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Lata Mangeshkar, the ageless voice of India, passes away at 92

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Lata Mangeshkar, India’s most loved singer who had once moved Pandit Jawaharlal Nehru to tears, leaves behind a teary-eyed nation of admirers who grew up listening to her immutable voice give wings to the words of poets and the screen careers of legions of heroines.

India’s Melody Queen, who also composed music for Marathi films and was a producer as well, and had the distinction of being conferred with the highest civilian honours of India and France, passed away on Sunday morning at the Breach Candy Hospital in Mumbai, where she had been admitted because of Covid-related complications on January 11.

Lata Didi, as she was known among her family and followers, was 92 and is survived by her siblings — playback singer and composer Meena Khadilkar, popular singer and restaurateur Asha Bhosale, singer Usha Mangeshkar, and music director Hridayanath Mangeshkar.

She never married, but was close to the late Raj Singh Dungarpur, the aristocratic former cricketer and President of the Board of Control for Cricket in India (BCCI) from 1996 to 1999.

One of India’s most loved voices, Lata Mangeshkar was the recipient of three National Film Awards, seven Filmfare awards, and of course, the Dadasaheb Phalke Award in 1989. She was conferred the Bharat Ratna in 2001, becoming the second singer after M.S. Subbulakshmi to be so honoured, and the French awarded her the Officer of the Legion of Honour.

In 1974, Lata Mangeshkar became the first Indian to perform at the Royal Albert Hall, London. She had indeed come a long, long way since the time when the first song that she recorded for a film — ‘Kiti Hasaal’ in 1942 — was dropped in the final cut.

Born in what was then the princely state of Indore on September 28, 1929, to the classical singer, Marathi theatre actor and writer of musical plays Deenanath Mangeshkar and his wife Shevanti (Shudhamati), Lata Mangeshkar was originally named Hema by her parents, but they later changed it to Lata after the character Latika from one of her father’s musical plays.

Lata Mangeshkar’s association with the performing arts began when she was five and started appearing in her father’s musical plays, and it continued even after her father’s premature death in 1942, thanks to his good friend, the actor and director Master Vinayak (Vinayak Damodar Karnataki), who took the family under his wings.

It was Master Vinayak who took Lata Mangeshkar to Mumbai, paved her way into the world of Marathi cinema, got her to take Hindustani classical music lessons from Ustad Aman Ali Khan of the Bhendi Bazaar Gharana, and introduced her to Vasant Desai, V. Shantaram’s favourite music composer.

But it was not until Master Vinayak’s death in 1948 that the struggling singer-actor found the person whom she considered to be her “godfather” — the music composer Ghulam Haider, who gave Lata Mangeshkar her first big break with the song ‘Dil Mera Toda, Mujhe Kahin Ka Na Chhora’ in the movie ‘Majboor’ (1948). It was her first big break.

Haider took his protege to Shashadhar Mukherjee, the Filmistan boss now better known as Kajol and Rani Mukherjee’s grandfather, for his film, ‘Shaheed’ (1948), but he turned her down because he found her voice to be “too thin”.

Lata Mangeshkar proved him oh-so wrong just a year later when her song ‘Aayega Aanewaala’, filmed on the gorgeous Madhubala in Kamal Amrohi’s debut directorial, ‘Mahal’ (1949), became an ageless hit.

And in one of life’s delicious ironies, Mukherjee’s grand-daughter lip-synced the ‘Dilwale Dulhania Le Jayenge’ song, ‘Mere Khwabon Mein’, which was sung by none other than Lata Mangeshkar, as well as the other numbers picturised on her and Shah Rukh Khan.

Since ‘Mahal’, Lata Mangeshkar was courted by just about every music director of note — from Anil Biswas to S.D. Burman (and his son Rahul Dev, whose first and last song she sang), Naushad (who had asked her to sing like the then reigning nightingale, Noorjehan), Madan Mohan, Shankar-Jaikishan, Laxmikant-Pyarelal (for whom she’s said to have sung 700 songs in 35 years), and Kalyanji-Anandji.

And she worked with every contemporary composer of note — from Anand-Milind, sons of Chitragupt, with whom she had also worked, and Anu Malik, Sardar Malik’s son, to Ilaiyaraaja and A.R. Rahman. It is said she worked with music directors from 13 states in her star-studded career.

After Noorjehan moved to Pakistan, Lata Mangeshkar became the go-to playback singer for every film producer and music composer. She did not disappoint them.

Lata Mangeshkar lent her voice to an endless succession of chart-topping numbers in Hindi cinema, from ‘Allah Tero Naam’ and ‘Rangeela Re’ to the ‘Satyam Shivam Sundaram’ title track, to ‘Lukka Chuppi’ in ‘Rang De Basanti’, apart from songs in Marathi (she also composed the music for several Marathi films in her ‘Anandghan’ avatar), Bengali, Tamil, Kannada, Malayalam, and Sinhala.

