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IANS Review: ‘Sooryavanshi’: Suave and stylish Akshay Kumar wows with thrilling action (IANS Rating: ***1/2)

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Film: ‘Sooryavanshi’ (Running in Theatres)

Duration: 145 minutes

Director: Rohit Shetty

Cast: Akshay Kumar, Katrina Kaif, Ajay Devgn, Ranveer Singh, Jaaved Jaaferi, Gulshan Grover, Abhimanyu Singh, Jackie Shroff, Sikandar Kher, Nikitin Dheer, Vivan Bhatena and Kumud Mishra

IANS Rating: ***1/2

With the 1993 serial blasts in Mumbai as the starting point, Rohit Shetty’s ‘Sooryavanshi’ traces the terrorist activities of a militant group whose chief, Omar Hafeez (Jackie Shroff), remote-controls their actions from Pakistan.

How DCP Veer Sooryavanshi (Akshay Kumar), chief of the Mumbai Anti-Terrorism Squad, along with his team, prevent Hafeez’s sons and the sleeper cells based across India, who are galvanized into action to destroy India, particularly Mumbai, forms the crux of this film that extends to two hours and a half.

While the narrative is strongly reminiscent of Rohit Shetty’s earlier films in terms of flavour and feel, this one is unadulterated entertainment with action, drama, and even a bit of romance thrown in for good measure. There are trite moments when the unity of India and its secular fabric are forced down one’s throat, courtesy of DCP Sooryavanshi’s sermons.

The film, expectedly, belongs to Akshay Kumar, who with his commanding screen presence, credible action, and charisma, hooks the viewers as Sooryavanshi. He may not be offering anything new by way of histrionics, but there is comfort in his familiar style and his action scenes are a treat to watch.

The scene where he is chasing Sikander Kher and lifts him onto a flying helicopter from a speeding motorboat is superbly choreographed.

Akshay Kumar is ably supported by an ensemble cast of actors which includes Kumud Mishra as Bilal Ahmed, Vivan Bhatena as Vivan and Gulshan Grover as Kadar Usmani, all of whom perform well, enhancing the quality of the film. Abhimanyu Singh as Riaaz Hafeez, the key leader of the mission and Jackie Shroff’s son, delivers a strong performance. Katrina Kaif as Sooryanshi’s wife, Dr Ria, merely adds to the glamour quotient.

Sleek action and daring acts with cars overturning and structures being blown off characterize the film, in Rohit Shetty’s inimitable style. Of course, one must not stop to analyse or seek rationale, else disappointment sets in.

The dialogues are powerful, hard-hitting, and seem real in the given context, and at times even succeed in arousing a patriotic fervour.

The background score, with ‘Sooryavanshi’ pounding your eardrums when Akshay Kumar is on screen, is a bit overdone, but the rest of the music, especially ‘Tip tip barsa paani’ from ‘Mohra’, is a mellifluous experience.

Other policemen from Shetty’s cinematic universe — Bajirao Singham (Ajay Devgn) and Sangram Bhalerao (Ranveer Singh) — also make an appearance. The duo is actively involved in the action, albeit a bit mindless and overextended, in the last 15 minutes of the film. Ajay Devgn is his usual self, although Ranveer Singh’s forced goofiness is a tad annoying.

In its entirety, ‘Sooryavanshi’ is a thorough entertainer and Rohit Shetty’s indelible stamp is etched in every scene. If you love hardcore action drama, this one is for you.

Bollywood

‘My Wife, Sister Getting Hate Messages From Pak, UAE, Bangladesh’: Sameer Wankhede On ‘Ba*ds Of Bollywood Row, Defamation Case Against Red Chillies, Netflix

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Former Mumbai NCB Zonal Director Sameer Wankhede, on October 11, spoke about the defamation case he has filed against Red Chillies Entertainment and Netflix. While speaking to news agency ANI, the former Narcotics Control Bureau (NCB) officer claimed that his family has been receiving hate messages from Pakistan, the UAE, and Bangladesh.

Wankhede said that his family has nothing to do with his profession or the case and asked, “Why are they feeling the brunt of these kinds of things?”

In addition, he also informed reporters that his sister and wife have been receiving threats. “Hate messages are coming from Pakistan, the UAE, and Bangladesh. I will not accept that because of me, they are facing the brunt of it,” he said.

He further added, “We have regularly informed the police about the threats that my sister and wife keep getting.”

Wankhede also said that he filed the case as it was about his self-respect, personal dignity, and honour, stating, “Whatever satire or parody you create, do it with your own people.”

He added that he would fight the legal battle as far as possible, saying, “I am a loyal soldier of the Government of India. There are numerous checks and balances in our system, and there is a proper rule book — the Constitution — according to which we work. One person does not make the decisions here. Everything has been done according to the rules and regulations. It is not about any publicity; it is about dignity. The kind of hate messages I have been getting, no self-respecting man will remain silent on it. I will fight this legal battle to whatever extent possible.”

