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The Nightingale will live forever in her 50,000 songs in 14 languages

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As the flames leapt up to consume the mortal remains of Lata Mangeshkar, Gulzar’s words set to R.D. Burman’s music, which the Nightingale immortalised with her ageless voice — “Meri awaaz hi pehchaan hai …” — kept swirling in the hearts and minds of her followers around the world.

There couldn’t have been more appropriate words to encapsulate the truth that only a few souls are able to stir the consciousness of generations, transcending all boundaries. Lata Mangeshkar was one of those rare souls.

The Nightingale’s radiant image seemed to shine above the political and tinsel stars who had converged at Mumbai’s Shivaji Park to pay their final respects to the departed soul. More than her smile, that famous twinkle in her eye seemed to assure Lataji’s countless fans that she was very much there.

And how can she ever go away? Each of her more than 50,000 songs in 14 languages will ensure her immortality.

As much as her voice is mesmerising, equally her carefully draped saree and tightly held hair with a small round ‘bindi’ in the middle of her forehead will remain etched in the memory of every Indian. She looked very much like a goddess in ‘avatar’. It wasn’t without a reason that generations has regarded Lataji as Goddess Saraswati incarnate.

Lata Didi, as the nation fondly calls her, has forever set the standards that perhaps may never be matched. Singing will never be like hers, although clones are in thousands.

Songs for every mood, every age, all seasons, festivals, celebrations, all occasions of happiness or sadness. From spiritually uplifting bhajans to soothing romantic numbers, to racy, pacy tracks, she did them all in her 73-year career as the voice of the nation.

Not a day or hour goes by when her songs are not being aired, sung by talent hunt participants, or remixed by sound engineers. remixed is not being aired or even hummed. Even for the upcoming generation, her songs are the lessons to be learnt and in musical talent shows aired on TV channels or FM radio, it is mostly her songs that are sung.

Lataji continues to live in her songs. She has been immortalised in her songs, and each time a song by her is sung, Lataji will come alive.

All her songs are iconic; each is unique in its own style. There is no one that is the best, because all are the best. Her voice gave that magical touch to Hindi movies that have always been mostly about song and dance.

Lataji is every singer’s dream, and for the masses her songs are emotions that they have grown with. Listening to her songs on the radio and TV, seeing them picturised in movies, singing them in school and college competitions, or in ‘antaksharis’, and dancing to them in wedding sangeet ceremonies, we have lived Lataji’s songs for decades. They have been a part of the growing-up years of all Indians. Lata Mangeshkar has always been there, the quintessential diet of our emotions.

“Meri awaaz hi pehchaan hai … chehra ye badal jayege … meri awaaz hi pechaan hai … ghar yaad rahe” (My voice will be my identity even if the way I look changes). Gulzar sahab seemed to have written these words, which Lataji sang with Bhupinder Singh in ‘Kinara’ in 1977, inspired by her life.

Lata Didi, as the world will always remember her as, her voice and her face radiating magnanimity will never fade away.

Bollywood

Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

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Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.

Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.

Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”

The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”

In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”

“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.

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Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

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Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.

Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.

The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”

In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”

A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).

The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.

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Singer Rochak Kohli shares how AI is empowering musicians

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Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.

In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.

“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”

When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”

Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”

Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”

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