Bollywood
‘Sandeep Aur Pinky Faraar’ took Arjun Kapoor to dark places

Dibakar Banerjee’s ‘Sandeep Aur Pinky Faraar’ (SAPF) completed one year of its release on Saturday.
Arjun Kapoor, who essayed the role of Satinder “Pinky” Dahiya in the film, recently shared that the film took him to dark places in his subconscious but at the same time it helped him to sketch a fine performance that the audience connected with.
Revealing that he channeled all the negative emotions of his life into his character, Arjun said, “‘Sandeep Aur Pinky Faraar’ took me to really dark places in my heart and though it was extremely uncomfortable for me, it made me deliver a performance that people have called my career best.”
He continued, “So, I guess it was worth channeling all the negative thoughts and emotions and converting them into something so positive for my career. I have to thank Dibakar Banerjee for being my guide through the process, breaking me down and enabling me to shed my inhibitions to become Pinky on screen.”
Arjun took diction classes for two months before shooting the film and the effort spoke loudly on screen.
He added, “I enjoy learning something new in every film and ‘SAPF’ made me learn a dialect that I had never spoken on screen. Playing a Haryanvi cop was novel for me because I’m a city kid, born and raised in Mumbai. So, I had to work hard to pick up the dialect and worked on it for a good two months because I wanted to perfect it before I delivered the first shot.”
Crediting the film for bringing about a new phase in his career, the actor further said, “If I had to describe the impact of ‘SAPF’, I would say that my career should be viewed in two phases, pre-SAPF and post-SAPF.”
“I’m unafraid to take up new challenges now and want to get out of my comfort zone. ‘Kuttey’, ‘The Lady Killer’ are choices that I credit ‘SAPF’ for. It has made me a better actor and I intend to show that to the world going forward”, he concluded.
Bollywood
97th Oscars: Priyanka Chopra, Guneet Monga’s ‘Anuja’ loses to Dutch film ‘I’m Not A Robot’

Los Angeles, March 3: Priyanka Chopra and Guneet Monga backed short film “Anuja” has lost the Dutch-language movie “I’m Not a Robot” at the 97th Oscar Awards held at the Dolby Theater in Los Angeles.
“Anuja”, which tells the story of a gifted nine-year-old girl who, alongside her sister Palak, faces a life-changing opportunity that tests their bond and mirrors the struggles of girls worldwide, was competing at the Oscars 2025 in the Best Live Action Short category.
Other contenders included “A Lien,” “The Last Ranger,” and “The Man Who Could Not Remain Silent”.
“I’m Not A Robot” is a science fiction and directed by Victoria Warmerdam. The synopsis states: “After failing an online CAPTCHA test, Max faces an existential crisis when he believes he might actually be a robot.”
Along with Priyanka and Guneet, “Anuja”, currently streaming on Netflix, Hollywood star-writer Mindy Kaling serves as its producer.
Directed by Adam J. Graves “Anuja” tells the tale of a 9-year-old title character, who works in a back-alley garment factory with her older sister Palak. The narrative follows the young protagonist as she faces a decision that will impact both her future and her family.
The short, developed in partnership with Mira Nair’s Salaam Baalak Trust, features Sajda Pathan, in a leading role. The production team spans Graves Films, Shine Global Inc (Oscar winners “War/Dance” and “Inocente”), Krushan Naik Films and Salaam Baalak Trust.
In January, Priyanka said that she is proud of the “beautiful film” “Anuja”,in which she serves as an executive producer.
Priyanka took to her Instagram stories, where she had shared a snapshot of a news article from variety.com, which had the title “Netflix Acquires ‘Anuja,’ Oscar-Shortlisted Short Film Backed by Priyanka Chopra Jonas, Mindy Kaling and Guneet Monga Kapoor”.
Bollywood
Exclusive! Govinda-Sunita separation: Actor’s sister Kamini Khanna breaks her silence on the matter

Mumbai, March 1: In the midst of growing rumors surrounding the separation of Bollywood actor Govinda and his wife Sunita Ahuja, the actor’s sister, Kamini Khanna, has finally spoken out.
In a recent conversation with media, Kamini revealed that she does not have much information about the situation, citing the busy schedules of both Govinda and Sunita. She stated, “No, I don’t know much. I stay very busy, and they are very busy too. We meet very rarely, so I don’t know much. I don’t want to say too much on this topic because both families are involved, and I have a lot of love for both.”
When asked about her bond with Sunita, Kamini shared, “Our parents are no longer with us, so we are like parents to each other. And we are also very good friends.”
Kamini also mentioned that she did not feel it was appropriate to reach out to Sunita and Govinda regarding the speculation. According to her, while she is aware of the rumors circulating in the media, she believes that such personal matters should be handled privately within the family. She emphasized that it’s important to respect the privacy of both Sunita and Govinda, especially when it comes to sensitive issues such as their relationship.
Rumors have been circulating regarding a possible divorce between Govinda and his wife, Sunita Ahuja. It was reported that Sunita had issued a divorce notice to Govinda six months ago. However, the actor’s legal representative has since clarified that the couple has worked through their issues and resolved their differences.
In a recent interview, Sunita made a startling revelation about living separately from Govinda. She also shared that she has been celebrating her birthday alone for the past 12 years, which sparked further speculation about issues in their marriage.
For the unversed, Govinda and Sunita tied the knot in March 1987. The couple welcomed their daughter, Tina, in 1988, followed by their son, Yashvardhan.
Bollywood
Yash-starrer ‘Toxic’ being shot in English and Kannada, director ensures ‘authentic experience’

Mumbai, Feb 24: Yash’s “Toxic” is touted to be the first ever large scale Indian film to be conceptualised, written, and filmed in both English and Kannada. Director Geetu Mohandas says the vision was to craft a narrative that resonates with audiences both in “India and globally”.
“Our vision for ‘Toxic’ was to craft a narrative that resonates authentically with audiences both in India and globally,” says director Geetu Mohandas.
“Toxic: A Fairy Tale for Grown-Ups” will be dubbed in multiple Indian and international languages, including Hindi, Telugu, Tamil, and Malayalam.
Mohandas added: “We’ve strived to capture the nuances of the story in both Kannada and English, ensuring an authentic experience for viewers across different linguistic and cultural backgrounds.”
He said that the film “explores a collaboration of artistic vision and precision of commercial storytelling.”
“It’s a journey that transcends borders, languages, and cultural confines, designed to connect with hearts and minds worldwide,” concluded the director.
Toxic, a film jointly produced by Venkat Narayana under KVN Productions and Yash’s Monster Mind Creations, was conceived as a global cinematic experience.
The film’s international team—including action sequences by JJ Perry, best known for his work in the John Wick and Fast & Furious franchises, and visual effects by DNEG, who recently won the BAFTA Film Award for Special Visual Effects for Dune: Part Two—was carefully assembled to match the project’s scale.
Last month, on Yash’s birthday, the makers released a “Birthday Peek” offering a glimpse into the film. Filming began in August 2024.
Producer Venkat K Narayana emphasised the film’s ambitious scope, saying, “Our goal for “Toxic” was crystal clear: a film that resonates in India and globally. From the very beginning, we were driven by a deep conviction in this story and its potential. This unwavering belief fueled our “all-in” approach, required to bring this cinematic experience to life.”
“We embraced the challenge wholeheartedly, confident that “Toxic” will not only captivate audiences worldwide but also showcase the brilliance of Indian cinema on a global stage.”
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