Entertainment
The Archies Review: Zoya Akhtar Brings The Perfect Christmas Movie Date That Is Contemporary And Replete With Messaging

Director: Zoya Akhtar
Cast: Agastya Nanda, Aditi Saigal aka Dot. Khushi Kapoor, Mihir Ahuja, Suhana Khan, Vedang Raina, Yuvraj Menda, Santana Roach, Rudra Mahuvarkar, Alyy Khan, Luke Kenny, Vinay Pathak, Koel Purie, Tara Sharma Saluja, Sheena Khalid, Delnaz Irani
Where: Streaming now on Netflix
Rating: 4 stars
Experiencing Zoya Akhtar’s sincere tribute to our cherished childhood comic feels deeply personal and, to some extent, cathartic. Having attended an Anglo-Indian institution and with my closest friends hailing from the community, Akhtar’s cultural portrayal resonates with remarkable accuracy.
In the initial stages of the film, a significant character recites a quote from William Faulkner: “You cannot swim for new horizons until you have the courage to lose sight of the shore.” Throughout Akhtar’s promotional campaign, she was often presented with a question that implied she had the freedom to create any film with desired actors and technicians, since she is well-positioned at the top of everyone’s wishlist. However, the filmmaker certainly understands how to enjoy the process and at times, prioritize art for its inherent purpose rather than solely for profit—an ethos that radiates throughout The Archies. As another character aptly notes, “to make art, you must go in, not out.” This clarifies her intention to establish a captivating world, with seven new faces taking centre-stage.
It is the year 1964, and Riverdale, a picturesque town nestled in the hills of North India, bears the traces of English influences in its essence. Inhabitants of this town carry the heritage of English ancestry in their veins, yet their hearts resonate with India as their true home. The beating heart of this town is the community garden known as Green Park. It is the very spot where Archibald ‘Archie’ Andrews (Agastya Nanda), Ethel Muggs (Aditi Saigal aka Dot.), Betty Cooper (Khushi Kapoor), Jughead Jones (Mihir Ahuja), Veronica Lodge (Suhana Khan), Reggie Mantle (Vedang Raina), and Dilton Doiley (Yuvraj Menda) took their initial steps as infants, following their birth in 1947. The resilience of their friendship and the future of the town are put to the test when a suggestion is put forth to construct a hotel instead of the park. Amidst the challenges, they navigate matters of the heart on the threshold of adulthood.
Co-written with her collaborators Ayesha Devitre Dhillon and Reema Kagti, Zoya incorporates multiple themes and concerns, and let me tell you, it’s a delicate path to navigate. Yet, it’s an ingenious move to employ cinema in the form of a musical to convey a message to a new generation that appears to be lost in the pursuit of validation through meaningless reels and endless scrolling on Instagram. The fear of maturing and taking on adult responsibilities, the shared social responsibility, the need for free press and critique, conflicts between humanity and nature, and the imperative need to engage in politics seamlessly align within the narrative, without any element standing out conspicuously. Incorporating all these elements, the film takes a sweeping journey down memory lane to a time when our lives were brimming with innocence and idealism. It harks back to an era where our eyes sparkled with aspirations and ambition. The melodies crafted by Shankar-Ehsaan-Loy, Ankur Tewari and The Islanders perfectly capture the essence of The Archies. From the attire to the production design overseen by Suzanne Caplan Merwanji, to the cinematography skillfully executed by Nikos Anaritsakis, you’ll find yourself irresistibly pulled into this world as it unfolds in front of you. One aspect that the film might be criticized for is its length, an aspect where editor Nitin Baid could have exercised more consideration.
Setting that aside, there isn’t a single false note that can be pinpointed in the performances delivered by the film’s young cast. Agastya effortlessly embodies Archie, a character that occasionally flirts, infusing idealism with his charm. Dot., as Ethel, is delightfully ambitious, and her character resonated with me the most. Vedang effectively portrays the neighborhood heartthrob Reggie, while Mihir, as Archie’s bro-dude Jughead, is hilariously on point. Suhana is aptly yet unconventionally cast as Veronica, a daddy’s princess with a heart. Khushi embodies the perfect girl-next-door who loves to bake. However, my favorite performance has to be Yuvraj as Dilton, the genius whose moment of truth will leave you deeply moved.
The Archies arrives on Netflix as an early Christmas gift, one that will leave you with a heartwarming feeling. It’s a film that you’d cherish revisiting with your friends on lazy Sunday afternoons.
Entertainment
Sharad Kelkar on language conflict: All Indian languages are beautiful, I’m Indian, first and foremost

Mumbai, July 5: Actor Sharad Kelkar, who is known for his work in television, and has voiced the iconic character of Baahubali for its Hindi version, has shared his opinion on the growing language conflicts between different states of India.
The actor recently spoke with IANS, and shared that though he prefers to stay away from politics, he surely respects all “beautiful” Indian languages that are spoken throughout the country.
He told IANS, “Honestly, I don’t want to get into political matters. I have no interest in it. Ask me about acting, and I’ll talk. Ask me why I haven’t done a Marathi film, and I’ll answer. But this isn’t about personal will or preference. I believe all Indian languages are beautiful. I’m Indian, first and foremost”.
The actor was also asked if he is the highest paid actor on his upcoming show, to which he responded by saying, “I’ve been working for over two decades. I’ve earned my place, and yes, I charge for it. What’s wrong with that? If someone is earning well, people should be happy—not jealous. It’s a sign of achievement. If an actor returns to television, it’s because they have value. No one’s calling you back just for nostalgia—you have to bring something to the table”.
He also shared about why in the current era of television, shows don’t run for years and actors don’t become household names.
He said, “The audience landscape has changed. OTT has brought in new content and platforms. Earlier, shows used to run for years and characters would live in people’s hearts. Now, shows are shorter, and people move on quickly. Many actors believe they aren’t getting recognition, but I think it’s the characters that become famous, not the actors themselves. I’ve been known as Nahar Singh, Barry B., Thakur, and Dr. Ashutosh—all character names”.
“If you keep reinventing yourself and present a new version every time, people might eventually remember your real name”, he added.
Bollywood
Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.
Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.
Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”
The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”
In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”
“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.
Bollywood
Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.
Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.
The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”
In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”
A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).
The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.
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