September 18.

CBFC counsel Abhinav Chandrachud informed the bench that the board’s chairman has referred the movie to the revising committee for final decision. He added that there was an element of apprehension of public disorder.

However, Zee’s counsel, Venkatesh Dhond contended that this was done to ensure that the movie is not released before October, when the elections are to be held in Haryana.

Irked by the fact that the CBFC had failed to comply with its earlier order and simply passed the buck from one department to another, the HC said that the censor board cannot conclude that there would be a law and order problem and hence refuse to certify the movie. “This has to stop. Otherwise we are completely curtailing creative freedom and freedom of expression by doing all this… Does the CBFC think the public in this country are so naïve and stupid to believe everything they see in films? What about creative freedom?” the bench asked.

The judges wondered why people had become sensitive to what was being shown in movies. “We don’t see why people are so sensitive. My community is made fun of all the time in movies. We don’t say anything. We just laugh and move on,” Justice Colabawalla said on a lighter note.

Dhond submitted that the movie’s release was being delayed due to political reasons. Questioning the political angle, the bench asked if the petitioner claimed that the ruling party was against Ranaut, who is not just the co-producer of the movie but also a sitting BJP Member of Parliament.

However, Dhond said that the ruling party was willing to displease a sitting parliamentarian just to appease a particular section of society.

The HC has asked the CBFC to take a decision by September 25 and communicate the same to the filmmakers.

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Sohum Shah Announces Tumbbad 2 Following First Part’s Re-Release: ‘Bigger Twists, More Intense Exploration’

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Sohum Shah Announces Tumbbad 2 Following First Part's Re-Release: 'Bigger Twists, More Intense Exploration'

Actor Sohum Shah on Saturday announced a sequel to his 2018 critically acclaimed film, “Tumbbad”, a day after the movie was re-released in theatres. Directed by Rahi Anil Barve, the atmospheric horror drama received critical acclaim upon its release six years ago. It was produced by the actor under his banner Sohum Shah Films.

Shah assured fans that the sequel of “Tumbbad” will dig deeper into the theme of greed. “‘Tumbbad’ has been a special journey and a labour of love for us, and to see the love it continues to receive is overwhelming and only ratifies our belief and ethos of Sohum Shah Films, that content is king.

“With ‘Tumbbad 2’, we want to push the cinematic experience and boundaries even further. ‘Tumbbad 2’ will take audiences deeper into the world we’ve created, with bigger twists and a more intense exploration of what happens when greed knows no limits,” the actor-producer said in a statement.

Set in a Maharashtra village, “Tumbbad” explores Vinayak Rao’s (Shah) descent into greed and obsession as he seeks out a mythical treasure guarded by the malevolent entity Hastar. With the sequel, the makers promise an even more gripping narrative that builds on the dark, mythical universe of “Tumbbad”, the press release said.

“Tumbbad”, which was re-released in theatres on Friday, received a positive response from the audience.

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