Bollywood
Ektaa R Kapoor: OTT and TV complement each other
Television czarina Ektaa R Kapoor is known for giving the audience more relatable and variety of content. She has seen how the industry has evolved with time and also how OTT has changed the dynamics.
In a conversation with IANS, she opens up about her journey in the television industry and also shares how the content has changed with time.
Ektaa elaborated on her journey in the television industry and says: “I feel like a fossil at times. I feel like television has got everything to do with escapism and very little to do with just content, it’s a lot of suspension of reality.
“People want to have really clean entertainment and that is one thing that hasn’t changed on television but a lot of new age stories are coming up and this is one thing that I have learnt. My journey has been nothing more than almost 26 years of doing something that I probably love and believe in.”
Ektaa started her career at the age of 17 as an intern with ad and feature filmmaker Kailash Surendranath. After facing a number of failures, her 1995 sitcom, ‘Hum Paanch’ was her first success in the industry.
So, it was not a cakewalk for her and how she look at the ups and downs, she replies: “I feel every year, a new trend comes, a new writing pattern comes and one has to innovate, sometimes you know escapism on TV is a big form of entertainment and then few years later it becomes relatable, all the shows starts taking over. Everytime this happens there’s a change of taste, you are coming home everyday and there’s a difference in the entertainment you are consuming.”
“I feel I have to innovate and when I do that I feel there’s a new era and a whole new type of audience I open up to. I think, for example when I did ‘Kyunki Saas Bhi Kabhi Bahu Thi’ with big sets and clothes, then I did ‘Balika Vadhu’ – a new era has arrived and then i did ‘Pavitra Rishta’ to update myself, to basically reinvent the audience and their choices. I wanted a relatable look with an aspiration, then it was opposite, then I did ‘Bade Acche Lagte Hai’ . It was a different kind of escapism. I realised that every few years ‘I had to reinvent’.”
After making her mark in the television industry, Ektaa launched her digital platform ALTBalaji in April 2017, recently it has completed five years and given some remarkable projects among which the latest one is ‘Lock Upp’. The producer talks about how OTT has changed the entire scenario and influenced the television content.
“OTT itself has so much experimentation because it has so much of specification as far as the audience identification goes and then the content gets into exactly to the target audience. Unlike TV which is more like one size fits all. So, they both come from a different mindset. OTT and TV are not eating into each other’s market, nor are they helping each other change or becoming catalysts in each other’s growth.”
Bollywood
Delhi HC adjourns Salman Khan’s plea against release of ‘Kala Hiran’ till July 1

New Delhi, June 19: The Delhi High Court on Friday adjourned the hearing on Bollywood actor Salman Khan’s plea seeking to restrain the release of the proposed film “Kala Hiran”, without granting any interim relief at this stage.
A vacation Bench of Justice Madhu Jain directed that a complete copy of the plaint and accompanying documents be supplied to the respondent filmmaker and listed the matter for hearing on July 1.
During the hearing, Salman Khan’s counsel, advocate Nizam Pasha, submitted that the film is purportedly based on the actor’s life and has been produced without his consent.
While pressing for interim relief, Pasha also informed the high court that the poster and trailer of the film had already been released, though the release date of the movie is yet to be announced.
Opposing the plea for urgent relief, counsel appearing for the filmmakers submitted that they had not been served the complete set of documents in the case.
“On Wednesday, they served me only a copy of the application, not the plaint,” the counsel argued, adding that the filmmakers were receiving death threats over the project and that an FIR had already been lodged.
After hearing the parties, the Delhi High Court directed Salman Khan to furnish the complete set of documents, including the plaint, to the respondent and fixed the matter for arguments on July 1. Shortly thereafter, the actor’s counsel mentioned the matter again and contended that the filmmakers had already been served, seeking an earlier hearing date.
However, Justice Jain observed that the matter had already been listed in July and declined to advance the hearing.
The dispute reached the Delhi High Court days after Salman Khan’s legal team issued a notice to the makers of “Kala Hiran: The Battle for Legacy”, asking them to halt the release of the film and remove all promotional material, including posters and publicity content.
Directed by Bharat S. Shrinet and produced by Amit Jani, the film is inspired by the blackbuck poaching case involving Salman Khan and also portrays his alleged rivalry with gangster Lawrence Bishnoi. The makers have described it as a blend of courtroom drama and crime thriller mounted on an international scale.
The controversy surrounding the film has intensified in recent days, with producer Jani alleging that he has been receiving death threats ahead of the movie’s release. On June 18, Jani claimed that a Pakistani terrorist had threatened him with a drone and grenade attack over the film and said that he had informed the Union Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Subsequently, Jani alleged that he received a second death threat within 24 hours.
In a complaint lodged with police in Jodhpur, he claimed that an unidentified caller, identifying himself as a Salman Khan fan, threatened to kill him within three days. The producer urged authorities to immediately register a case and arrest the accused.
Bollywood
AICWA demands high-level investigation into actor Sanchita Ugale’s suicide

