Bollywood
Shadow of new Covid variant on Oscar celebrations

Organisers are taking precautions to prevent the 2022 Academy Awards from being a super-spreader, as other awards shows and film festivals have proven to be in the pandemic era.
Attendees will have to show two negative PCR tests and be fully vaccinated in order to attend the festivities. On Friday, the Academy of Motion Pictures Arts and Sciences updated its COVID protocols and rules, announcing that people “..who tested positive for Covid and are within a zero to five-day window from the date of their first positive test, are not permitted to attend under any circumstances.”
There’s a reason that the rules are so stringent, reports ‘Variety’.
This year’s Academy Awards kicks off as Covid infections are once again on the rise.
On Thursday, public health officials announced that cases of BA.2, the new and highly contagious sub-variant of omicron, climbed 130 per cent in a week, though cases remain low. Adding to the unease is the fact that the BAFTA Awards on March 13 appears to have been a variable Petri dish with studios privately reporting that dozens of executives contracted Covid at the event — stars such as Kenneth Branagh and Ciaran Hinds and ‘The Mitchells vs. the Machines’ producers Phil Lord and Christopher Miller, who appeared at the show, also came down with the virus, reports ‘Variety’.
Add to that the spread of Covid at recent industry events such as, where ‘Everything Everywhere All at Once’ star Michelle Yeoh tested positive for coronavirus after the film premiered at the Texas festival. Some nominees are concerned that their recent bouts with Covid will prevent them from making the trip to the Dolby Theatre, where the Oscars are handed out.
Jamie Dornan recently told Variety at the Oscar Wilde Awards on Thursday that he’s hoping his ‘Belfast’ compatriots will be on hand.
“I can’t even imagine going on Sunday night without those guys,” Dornan said.
Don’t be surprised if Oscar co-hosts Amy Schumer, Wanda Sykes and Regina Hall deliver some Covid quips as a way of acknowledging the pandemic elephant in the room.
But the Oscars are but one stop on a long and boozy jaunt around Los Angeles on Sunday.
Winners, nominees, power brokers and press hop from the Governor’s Ball to the Vanity Fair party to soirees hosted by the likes of Apple, Neon and Warner Bros
That kind of marathon socialising could lead to more exposures. Several party and event planners tell Variety that they’re sticking to their protocols for now — most are requiring guests to show that they are full vaccinated (with booster, that is) and provide proof of negative test within 48 hours of the event.
However, none of the events have a mask mandate and the Oscars are only recommending that guests wear masks.
“People in Hollywood are willing to go to parties and possibly contract Covid because they don’t think it’s a big deal,” one party planner said.
“They see their friends and family getting it now and it’s seen more as an inconvenience than anything else.”
This source also opined, “It really is a brash display of privilege because probably most haven’t lost many people to the disease because they have money and access to health care when it was needed most during the worst part of the pandemic.”
Last night’s W magazine party was held outdoors at hotspot Gigi’s. A consistent question heard throughout the night was, “Are we all getting COVID now?” Guests nervously joked that Oscar weekend could be a “super spreader.” Mask-wearing at W’s party and a Vanity Fair party earlier in the evening at Mother Wolf was a rare sighting.
Denis Villeneuve was one of the few prominent people seen wearing a mask as his team hopped from a reception for Canadian filmmakers and Canada-based productions to the W party. It was also notable because the event was held largely outside, a sign that Villeneuve isn’t taking any chances about contracting Covid before Sunday’s ceremony where his sci-fi epic “Dune” is up for 10 awards.
Most event attendees seem unfazed, with much of Hollywood returning to hugging, handshaking and enthusiastic candle-blowing out in the case of Quentin Tarantino’s surprise birthday cake at W.
Since COVID upended life in 2020, the movie business has been through several peaks and valleys. Outbreaks on sets have become a staple of production, as have COVID bubbles, masks and frequent testing.
The entertainment industry has grown hopeful that the virus is fading at various points, only to have Delta and Omicron emerge as painful reminders that the credits have yet to roll on the highly contagious disease. A month ago, cases seemed to be falling and the business appeared poised to celebrate a return to normalcy. Now, that festive spirit is tinged with those old feelings of anxiety and unease that have been so pervasive over the last two years.
“It’s not over,” one Oscar attendee told Variety.
“We may wish COVID was finished, but it’s not done with us yet.”
Bollywood
Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.
Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.
She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.
“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”
Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.
Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”
Bollywood
Pankaj Tripathi talks about how growing up in Bihar influenced his craft

Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.
Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”
Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”
“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”
The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.
The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.
The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.
It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.
Bollywood
Shekhar Kapur explores the deep connection between creativity and mental health

Mumbai, June 23: Veteran filmmaker Shekhar Kapur shared his thoughts on the relationship between creativity, mental health, and the nature of artistic genius.
Taking to Instagram, Kapur reflected on Vincent van Gogh’s iconic painting Starry Night, calling it “the world’s most valued painting,” and marveling at how it was created during one of the most turbulent phases in the artist’s life. In his post, he revealed that Gogh painted Starry Night while admitted to a mental asylum, a time marked by severe emotional struggles. He further reflected on the fact that while he can return to his “normal” self after storytelling, many legendary artists like Van Gogh struggled with mental illness, sometimes unable to make that switch.
Calling for a broader understanding of mental health, Shekhar Kapur challenged conventional definitions of normalcy and illness. Sharing photos of Vincent’s paintings, the Mr. India director wrote, “This is the world’s most valued painting. Starry Nights was painted by Van Gogh while he was in the mental asylum and at the height of his ‘mental illness.’ Van Gough’s bold, expressive brush created swirling patterns in the night sky. Physicians have long tried to solve the equations of fluid dynamics. Fluid dynamics represents the true nature of the universe. And according to them, apparently Van Gogh painted a true representation of fluid dynamics!” (sic)
“How does an artist reputed to be suffering from schizophrenia manage to capture the true nature of our universe?? Quite apart from examining the relationship between art and science, what I wonder about a lot is the relationship between schizophrenia and creativity. When I write a story, I am transformed into the world of my characters. To help me transport my readers/listeners to that world, I need to believe in that world myself. I need to transport myself to that world. I need to become my characters…. Am I then experiencing a schizoid state? When I am transported into different worlds, believing I am somewhere else and somebody else?”
His post further read, “Fortunately I am able to switch those characters off. And return to my normal state (whatever normal might be) … and yet artists like Van Gogh, who painted some of the greatest poets/artists in the world, have suffered from mental illness. not being able to switch back to normal (whatever normal might be)”
Shekhar Kapur ended his post adding, “In that case we need to redefine mental illnesses… we need to redefine what normal is… if all creativity happens beyond the normal… in a state that so many artists, dancers, musicians, and actors define as the ‘zone’ they tap into… Where is this zone? What do we tap into when we tell stories we believe in? When do we paint the nature of the universe as we see it? Is it a schizophrenic act? #Art #Schizophrenic #Schizophrenia.”
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