In 1974, the Guinness Book of Records listed Lata Mangeshkar as the most recorded artiste in human history, stating that she had recorded “not less than 25,000 solo, duet and chorus-backed songs in 20 Indian languages” between 1948 and 1974. The claim was contested by her long-time rival, Mohammad Rafi, who claimed to have sung around 28,000 songs.

After Rafi’s death, the Guinness Book in its 1984 edition listed Lata Mangeshkar in its entry for ‘Most Recordings’, but it also recorded Rafi’s claim. Later editions of the Guinness Book said Lata Mangeshkar had sung no less than 30,000 songs from 1948 to 1987.

For 73 years, from 1943 to 2015, when she recorded her last song for a film (the Indo-Norwegian production, ‘Dunno Y2…Life Is A Moment’, which was all about gay love), Lata Mangeshkar commanded a fan following and an inimitable reputation with not many parallels in the Indian performing arts.

The late Yash Chopra, who was one of Lata Mangeshkar’s favourite directors, said in an article he had penned for BBC.com on the occasion of the singer’s 75th birthday (not longer after she had sung the famous ‘Veer Zaara’ song, ‘Tere Liye Hum Hain Jiye’, with Roop Kumar Rathod): “I see God’s blessing in her voice.” We are blessed to have that voice live with us forever.

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Jacqueline Fernandez did not cooperate during probe: ED tells Delhi court

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New Delhi, May 11: The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.

Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA).

The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar.

Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents.

According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities.

After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12.

The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts.

In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED.

Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime.

The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand.

The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness.

The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf.

The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth.

The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows.

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Asha Bhosle’s son says last respects to be paid at residence in Lower Parel, followed by last rites at Shivaji Park

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Mumbai, April 12: Legendary playback singer Asha Bhosle’s son Anand Bhosle has shared that the last respects will be held at her residence in Lower Parel.

Speaking to the media, he said, “My mother passed away today. People can pay their last respects to her at 11:00 am tomorrow at Casa Grande, Lower Parel, where she lived. Her last rites will be performed at 4 pm tomorrow at Shivaji Park”.

Her elder sister, Lata Mangeshkar, who was a Bharat Ratna awardee was also cremated at the Shivaji Park in 2022.

Asha Bhosle passed away at the age of 93 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm.

One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages.

In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008.

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‘Dhurandhar 2 Is A Pakistani Film, Why Show It To People Of Hindustan?’ Samajwadi Party MLA Abu Azmi Slams Ranveer Singh Starrer Movie

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Mumbai: Samajwadi Party MLA Abu Azmi on Friday slammed the Ranveer Singh starrer Dhurandhar 2, calling it ‘a false film’ made to spread hatred. Azmi added that the film is about Pakistan and questioned why it is being shown to audiences in India. His statements came as the release of ‘Dhurandhar: The Revenge’ triggered fresh controversy, with religious leaders raising concerns over its content.

While speaking to media, he questioned, “This film is made only to spread hatred, it is a false film. It is a Pakistani film, so why not show it to the people of Pakistan? Why show the people of Hindustan?”

Azmi accused the film of defaming Muslims, as he alleged that the movie focuses only on a few criminals while ignoring the many major crimes that have occurred in India.

Earlier, SP MLA Rais Shaikh had criticised the film and raised concerns saying that cinema should entertain, not become a tool for propaganda. Taking to his official handle on X (Formerly Twitter), Shaikh claimed that films like Dhurandhar blur the line between storytelling and political messaging, calling the film an agenda, not an art. “Films like #Dhurandhar blur the line between storytelling and political messaging, repeatedly glorifying one government. This isn’t art, it’s agenda,” he wrote.

AIMIM leader Waris Pathan stated movies should ideally provide knowledge and entertainment, alleging that some filmmakers create such content for monetary gain while spreading negativity against a specific community. 

Despite the controversy, the film garnered a massive box office collection by crossing the Rs 100 crore mark on Day 1 itself. With this, the film’s total collection now stands at a staggering Rs 145.55 crore (all languages), setting the tone for a blockbuster run ahead.

During the paid previews on March 18, the film faced cancellations and delays across India. Not just this, Director Aditya Dhar also issued an apology to the audience after last-minute cancellations and delays.

Directed by Aditya Dhar, Dhurandhar 2 is a spy action thriller that stars Ranveer Singh, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sanjay Dutt, and Sara Arjun. Dhurandhar 2 offers a glimpse into Ranveer’s character, undercover agent Jaskirat Singh Rangi, who is fully embedded in the criminal underworld under the alias Hamza Ali Mazari. It also depicts his ascension to the role of the new Sher-e-Baloch and his ascendancy as the undisputed king of Lyari, as the actor unleashes his full intensity after eliminating Akshaye Khanna’s character, Rahman Dakait, in the first part.

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