Bollywood
‘RRR’ release postponed, makers promise to bring back glory of cinemas at right time
Considering the rising Covid cases across the country and the tightening of civil restrictions, the makers of Ram Charan and Jr NTR-starrer ‘RRR’ have decided to postpone the release date of the film till further notice.
Earlier on Saturday, the film’s director S.S. Rajamouli flew down to Mumbai for a meeting with the stakeholders of the film. The outcome of the meeting was shared by DVV Entertainment, the production company which made the announcement with regards to the same on Twitter.
They tweeted, “Keeping the best interests of all the involved parties in mind, we are forced to postpone our film. Our sincere thanks to all the fans and audience for their unconditional love. #RRRPostponed #RRRMovie”.
The creative shared by the production company read, “Inspite of our relentless efforts, some situations are beyond our control. As many Indian states are closing theatres, we are left with no choice but to ask you to hold on to your excitement. We promised to bring back The Glory of Indian Cinema, and at the right time, WE WILL.”
Enlisting the impact of the move, media and internet research analyst Karan Taurani said, “This will be a big negative for exhibitors as it will also postpone other large Hindi and regional releases slated for January; cash burn for the chains would go up substantially even if cinemas are open without large scale content as it’s a high operating leverage business. It was only large scale content that was driving larger footfalls in the last 3-4 months of operation.”
“We don’t expect a large film to be released at least until March/April basis the normalcy of current situation; we may go back to the same situation of cinemas being asked to shut in some states or reduce occupancy cap, reversal of this takes at least 6-8 weeks in our view, which would be much lower this time around as compared to wave 1 and wave 2, wherein reversals took anywhere between 12-24 weeks,” he added.
Independent film and trade analyst Sumit Kadel says that it’s a good move on the makers’ part. He shares, “It’s a sensible decision from the perspective of the ‘RRR’ makers. Otherwise, it would have badly affected their collections.”
He adds, “The Tamil Nadu government’s recent directive of running cinema halls at 50 per cent occupancy made the makers postpone the film as it is one of the most important markets for Rajamouli films. Both ‘Baahubali 1’ and its sequel did exceptional business in the state. In the coming days more states would come up with restrictions, some will put a cap on the occupancy, some will shut the theatres.”
The state of Andhra Pradesh is also facing issues with regards to ticket pricing. Upset with the state government’s crackdown on rising ticket and refreshment prices, several theatre owners in the state have shut down their establishments saying that the price cap by the government is eating into their profits and impeding the recovery of cinemas.
In addition, the Arvind Kejriwal-led Delhi government recently issued a yellow alert asking cinema halls to shut down in the national capital in order to quell the bug. Mumbai too is expected to witness shutting of cinema halls as it registered 5,600 cases on Friday, a number which is likely to go up in the days to come, pushing the hub of financial activities and entertainment into partial or full lockdown.
A number of states are curtailing civil movements to avoid the explosion of the virus into a third wave, a move which will thereby dent the showbiz further.
Bollywood
Saif Ali Khan stabbing case: Actor met rickshaw driver in hospital ahead of getting discharged
Mumbai, Jan 22: A day after Saif Ali Khan was discharged, pictures of the auto-rickshaw driver Bhajan Singh Rana posing with the Bollywood star in the hospital before he left for home started to do the rounds on social media.
Rickshaw driver Bhajan Singh Rana was the one who took Saif to Lilavati hospital on January 16 after the Bollywood star was stabbed multiple times during a robbery attempt in his house in wee hours.
Before leaving the hospital for home, Saif personally called the rickshaw driver to meet him at the hospital.
In one image, the auto-rickshaw driver is sitting next to Saif on the hospital bed as they smile at the camera. Saif’s bruised hand is on Bhajan Singh Rana’s shoulder. In another photograph, the duo are standing and smiling at the lens.
The 54-year-old star, who is married to Bollywood actress Kareena Kapoor Khan, thanked the rickshaw driver and told him to feel free to ask for help whenever he needed.
Saif along with his veteran-actress mother Sharmila Tagore, expressed their gratitude towards Bhajan Singh Rana.
As per sources, Saif praised the rickshaw driver for his work and said: “Keep helping others like this. And as for the fare that day, don’t worry, it will be taken care of.”
He jokingly added: “If you ever need help in life, remember me.”
When Bhajan Singh Rana was asked how he reached the hospital, as all the media personnel were present, he told Media: “I entered the hospital wearing a mask.”