Mumbai, June 15: The sudden demise of actress Sanchita Ugale has left the entire television industry in a state of shock.
All India Cine Workers Association (AICWA) President Suresh Shyamlal Gupta has now urged the Chief Minister of Maharashtra, Devendra Fadnavis, to order a high-level inquiry into the death of Sanchita Ugale.
AICWA has requested an in-depth investigation into every possible angle of the case to ensure justice to the deceased and his family.
An official statement shared by the Association read, “Her untimely departure has left her family shattered and the entire Indian film industry mourning the loss of a young talent whose memories will live on forever.”
“Every life is precious. The truth behind this tragic incident must come out, and the family of Sanchita Ugale deserves nothing less than a fair, impartial, and thorough investigation. AICWA urges the authorities to leave no stone unturned and to ensure that all aspects of this case are examined with complete transparency,” they further shared
AICWA has further urged the Government of Maharashtra and the concerned authorities to establish a dedicated committee to examine the increasing number of deaths and mental health-related crises being reported within the entertainment industry.
Additionally, they have also asked to review the safety, well-being, and support systems available to the artists.
“In recent years, the Indian entertainment industry has witnessed several deaths and alleged suicide cases. In many instances, questions raised by family members, colleagues, and the public have remained unanswered. Therefore, it is essential that investigators examine all available evidence, circumstances, and possible angles in this case with complete transparency,” the statement further read.
According to police reports, Sanchita Ugale died by suicide at her residence in Sai Santoshi Building, in Nalasopara East, Mumbai. The unfortunate incident took place on June 14 between 7:00 pm and 7:30 pm.
Bollywood
Ajay Devgn’s ‘Dhamaal 4’ gets a release date, movie to hit theatres on July 10, 2026

Mumbai, June 10: The makers of ‘Dhamaal 4’ have officially announced the theatrical release date of the much-awaited comedy entertainer.
Bollywood superstar Ajay Devgn on Wednesday, shared a brand-new poster from the film, revealing that the latest installment of the popular ‘Dhamaal’ franchise will arrive in cinemas on July 10, 2026.
Earlier on Tuesday Ajay had shared another poster that featured Ajay Devgn himself and veteran actor Sanjay Mishra hanging precariously from a rocky cliff as they appear to be on a treasure hunt.
Sharing the poster on, Ajay wrote, “Inn dono ka hai ek hi goal, to get their hands on gold.”
Directed by Indra Kumar, Dhamaal 4 will bring back the franchise’s signature blend of slapstick humour, treasure hunts and larger-than-life comic situations.
The film stars Ajay Devgn, Arshad Warsi, Riteish Deshmukh, Jaaved Jaaferi and Sanjay Mishra in key roles.
The ensemble cast also includes Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar and Ravi Kishan.
For the uninitiated, Dhamaal franchise began with the 2007 hit Dhamaal, followed by Double Dhamaal in 2011 and Total Dhamaal in 2019.
Produced by Ajay Devgn, Bhushan Kumar, Krishan Kumar, Ashok Thakeria, Indra Kumar, Anand Pandit and Kumar Mangat Pathak, Dhamaal 4 is presented by T-Series in association with Devgn Films, Maruti International and Panorama Studios.
Earlier, Riteish Deshmukh had also unveiled a quirky new character poster from the upcoming comedy entertainer. The poster showed Riteish hanging precariously from a cliff edge in the middle of a dense jungle while a frightened Anjali Anand is seen struggling to hold on to him. Adding to the chaos, a monkey is seen swinging nearby and a snake is wrapped around his leg.
Sharing the poster, Riteish wrote, “Get ready to join the most unplanned and unstoppable treasure hunt ever”.
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