Bollywood
The Nightingale will live forever in her 50,000 songs in 14 languages
As the flames leapt up to consume the mortal remains of Lata Mangeshkar, Gulzar’s words set to R.D. Burman’s music, which the Nightingale immortalised with her ageless voice — “Meri awaaz hi pehchaan hai …” — kept swirling in the hearts and minds of her followers around the world.
There couldn’t have been more appropriate words to encapsulate the truth that only a few souls are able to stir the consciousness of generations, transcending all boundaries. Lata Mangeshkar was one of those rare souls.
The Nightingale’s radiant image seemed to shine above the political and tinsel stars who had converged at Mumbai’s Shivaji Park to pay their final respects to the departed soul. More than her smile, that famous twinkle in her eye seemed to assure Lataji’s countless fans that she was very much there.
And how can she ever go away? Each of her more than 50,000 songs in 14 languages will ensure her immortality.
As much as her voice is mesmerising, equally her carefully draped saree and tightly held hair with a small round ‘bindi’ in the middle of her forehead will remain etched in the memory of every Indian. She looked very much like a goddess in ‘avatar’. It wasn’t without a reason that generations has regarded Lataji as Goddess Saraswati incarnate.
Lata Didi, as the nation fondly calls her, has forever set the standards that perhaps may never be matched. Singing will never be like hers, although clones are in thousands.
Songs for every mood, every age, all seasons, festivals, celebrations, all occasions of happiness or sadness. From spiritually uplifting bhajans to soothing romantic numbers, to racy, pacy tracks, she did them all in her 73-year career as the voice of the nation.
Not a day or hour goes by when her songs are not being aired, sung by talent hunt participants, or remixed by sound engineers. remixed is not being aired or even hummed. Even for the upcoming generation, her songs are the lessons to be learnt and in musical talent shows aired on TV channels or FM radio, it is mostly her songs that are sung.
Lataji continues to live in her songs. She has been immortalised in her songs, and each time a song by her is sung, Lataji will come alive.
All her songs are iconic; each is unique in its own style. There is no one that is the best, because all are the best. Her voice gave that magical touch to Hindi movies that have always been mostly about song and dance.
Lataji is every singer’s dream, and for the masses her songs are emotions that they have grown with. Listening to her songs on the radio and TV, seeing them picturised in movies, singing them in school and college competitions, or in ‘antaksharis’, and dancing to them in wedding sangeet ceremonies, we have lived Lataji’s songs for decades. They have been a part of the growing-up years of all Indians. Lata Mangeshkar has always been there, the quintessential diet of our emotions.
“Meri awaaz hi pehchaan hai … chehra ye badal jayege … meri awaaz hi pechaan hai … ghar yaad rahe” (My voice will be my identity even if the way I look changes). Gulzar sahab seemed to have written these words, which Lataji sang with Bhupinder Singh in ‘Kinara’ in 1977, inspired by her life.
Lata Didi, as the world will always remember her as, her voice and her face radiating magnanimity will never fade away.
Bollywood
Singham Again Movie Review: Ajay Devgn, Rohit Shetty’s ‘High-Voltage’ Ramayana Is Explosively Entertaining!
Title: Singham Again
Director: Rohit Shetty
Cast: Ajay Devgn, Deepika Padukone, Tiger Shroff, Arjun Kapoor, Ranveer Singh, Jackie Shroff, Akshay Kumar and Shweta Tiwari.
Where: In cinemas
Rating: 3 stars
Positioned and postured as a full-blown action entertainer to be enjoyed with your family, Rohit Shetty brings Ajay Devgn’s Bajirao Singham back to narrate the modern day Ramayana, replete with a bunch of B-town stars to do justice to the epic saga that shows the ultimate victory of good over evil. So, right from Sita-haran (Sita’s abduction) to Jatayu’s sacrifice to Lanka-dahan, every chapter must unfold with cinematic liberty and melodrama that must serve justice to every key situation of the epic battle.
And truth be stated, we get the events, and we even cheer for every sequence and subtext that the film mounts to showcase the Ram Vs Ravan battle. Right from the unconditional love of Laxman and Bharat to the ultimate loyalty of Hanuman to Sita’s cruel abduction– every character has a context placement and contemplation to ruminate over. But hang on a sec! Who is Deepika placed as in this tale? She is neither Shabri, Shurpanakha or Mandodri. Her character seems as misfit and misplaced as her poor acting and her wobbly (read: horribly put on and off-putting) accent!
While the rest of the star cast plays to the gallery amidst the ear-splitting background score, Deepika sticks out like a sore thumb as the lady Singham.
At 2 hours and 24 minutes, Shetty unleashes the mega star-power of his film, and how! From Simmba (Ranveer Singh) to Sooryavanshi (Akshay Kumar), everybody jumps in to offer their bit to ensure that the audience remains engaged and entertained. Equally engaging and pleasant are the backdrops against which the makers have set the pieces of the narrative. Every locale is either scenic, handsomely mounted or ‘explosive’ with the trademark sign of Shetty pasted all over.
The story is simple and straight to state the obvious. Bajirao Singham nabs a notorious terrorist (Jackie Shroff) and his arrest triggers another baddie (Arjun Kapoor) to abduct Singham’ wife (Kareena Kapoor Khan). So, what’s the connection between these two events, you may wonder! You will have to watch the film to find out the link, as Shetty gives you a backstory that sets the current tale rolling.
What’s remarkable is how the makers have designed the entry of each character, and how the sequences have been spaced out to do justice to every character that makes their presence felt. Nobody disappears or gets diluted in terms of the presence and storytelling in the name of cinematic liberty. Add to it Ranveer Singh’s over the top hysteria, Akshay Kumar’s reassuring screen-presence and Tiger Shroff’s crisp, but impactful action chops, and you would know how Shetty elevates the film as a sheer entertainer worthy of all the whistles and cheers.