Calling drug abuse a major issue for the nation, he further said, “By highlighting such things, you’re insulting not just one person but those who have worked with me, and others who fight against drug abuse.”

The case pertains to Aryan Khan’s web series, ‘The Ba**ds of Bollywood’*. The former Narcotics Control Bureau (NCB) officer has claimed that a character in the series bears a striking resemblance to him and has alleged that the show was “deliberately conceptualised and executed with the intent to malign his reputation.”

Wankhede has filed a ₹2 crore defamation case against Aryan Khan, Red Chillies Entertainment Pvt. Ltd (owned by Shah Rukh and Gauri Khan), and Netflix.

After filing the ₹2 crore defamation case, Wankhede told PTI, “I don’t want to comment on this. I will just say one thing — Satyamev Jayate (Truth alone triumphs).”

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Bombay HC Reserves Order On Sunil Shetty’s Plea Seeking Protection Of Personality Rights

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Mumbai: The Bombay High Court on Friday reserved its order on a plea filed by Bollywood actor Sunil Shetty seeking protection of his personality rights and an injunction against unauthorised use of his name, image, and likeness on social media and various websites.

A single-judge bench of Justice Arif S Doctor briefly heard arguments from senior advocate Birendra Saraf, representing the 64-year-old actor, and remarked that “it is scary what people can do with the unregulated use of AI on social media.” The court is expected to pass an ex parte ad-interim order in due course.

Shetty, who has acted in over 100 films, has filed a commercial intellectual property rights infringement suit against several social media platforms, websites, and unknown persons (John Doe defendants) for what he described as “extensive and ongoing infringement and unauthorised commercial exploitation” of his persona.

The plea highlights that his photographs and deepfake images, including those with his grandchild, were being used for commercial gain by real estate agencies, gambling and astrology websites, and merchandise sellers — all without his consent or authorisation.

Some of these instances involve AI-generated content, including deepfake videos and counterfeit merchandise like T-shirts and posters featuring his image.

Saraf submitted that such unauthorised usage and impersonation dilute the actor’s reputation, goodwill, and contractual commitments with third parties. “The infringement acts are causing irreparable harm to the plaintiff’s immense goodwill built carefully over the years,” the plea stated.

It further argued that the business models of such websites were designed to unlawfully monetise Shetty’s persona and “debase the goodwill and reputation that the plaintiff has cultivated over many years.”

The actor has sought a permanent injunction restraining all defendants from misusing his personality rights — including his name, image, likeness, voice, or any other attributes — in any form, especially through AI-generated or deepfake content.

He has also sought directions to take down infringing content and prohibit the manufacture or sale of counterfeit merchandise using his likeness.

Justice Doctor had earlier, while granting interim relief to singer Asha Bhosle in a similar plea, observed that using AI tools to imitate a celebrity’s voice without consent violates their personal rights.

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Mumbai: Farhan Akhtar’s Family Driver Misuses Actor’s Cards To Fill His Pockets, Booked For ₹12 Lakh Fraud

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Mumbai: The police have registered a case against the driver of actor Farhan Akhtar’s mother, Honey Irani, and an employee of a petrol pump near Bandra Lake. The accused driver, Naresh Singh, 35, used Akhtar’s cards to fill fuel in Irani’s cars. However, he merely swiped the cards at the petrol pump and an employee there, Arun Singh, 52, gave him cash after keeping his share for the deal.

On October 1, Irani’s manager filed a complaint with the Bandra police against Singh and the petrol pump employee for allegedly cheating them of Rs 12 lakh. According to the FIR, Irani’s manager, Diya Bhatia, 36, while checking the fuel accounts, discovered that a Maruti car with a diesel capacity of 35t was recorded as having received 621t.

When Bhatia questioned Singh, he gave unsatisfactory answers, claiming he only had one card to fill petrol and diesel. The manager examined the cards’ history. She discovered that Singh had used three cards, all registered under Akhtar’s name. She further found that Singh had purchased vehicle oil for a car that had been sold seven years ago. She arranged a meeting with Trani, during which Singh confessed to cheating them.

Singh revealed that in 2022, he obtained three cards from Akhtar’s former driver, Santosh Kumar. After obtaining the cards, he always filled petrol and diesel at the SV Road petrol pump near Bandra Lake, where he conspired with the petrol pump employee. Singh frequently swiped the cards without filling petrol or diesel and was given cash after a deduction of Rs 1,000- 1500.

A case has been registered under Sections 318 (criminal breach of trust), 418 (cheating), and 3(5) (general provisions) of the Bharatiya Nyaya Sanhita.

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