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Review: ‘Gangubai Kathiawadi’: Alia steals hearts as Gangubai

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Film: ‘Gangubai Kathiawadi’ (Running in Theatres); Duration: 157 minutes

Director: Sanjay Leela Bhansali

Cast: Alia Bhatt, Ajay Devgn, Huma Qureshi, Seema Pahwa, Vijay Raaz, Jim Sarbh, Chhaya Kadam, Mitali Jagtap, Indira Tiwari, Shantanu Maheshwari

Rating: ****

Auteur Sanjay Leela Bhansali’s latest oeuvre, ‘Gangubai Kathiawadi’ is based on the chapter, ‘The Matriarch of Kamatipura’ from the book ‘Mafia Queens of Mumbai – Stories of Women from the Ganglands’ authored by S. Hussain Zaidi and Jane Borges.

This is the compelling story of Ganga Harjivandas Kathiawadi, the daughter of a barrister from Kathiawar, who with stardust in her eyes, ran away from home to become an actress only to find herself sold in the brothel of Kamathipura, a neighbourhood of Mumbai famous for flesh-trade. This film unravels Ganga’s journey from a brothel worker to an activist fighting for the rights of the sex workers. In the film, Ganga calls herself “Ganga Jagjivandas Kathiawadi.”

While Ganga’s story is filled with pain and pathos, the narrative effortless makes the film appear like a sunshine film that motivates. “Gangubai mahaan nahin thi, woh shaitan bhi nahi thi,” and despite this, Bhansali brilliantly manages to portray her as a larger-than-life character, and you empathise with her when she puts forth her point of view regarding the women of her tribe.

The film is loaded with admirable performances from its ace star cast.

The film is an outright Alia Bhatt’s canvas where she delivers a flawless performance showcasing a gamut of emotions and her dancing skills with aplomb. She steals the show on several counts, be it while speaking to her mother over the phone, or headbutting with Raziabai (Vijay Raaz) the eunuch who is standing for the local elections, or flirting with the apprentice tailor Afshan Razak (Shantanu Maheshwari), or dancing during the Navratri celebrations where she delivers complex steps to an intense song in a seamlessly one lengthy shot.

It is impossible to take your eyes off Ajay Devgn who, in a significantly minor role as the principled mafia don Rahimlala is intense and intimidating all at the same time. Seema Pahwa, who as Sheelamaasi, the madam of the brothel, is fascinating. Similarly, Vijay Raaz as the eunuch Raziabai is enthralling, and Shantanu Maheshwari as Gangubai’s love interest Afshan Razak is charming.

Unfortunately, Huma Qureshi in a stage performance is wasted.

This engaging biopic contains all the tropes of a typical SLB film. Bhansali astutely manages to put his inimitable stamp into every frame of the film, which appears like poetry on the screen, emotionally expressive and attractive. The screenplay is water-tight and engaging, keeping you riveted to the screen for over two and a half hours. The dialogues full of wit and hard-hitting messages are fresh and worth mentioning. Sample this, when Razia challenges Gangubai before the election campaign, Gangubai tells her, “Tuje kyon tevar dikhaongi mein tuje din main tare dikhaongi.”

Mounted with brilliant production qualities the film is visually captivating with well-etched characters, resplendent sets, and period costumes. While the timelines in the film are ambiguous and blurred, it nevertheless captures the period from the mid-1950s to the 1960s, with film posters from that era, prominent among them being ‘Mughal-e-Azam’ and ‘Chaudhvin Ka Chand.’

The music, as usual, is exceptional but a bit low-key compared to SBL’s previous films. Two songs cater to the Garba audience, and they are both fabulously choreographed and picturised.

Overall, ‘Gangubai Kathiawadi,’ is worth watching on the big screen.

Bollywood

Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

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Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.

Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.

Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”

The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”

In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”

“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.

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Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

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Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.

Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.

The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”

In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”

A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).

The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.

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Singer Rochak Kohli shares how AI is empowering musicians

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Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.

In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.

“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”

When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”

Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”

Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”

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