The sequence where Ranveer sets Arjun Kapoor’s territory on fire or when Shetty brings Chulbul Pandey (Salman Khan) to spice up the already high-voltage drama is incredible!
For a strory where you know how everything is going to unfold and conclude like, Shetty brings his A game to the table to showcase his strength –which is action and comedy–and dare we say, he doesn’t miss a single beat. While some sequences look stretched out beyond their capacities, and some could easily have been edited out, all in all one enjoys this ‘copverse’ studded with bharpoor dialoguebaazi and seemingly never ending ‘action’.
Bollywood
Salman Khan To Shoot For Singham Again Cameo In Mumbai With 120 Guards, 30 Cops
After much back and forth, Bollywood superstar Salman Khan will be fulfilling his commitment of his character Chulbul Pandey’s cameo in Rohit Shetty’s “Singham Again” and will be shooting for it amidst tight security.
the superstar will be shooting in a studio, which cannot be named due to security reasons.
The source said: “Salman Khan will be fulfilling his commitment of Chulbul Pandey cameo in “Singham Again” at 4.00 P.M. today at a Mumbai Suburban Studio. The studio name cannot be given due to security reasons.”
The source also shared that the superstar was advised to not shoot at the moment given the security reasons after politician Baba Siddique was gunned down by three assailants.
The source said: “Mumbai Police and officials had advised to not shoot at the moment for security reasons but to fulfill his commitments given to Rohit he has decided to shoot today amidst 120 individual security guards and 30 police officials.”
It was earlier reported that Salman will not be making a special appearance in the Ajay Devgn-starrer “Singham Again” amid security concerns.
The third installment from the “Singham” franchise has a motley of stars. It has Ajay as Bajirao Singham, Ranveer Singh as Simmba, Akshay Kumar as DCP Veer Sooryavanshi, Kareena Kapoor as Bajirao Singham’s wife Avni, Deepika Padukone as police officer Shakti Shetty, Ravi Kishan, Jackie Shroff and Tiger Shroff.
Actor Arjun Kapoor will be seen playing the role of antagonist named Danger Lanka. The film will have a contemporary spin to the “Ramayana” and is slated to be released on Diwali on November 1.
It was on October 12 night, when NCP leader and former Maharashtra minister Baba Siddiqui was murdered by three armed men. He was attacked outside son Zeeshan Siddique’s office in Mumbai’s Bandra area.
Bollywood
‘Aur Kitna Overacting…’: Sunny Deol Unveils Intense FIRST Look Poster Of Jatt, Leaves Netizens Disappointed
Bollywood star Sunny Deol’s upcoming action movie with filmmaker Gopichand Malineni has been titled Jaat. Touted as a film with high-octane drama and larger-than-life action sequences, Jaat is produced by Mythri Movie Makers and People Media Factory, the makers said in a statement.
Sunny Deol, whose last film Gadar 2 became a huge blockbuster, shared a poster of the new movie on his social media handles.
“Introducing the man with a national permit for MASSIVE ACTION. @iamsunnydeol in and as #JAAT #SDGM is #JAAT… MASS FEAST LOADING,” the 67-year-old actor wrote on Instagram.
Netizens Reacts
As soon as Sunny shared the post on social media, media netizens reacted to his latest poster. While some appreciated it and compared it to Marvel, the other trolled the actor for his look and the poster. One of the user wrote, “Pehle laga Marvel ka koi naya movie hai.”
Another user wrote, “Half boyfriend chahiye.”
The third user commented, “No hate to Sunny Deol but bilkul faltu poster ha.”
“Aur kitna overacting karega ye buddha”, the comment reads.
Malineni is best known for directing Telugu action films such as Don Seenu, Bodyguard, Balupu, and Veera Simha Reddy.
Jaat will also feature Randeep Hooda, Vineet Kumar Singh, Saiyami Kher and Regina Cassandra in pivotal roles. Ace composer Thaman S has provided music for the film.
The film is produced by Naveen Yerneni and Y Ravi Shankar of Mythri Movie Makers, alongside TG Vishwa Prasad of People Media Factory.
The music of the film is composed by Thaman S and cinematography by Rishi Punjabi, Naveen Nooli is the Editor, and Avinash Kolla is the production designer. Peter Hein, Anl Arasu, Ram Laxman, and Venkat are the action choreographers.
-
Maharashtra1 month ago
Mumbai Local Train Update: Central Railway’s New Timetable Comes Into Effect; Check Full List Of Revised Timings & Stations
-
Crime2 years ago
Class 10 student jumps to death in Jaipur
-
Maharashtra2 months ago
False photo of Imtiaz Jaleel’s rally, exposing the fooling conspiracy
-
National News1 month ago
Ministry of Railways rolls out Special Drive 4.0 with focus on digitisation, cleanliness, inclusiveness and grievance redressal
-
Maharashtra1 month ago
Mumbai To Go Toll-Free Tonight! Maharashtra Govt Announces Complete Toll Waiver For Light Motor Vehicles At All 5 Entry Points Of City
-
Crime1 month ago
Baba Siddique Murder: Mumbai Police Unable To Get Lawrence Bishnoi Custody Due To Home Ministry Order, Says Report
-
National News2 months ago
J&K: 4 Jawans Killed, 28 Injured After Bus Carrying BSF Personnel For Poll Duty Falls Into Gorge In Budgam; Terrifying Visuals Surface
-
Bollywood2 months ago
Aditya Roy Kapur, Anil Kapoor’s The Night Manager Gets Nominated In Emmys 2024