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Kho Gaye Hum Kahan Review: Siddhant, Ananya, Adarsh Deliver A Fitting Year-End Reminder To Rediscover Your Lost Sense Of Purpose

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Director: Arjun Varain Singh

Cast: Siddhant Chaturvedi, Ananya Panday, Adarsh Gourav, Kalki Koechlin, Anya Singh, Rohan Gurbaxani, Vijay Maurya, Divya Jagdale, Suchitra Pillai, Rahul Vohra, Kashyap Kapoor

Where: Streaming now on Netflix

Rating: 4 stars

Within moments of the movie starting, you’ll likely sense that first-time director Arjun Varain Singh has been observing you throughout. It’s the closest I can get to describing the profoundly personal and intimate experience of watching Kho Gaye Hum Kahan. The latest Netflix offering can be aptly described as a straightforward examination of our perpetual craving for validation, driven by our excessive reliance on social media and its many perils.

Ahana Singh (Ananya Panday), Imaad Ali (Siddhant Chaturvedi), and Neil Pereira (Adarsh Gourav) embody the Gen Z equivalent of Amar, Akbar and Anthony. Ahana, a dynamic executive in a digital agency, finds her self-esteem taking a beating when her boyfriend Rohan (Rohan Gurbaxani) unexpectedly ends their relationship. Neil, an uprising physical trainer, finds himself misled by his influencer client Lala (Anya Singh), who makes him believe that a genuine connection could exist between them. Imaad, an emerging stand-up comedian, harbors a fear of commitment and intimacy. However, he inevitably finds himself drawn towards Simran (Kalki Koechlin), an emotionally intelligent woman with clear priorities. Incapable of facing their truths, the trio paint individual facades both online and among their close circles, unaware of how will it consume them all.

Penned by Singh along with Zoya Akhtar and Reema Kagti, Kho Gaye Hum Kahan efficiently utilizes its 2-hour runtime to make its point without intending to force its messaging upon the audience. From searching for our purpose and value through the multiple times our phones vibrate, to the reflexive urge to check social media the moment we wake up, from adopting alternative identities to express our frustration to how we knowingly or unknowingly perpetuate negative offline behavior, the film packs in a lot without leaving an end untied. The assembled technical team seamlessly aligns with the narrative that the film aims to convey. Tanay Satam’s cinematography and Sally White’s production design introduces an abundance of colors during Instagram-worthy situations, while also skillfully employing darker and earthier shades to depict everyday realities. Notice how the club that the three friends frequent is called Hideaway. However, the film’s greatest strength lies in Yash Sahai’s dialogues, complemented by the stand-up pieces written by comedian Sapan Verma. The essence of these dialogues is similar to a comforting hug rather than boring sermons from an overbearing parent. Additionally, the film also slyly pokes fun at itself, even at Netflix. The narrative is further complimented with music by Ankur Tewari, OAFF, Savera, Lothika, Rashmeet Kaur, Yashraj, Karan Kanchan, Saba Azad and Achint Thakkar.

Kho Gaye Hum Kahan though, is strengthened by the impressive performances of its three charming leads. Siddhant allows Imaad to hide his pain behind a mischievous smile and philandering eyes. His performance is so controlled that I couldn’t help but be deeply moved when he makes the ultimate revelation about himself in the climax. Ananya captures Ahana’s essence in a way that resonates with any woman who, at some juncture in her life, has sought validation through the lenses of someone inconsequential. However, it’s Adarsh’s portrayal of Neil that hits like a punch in the gut. His struggle to overcome his circumstances and the desperate measures he takes to whitewash his reality will resonate as a stark and uncomfortable truth. Watch out for the moment where he feels seen when an influential personality acknowledges him.

Kho Gaye Hum Kahan comes just in time as a year-end reminder to disconnect from your phones, appreciate what you have, and prioritize friends over followers. The film also serves as a much-needed affirmation for days when you question your place in this world. Include it in your holiday watch list, and as you do so, try your luck in spotting one of our most loved influencers somewhere in the film.

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Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

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Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.

Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.

Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”

The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”

In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”

“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.

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Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

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Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.

Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.

The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”

In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”

A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).

The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.

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Singer Rochak Kohli shares how AI is empowering musicians

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Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.

In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.

“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”

When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”

Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”

Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”

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