The auto rickshaw driver said that he had first got a call from Saif’s personal assistant.
He said that he “ just prayed” that the actor gets well.
“I took a few selfies with him. I took a few photos with him.”
The driver recalled the night, when Saif was stabbed and said that the actor asked him to drive slowly as it was a “little painful.”
Bollywood
Feroz Abbas calls performing ‘Pyar Kiya To Darna Kya’ at Taj Mahal ‘a tribute’
Mumbai, Jan 22: Feroz Abbas Khan is currently busy with ‘Mughal-e-Azam: The Musical’. As part of the musical, the iconic love song “Pyar Kiya Toh Darna Kya” from the movie “Mughal-e-Azam” was staged at the Taj Mahal on 14th Jan 2025 this year.
“Mughal-e-Azam: The Musical” will take place till 23rd February, 2025. It will mark the end of the Delhi run for this epic masterpiece. Before performing in Delhi, the musical is expected to be performed in Mumbai at NMACC till 26th January 2025.
Talking about the emotional experience, Feroz Abbas Khan revealed, “We wanted to celebrate the enduring legacy of love by performing ‘Pyar Kiya To Darna Kya’ in front of the Taj Mahal. Incidentally, Shakeel Badayuni who wrote this definitive love anthem also praised the Taj for being a monument to love in another famous song. In a way, our performance was a tribute to Shakeel saab, to Naushad ji who tuned both the songs, to the Taj and to love that transcends all barriers.”
He further added, “While distilling K Asif’s timeless epic into a stage production, we did not anticipate the momentous journey it would go on to undertake across the globe. The fact that we are now all set to stage our 300th performance in Delhi has an enormous personal significance for all of us.”
Meanwhile, producer Deepesh Salgia was quoted saying, “Shapoorji Pallonji has been associated with the magnificence of ‘Mughal-e-Azam’ for over 75 years in its cinematic as well as musical form. Be it the luxurious production canvas or the marketing campaign, we have always worked towards setting new benchmarks. In the same spirit, the performance at the Taj is our tribute to the concluding season of the musical in Delhi.”
The musical features more than 550 exquisite costumes, breathtaking sets, live singing, and stunning Kathak choreography.
Directed by Feroz Abbas Khan, ‘Mughal-E-Azam: The Musical’ has been produced by Deepesh Salgia, under the assistance of Shapoorji Pallonji.
Bollywood
Saif Ali Khan case: Mumbai Police find clues from crime scene
Mumbai, Jan 22: The Mumbai Police have recovered a piece of cloth from actor Safi Ali Khan’s apartment which belongs to accused Shariful Islam Shehzad Mohammad, the Bangladeshi national arrested in the attack case.
Sources said the Bandra police recovered cloth from Khan’s house, which the accused used to cover his face. The cloth fell from his face in Saif’s son Jahangir’s room during the scuffle.
The cloth can be seen in the CCTV footage when Shehzad is climbing up the stairs before committing the crime. The police have sent the cloth and hair samples for DNA testing to the forensic department.
Earlier, the officials said that Shehzad had entered the actor’s building, Satguru Sharan, in the Bandra area by scaling its compound wall and found the security guards sleeping.
Sources said that both the security guards in the building were sleeping when the attacker entered it by crossing over the boundary wall.
The sources further said that as Shehzad found both the security guards sleeping, he entered the building from the main entrance where no CCTV camera exists. The accused removed his shoes and kept them in his bag to avoid making any noise. He also switched off his phone.
The police on Tuesday recreated the crime scene with the accused at the building. Police took the accused wherever he went after fleeing from Saif Ali Khan’s house. Shehzad was taken to the garden near the Satguru Sharan building and then to the National College Bus Stop where he was said to have stopped and stayed for a while after committing the crime. During the probe, the police took Shehzad to the Bandra Railway Station from where he had fled. Police are trying to find out how he reached the station.
The police were trying to record the chain of events starting from Shehzad’s entry to the building to his fleeing before being arrested.
Saif Ali Khan was stabbed six times by Shehzad inside his apartment in the early hours of January 16. The actor underwent emergency surgery at the Lilavati Hospital and was discharged on Tuesday. Three days after the attack, the police arrested the accused from neighbouring Thane city.
A court in Mumbai on Sunday remanded the accused in five-day police custody.
Shehzad, a native of Jhalokathi district in Bangladesh was residing in Mumbai for over five months. He had been working odd jobs and was associated with a housekeeping agency, the police have said.
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