Entertainment
‘Bridgerton’ Season 2 shatters single-week record for most-viewed English OTT series

The second season of period drama ‘Bridgerton’ has become the most-viewed show in a week among Netflix’s English TV series, per the streaming service’s newly released weekly Top 10 list, reports ‘Variety’.
The second season of the show clocked 251.74 million hours viewed for the week of March 28 to April 3 – its first full week on the streaming service. However, as per ‘Variety’, ‘Squid Game’ still holds the overall record for most-viewed show on Netflix in general across a seven-day period, with 571.76 million hours viewed.
Both ‘Bridgerton’ season 2 and ‘Squid Game’ have surpassed the previous title holder, ‘Inventing Anna’, which earlier was the most-watched English-language series over a single week with 196 million hours viewed. Close behind ‘Bridgerton’ season 2 on the Top 10 was ‘Bridgerton’ season 1, which grabbed the second spot of English-language title on Netflix last week, with 53 million hours viewed. In third place was the new competition series ‘Is It Cake?’
On the film side, as per a statement by Netflix (accessed by ‘Variety’), “After four weeks, ‘The Adam Project’ stayed atop the English Films list with 17.72M hours viewed and continued to steadily move up the Most Popular list, landing at #5 with 227.22M hours viewed.”
“‘6 Underground’ – another Ryan Reynolds hit – also jumped to the fifth spot in the Top 10 with 8.73M hours viewed. New entrants provided viewers with an escape. Judd Apatow comedy ‘The Bubble’ came in at #2 with 12.45M hours viewed and documentary ‘Trust No One: The Hunt for the Crypto King’ came in at #3 with 12.07M hours viewed”, the statement further said.
Entertainment
Bombay HC asks police to take down obscene video made public by Rakhi Sawant during press meet

Observing that ethical standards have to be maintained, the Bombay High Court reprimanded model actor Rakhi Sawant and asked the Mumbai police to take necessary steps to delete obscene videos made public by the actor of a fellow actor in a press conference.
Justice Anuja Prabhudessai questioned Sawant’s advocate as to why the actor indulged in such an act. “Why should you indulge in these things of showing such videos? Why should it be done for another lady? Some ethical standards have to be maintained,” said Justice Prabhudessai.
HC directs Mumbai Police to delete the videos
The judge has also asked Mumbai police to inform on March 28 whether such videos are available on any websites. Also, they have to inform the steps they propose to take to delete these videos.
The HC is hearing a pre-arrest bail plea filed by Sawant after the same was rejected by the sessions court. An FIR was registered against Sawant last October after she called a press conference and allegedly showed obscene video of a fellow actor and made defamatory statements.
Seeking relief, her advocate said that Section 67A, which was imposed on the actor, was non-bailable. The section deals with the offence of transmitting obscene videos.
Justice Prabhudessai questioned whether Section 67A would be applicable since the actor has denied transmitting any obscene video. According to the FIR, Sawant showed the video to media persons. Besides, the punishment for this, if found guilty, is only five years.
Further, the FIR does not say that the media has circulated all this. Also, the FIR states that the video is already available online.
The victim’s advocate pointed out that the video shown by Sawant was a private one which is not available online. She defamed the victim and showed the video, which is viral now.
The court then asked the police to check whether the video was deleted. If it is displayed then the same should be deleted.
The HC has kept the matter for hearing on March 28.
Entertainment
Bollywood director Pradeep Sarkar, who made ‘Parineeta’, ‘Mardaani’, dies at 67

National Award winner and veteran film-maker Pradeep Sarkar, noted for making sensitive and powerful films like ‘Parineeta’ and ‘Mardaani’, passed away here after a prolonged illness, early on Friday morning, family sources said.
He was 67 and his funeral rites shall be performed at the Santacruz Crematorium this afternoon at 4 p.m.
According to his friends and associates, he was rushed to a hospital last night for kidney and related ailments, but failed to survive and breathed his last early this morning.
Prominent Bollywood biggies like Ajay Devgn, Manoj Bajpayee, Ashoke Pandit, Nitu Chandra-Srivastava, Hansal Mehta, Neil Nitin Mukesh and others mourned and paid tributes to Sarkar as the news broke out.
Starting his entertainment career with commercials and music videos in the early 1900s, Sarkar debuted as a director with ‘Parineeta’ (2005) starring Sanjay Dutt, Saif Ali Khan and Vidya Balan.
Over the years, he made other films like ‘Laaga Chunari Me Daag’ (2007), ‘Lafangey Pandey’ (2010), ‘Mardaani’ (2014), ‘Helicopter Eela’ (2016), and co-edited the superhit Vidhu Vinod Chopra film ‘Munna Bhai MBBS’ (2003).
Since 2019, Sarkar has also directed web series like ‘Coldd Lassi Aur Chicken Masala’, ‘Arranged Marriage’, ‘Forbidden Love’, ‘Duranga’.
Entertainment
Atif Aslam, wife Sara welcome baby girl in holy month of Ramzan

Pakistani playback singer Atif Aslam, who is known for chartbusters such as ‘Aadat’, ‘Bakhuda’, ‘Jeena Jeena’, ‘Jaane De’ and several others, has become a proud faher as he and his wife Sara Bharwana welcome a baby girl.
The ‘Tajdar-e-Haram’ hitmaker took to his Instagram on Thursday to share the news of his baby’s arrival with his fans. He posted a picture of his daughter wrapped up in pink colour baby sleepwear.
The baby is named Halima.
He wrote in the caption: “Finally the wait is over. The new queen of my heart has arrived.”
“Both baby and Sarah are fine Alhamdulilah. Please do remember us in your prayers. Ramadan Mubarak from Halima Atif Aslam 23/03/2023.”
He also added #Ramadan in the caption.
Atif has sung many songs in Bollywood films including ‘Tere Sang Yaara’ from ‘Rustom’, ‘Tu Jaane Na’ and ‘Tera Hone Laga Hoon’ from ‘Ajab Prem Ki Ghazab Kahani’ and ‘Tere Bin’ from ‘Bas Ek Pal’.
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