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SLB recalls how he was floored by KK’s ‘Tadap Tadap Ke’ scratch recording

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Bollywood hit filmmaker Sanjay Leela Bhansali was in shock after hearing about the demise of popular singer Krishnakumar Kunnath, better known by his stage name KK, on Tuesday night in Kolkata. He spoke in a media interview about his experience of working with the late singer and what he liked about his voice quality.

“How could KK just collapse and die like this? What a talent! What a singer! His voice had the throw of a pro,” Bhansali said.

As already reported by IANS, after his performance on May 31 at Nazrul Mancha, Kolkata, for a college fest, KK returned to his hotel and collapsed, after which he was rushed to the Calcutta Medical Research Institute (CMRI), where he was declared brought dead. He was 53.

The filmmaker recalled working with the late talented singer, saying: “I remember composer Ismail Durbar had come to me with the song ‘Tadap Tadap Ke’, it was in KK’s voice. Normally scratch recordings (sample recordings) are done in temporary voices. But when I heard the song, my first response was, ‘Oh my God! What a voice? Who is this? Where did you find him?'” He was speaking to Bollywood Hungama, the entertainment portal.

‘Tadap Tadap Ke’, as all KK fans would know, was picturised on Salman Khan and Aishwarya Rai in the hit 1999 film, ‘Hum Dil De Chuke Sanam’.

Bhansali continued: “Ismail said it was the voice of a singer named KK and he had heard him sing a song ‘Chhod Aaye Hum Woh Galiyan’ for Vishal Bhardwaj. I told Ismail that I loved the song ‘Tadap Tadap Ke’. But the voice must remain. I couldn’t imagine anyone else singing ‘Tadap Tadap Ke’.”

The filmmaker then talked about KK’s voice quality. He observed: “KK was a complete singer. His range and voice-throw were outstanding. He could have been more successful than he was. But he preferred to concentrate on quality rather than quantity. He was very particular about what he sang.”

He then went on to share his experience of working with KK for ‘Devdas’.

“He sang only some alaaps in Devdas,” he told Bollywood Hungama. “But in my film ‘Guzaarish’, when I became a full-fledged music composer for the first time, I wanted him to sing a number of songs. I think KK sang three of my most cherished compositions: ‘Daayen Baayen’, ‘Jaane Kisske Khwab’ and the title song ‘Guzaarish’.

“Of all these I cherish ‘Jaane Kisske Khwab’ the most. It is a special composition for me, made even more special by KK’s singing.”

Going into detail about KK’s way of singing and style for ‘Guzaarish’, Bhansali said: “KK insisted on sitting on a chair to singing the songs of ‘Guzaarish’. Normally. singers stand and record their songs. But KK insisted on singing seated. His reason was simple: ‘The main character (played by Hrithik Roshan) is a paraplegic, he is therefore going to sing the songs from a seated position, so will I.’ That was his level of dedication. He shouldn’t have gone so soon.”

Bollywood

Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

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Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.

Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.

Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”

The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”

In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”

“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.

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Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

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Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.

Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.

The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”

In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”

A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).

The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.

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Singer Rochak Kohli shares how AI is empowering musicians

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Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.

In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.

“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”

When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”

Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”

Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”

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