Connect with us
Thursday,26-June-2025
Breaking News

Bollywood

Ranbir, Ayan on ‘Brahmastra’: We had the opportunity to create our own Marvel

Published

on

Filmmaker Ayan Mukerji’s upcoming magnum opus ‘Brahmastra Part One: Shiva,’ is now moving towards the finishing line after years in the making.

The film stars Amitabh Bachchan, Ranbir Kapoor, Alia Bhatt, Nagarjuna Akkineni and Mouni Roy.

Based on Indian mythology, the film is set in contemporary India, where a secret society called the Brahmansh has guarded ‘Astras’ created in ancient India for generations. The most powerful among these, the Brahmastra, is now waking up and it threatens to destroy the universe, reports ‘Variety’.

Constructed as a trilogy, which is part of an ‘Astraverse’ created by Mukerji, the first part follows the protagonist Shiva (Kapoor), who is in love with Isha (Bhatt). Their lives are changed forever when Shiva learns that he has a mysterious connection to the ‘Brahmastra’ and a great power within him that he doesn’t understand just yet – the power of fire.

“It’s deep rooted in Indian culture, and we had the opportunity to create our own Marvel, which Ayan is trying to do with his Astraverse,” Ranbir told Variety.

He added: “Any film, any good compelling story, made in your culture, in an authentic way, in a true form, will connect to a large audience.”

“There is a little luck to play to it – like what kind of release you get, what kind of exposure you get. And in our case, we have Disney. And there’s nothing better than that. So, I believe that ‘Brahmastra’ is in a great place where we have that opportunity, where a world audience can witness it.”

“We were just three best friends, Alia and I, sitting and dreaming this film with Ayan, and being soldiers to him,” said Kapoor. “We were really excited and really privileged to be part of this film and part of this vision so selfishly as an actor that I would do it over and over again.”

Kapoor will get to do it at least twice again in the remaining two parts of the ‘Brahmastra’ trilogy.

“‘Brahmastra’ is not an end in itself, but it’s a means to a larger end. We have part two and part three ahead of us, we have the potential to really take the storytelling in many diverse directions even beyond ‘Brahmastra,’ and there is no way to do it at the scale at which I hope to do it, unless our audience base does not increase. So that’s definitely part of the ambition,” Mukerji told Variety.

“Let’s start with some strong baby steps with part one. I think we’ve gotten far enough with this with having, over time, gotten Disney to lay their attention on the film, help us to push the release a little wider, and I’m hoping that can bring in bigger and wider returns for us.”

According to ‘Variety’, the benchmarks for Indian action films this year have been set by ‘K.G.F: Chapter 2’ which collected USD 161 million and ‘RRR’, which has grossed USD 155 million so far. The latter is directed by S.S. Rajamouli, also known for the ‘Baahubali’ franchise. Rajamouli is presenting the Telugu, Tamil, Kannada and Malayalam language versions of ‘Brahmastra’ which will also release in its original Hindi language.

“Certainly, with all humility, definitely, I think our ambition is larger than that (‘RRR’) number overseas. And I hope that, as a key step with Disney coming on board, just our overseas distribution before it even crosses over to the western audience, I hope it’s able to reach the subcontinent audience in the western world in a much wider fashion, so that we can actually see that return on box office numbers,” says Mukerji.

Bollywood

Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

Published

on

Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

Continue Reading

Bollywood

Pankaj Tripathi talks about how growing up in Bihar influenced his craft

Published

on

Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

Continue Reading

Bollywood

Shekhar Kapur explores the deep connection between creativity and mental health

Published

on

Mumbai, June 23: Veteran filmmaker Shekhar Kapur shared his thoughts on the relationship between creativity, mental health, and the nature of artistic genius.

Taking to Instagram, Kapur reflected on Vincent van Gogh’s iconic painting Starry Night, calling it “the world’s most valued painting,” and marveling at how it was created during one of the most turbulent phases in the artist’s life. In his post, he revealed that Gogh painted Starry Night while admitted to a mental asylum, a time marked by severe emotional struggles. He further reflected on the fact that while he can return to his “normal” self after storytelling, many legendary artists like Van Gogh struggled with mental illness, sometimes unable to make that switch.

Calling for a broader understanding of mental health, Shekhar Kapur challenged conventional definitions of normalcy and illness. Sharing photos of Vincent’s paintings, the Mr. India director wrote, “This is the world’s most valued painting. Starry Nights was painted by Van Gogh while he was in the mental asylum and at the height of his ‘mental illness.’ Van Gough’s bold, expressive brush created swirling patterns in the night sky. Physicians have long tried to solve the equations of fluid dynamics. Fluid dynamics represents the true nature of the universe. And according to them, apparently Van Gogh painted a true representation of fluid dynamics!” (sic)

“How does an artist reputed to be suffering from schizophrenia manage to capture the true nature of our universe?? Quite apart from examining the relationship between art and science, what I wonder about a lot is the relationship between schizophrenia and creativity. When I write a story, I am transformed into the world of my characters. To help me transport my readers/listeners to that world, I need to believe in that world myself. I need to transport myself to that world. I need to become my characters…. Am I then experiencing a schizoid state? When I am transported into different worlds, believing I am somewhere else and somebody else?”

His post further read, “Fortunately I am able to switch those characters off. And return to my normal state (whatever normal might be) … and yet artists like Van Gogh, who painted some of the greatest poets/artists in the world, have suffered from mental illness. not being able to switch back to normal (whatever normal might be)”

Shekhar Kapur ended his post adding, “In that case we need to redefine mental illnesses… we need to redefine what normal is… if all creativity happens beyond the normal… in a state that so many artists, dancers, musicians, and actors define as the ‘zone’ they tap into… Where is this zone? What do we tap into when we tell stories we believe in? When do we paint the nature of the universe as we see it? Is it a schizophrenic act? #Art #Schizophrenic #Schizophrenia.”

Continue Reading

Trending