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Delhi HC removes stay order on Hindi dub of ‘Bheemla Nayak’

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 The Delhi High Court has vacated an earlier stay order on the Hindi-dubbed version of the Telugu film ‘Bheemla Nayak’, a remake of the Malayalam original version ” Ayyappanum Koshiyum.”

The present suit has been filed by Plaintiff (JA Entertainment) seeking a permanent injunction restraining defendants (Sithara Entertainment and others) alleging it infringes Plaintiff’s copyright in respect of Remake and Dubbing Rights of the film in the Hindi language. The plaintiff sought to stay on dubbing the Telugu film “Bheemla Nayak” in Hindi as they have the right to the Hindi remake of the Malayalam original.

“..a copyright owner has a right to dub the Telugu film in any language including Hindi and Plaintiff cannot assert any right to restrain Defendant No. 1 from dubbing the Telugu film in Hindi..” said Justice Jyoti Singh in a recently passed order.

As per the plea, the Plaintiff’s creative team came across a Malayalam film ‘Ayyappanum Koshiyum’, which was released on February 7, 2020, which was a huge success commercially. Plaintiff decided to remake the film in the Hindi language and being a commercially lucrative venture, Plaintiff approached the producer and got the Hindi Remake Rights in the Malayalam film.

As per the Agreement, Plaintiff was assigned the exclusive, perpetual and irrevocable ‘Remake and Dubbing’ rights, to be exercised in all modes, mediums and formats. The rights assigned, to the extent relevant for the present case included: (a) the sole right to make a new cinematograph film based on the Malayalam film in Hindi language; (b) right to dub the Malayalam film as well as the Hindi remake in any or all languages; and (c) right to subtitle in any language for any purpose through any media. Around July, 2020 Plaintiff commenced pre-production of the Hindi Remake in accordance with rights granted under the Agreement dated May 13, 2020.

Meanwhile, the defendant said that they acquired copyrights in the story and for re-making and dubbing the Malayalam film into Telugu and subtitling rights into all Indian and world languages, without any geographical restrictions as well as to exploit the same throughout the world in all formats and media. The assignment thus included the right to exploit the remade Telugu film in all formats including by dubbing in all other languages.

After the arguments of both parties, the single-judge bench also said,”…in my prima facie view, Defendants are right in their argument that the test of infringement in the present case is not the degree of similarity between the Telugu film dubbed in Hindi and the Malayalam film dubbed in Hindi, but the test is whether dubbing the Telugu film in Hindi in order to communicate it to the public infringes on any exclusive right of the Plaintiff, which is not the case here..”

Bollywood

Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

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Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

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Bollywood

Pankaj Tripathi talks about how growing up in Bihar influenced his craft

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Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

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Entertainment

Ali Fazal says Anurag Basu uses sets to his advantage, likes to break illusion

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Mumbai, June 24: Actor Ali Fazal, who has collaborated for the first time with director Anurag Basu in ‘Metro… In Dino’, has lavished praise on the director saying that he is very resourceful, and his process is very immersive.

Ali spoke with media recently, and shared that Anurag likes to break illusions as a storyteller, and pushes the envelope for his actors as well.

The actor told media, “Working with Anurag Basu is like walking into the perfect set. What I love about him is that he uses sets to his advantage. He opens up the imagination. He can sometimes think of a shot that can go through a wall”.

He further mentioned, “He allows his imagination to think and shoot that. As opposed to a lot of people, who only think this is how I’ve thought it, but will it be possible in reality? He likes breaking that illusion. And I think that’s what keeps it going. Of course, as an actor, I’m stepping into the perfect set because all I have to do is just catch that rhythm rather than start my own thing and see where it goes”.

Ali is returning to the big screen with ‘Metro… In Dino’ after a brief period of time. Earlier, the actor had said that his favourite Anurag Basu film is ‘Jagga Jasoos’.

‘Metro… In Dino’ also stars Anupam Kher, Pankaj Tripathi, Konkona Sen Sharma, Aditya Roy Kapur, Sara Ali Khan, Fatima Sana Shaikh, and Neena Gupta, and promises soul-stirring tales rooted in the relentless rhythm of ever-moving cities.

Presented by Gulshan Kumar & T-Series presents, in association with Anurag Basu Productions Pvt. Ltd., ‘Metro In Dino’ is produced by Bhushan Kumar, Krishan Kumar, Anurag Basu, and Taani Basu.

The film is set to arrive in cinemas on July 4, 2025.

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