Bollywood
IANS Review: ‘Sooryavanshi’: Suave and stylish Akshay Kumar wows with thrilling action (IANS Rating: ***1/2)

Film: ‘Sooryavanshi’ (Running in Theatres)
Duration: 145 minutes
Director: Rohit Shetty
Cast: Akshay Kumar, Katrina Kaif, Ajay Devgn, Ranveer Singh, Jaaved Jaaferi, Gulshan Grover, Abhimanyu Singh, Jackie Shroff, Sikandar Kher, Nikitin Dheer, Vivan Bhatena and Kumud Mishra
IANS Rating: ***1/2
With the 1993 serial blasts in Mumbai as the starting point, Rohit Shetty’s ‘Sooryavanshi’ traces the terrorist activities of a militant group whose chief, Omar Hafeez (Jackie Shroff), remote-controls their actions from Pakistan.
How DCP Veer Sooryavanshi (Akshay Kumar), chief of the Mumbai Anti-Terrorism Squad, along with his team, prevent Hafeez’s sons and the sleeper cells based across India, who are galvanized into action to destroy India, particularly Mumbai, forms the crux of this film that extends to two hours and a half.
While the narrative is strongly reminiscent of Rohit Shetty’s earlier films in terms of flavour and feel, this one is unadulterated entertainment with action, drama, and even a bit of romance thrown in for good measure. There are trite moments when the unity of India and its secular fabric are forced down one’s throat, courtesy of DCP Sooryavanshi’s sermons.
The film, expectedly, belongs to Akshay Kumar, who with his commanding screen presence, credible action, and charisma, hooks the viewers as Sooryavanshi. He may not be offering anything new by way of histrionics, but there is comfort in his familiar style and his action scenes are a treat to watch.
The scene where he is chasing Sikander Kher and lifts him onto a flying helicopter from a speeding motorboat is superbly choreographed.
Akshay Kumar is ably supported by an ensemble cast of actors which includes Kumud Mishra as Bilal Ahmed, Vivan Bhatena as Vivan and Gulshan Grover as Kadar Usmani, all of whom perform well, enhancing the quality of the film. Abhimanyu Singh as Riaaz Hafeez, the key leader of the mission and Jackie Shroff’s son, delivers a strong performance. Katrina Kaif as Sooryanshi’s wife, Dr Ria, merely adds to the glamour quotient.
Sleek action and daring acts with cars overturning and structures being blown off characterize the film, in Rohit Shetty’s inimitable style. Of course, one must not stop to analyse or seek rationale, else disappointment sets in.
The dialogues are powerful, hard-hitting, and seem real in the given context, and at times even succeed in arousing a patriotic fervour.
The background score, with ‘Sooryavanshi’ pounding your eardrums when Akshay Kumar is on screen, is a bit overdone, but the rest of the music, especially ‘Tip tip barsa paani’ from ‘Mohra’, is a mellifluous experience.
Other policemen from Shetty’s cinematic universe — Bajirao Singham (Ajay Devgn) and Sangram Bhalerao (Ranveer Singh) — also make an appearance. The duo is actively involved in the action, albeit a bit mindless and overextended, in the last 15 minutes of the film. Ajay Devgn is his usual self, although Ranveer Singh’s forced goofiness is a tad annoying.
In its entirety, ‘Sooryavanshi’ is a thorough entertainer and Rohit Shetty’s indelible stamp is etched in every scene. If you love hardcore action drama, this one is for you.
Bollywood
Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.
Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.
She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.
“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”
Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.
Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”
Bollywood
Pankaj Tripathi talks about how growing up in Bihar influenced his craft

Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.
Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”
Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”
“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”
The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.
The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.
The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.
It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.
Bollywood
Shekhar Kapur explores the deep connection between creativity and mental health

Mumbai, June 23: Veteran filmmaker Shekhar Kapur shared his thoughts on the relationship between creativity, mental health, and the nature of artistic genius.
Taking to Instagram, Kapur reflected on Vincent van Gogh’s iconic painting Starry Night, calling it “the world’s most valued painting,” and marveling at how it was created during one of the most turbulent phases in the artist’s life. In his post, he revealed that Gogh painted Starry Night while admitted to a mental asylum, a time marked by severe emotional struggles. He further reflected on the fact that while he can return to his “normal” self after storytelling, many legendary artists like Van Gogh struggled with mental illness, sometimes unable to make that switch.
Calling for a broader understanding of mental health, Shekhar Kapur challenged conventional definitions of normalcy and illness. Sharing photos of Vincent’s paintings, the Mr. India director wrote, “This is the world’s most valued painting. Starry Nights was painted by Van Gogh while he was in the mental asylum and at the height of his ‘mental illness.’ Van Gough’s bold, expressive brush created swirling patterns in the night sky. Physicians have long tried to solve the equations of fluid dynamics. Fluid dynamics represents the true nature of the universe. And according to them, apparently Van Gogh painted a true representation of fluid dynamics!” (sic)
“How does an artist reputed to be suffering from schizophrenia manage to capture the true nature of our universe?? Quite apart from examining the relationship between art and science, what I wonder about a lot is the relationship between schizophrenia and creativity. When I write a story, I am transformed into the world of my characters. To help me transport my readers/listeners to that world, I need to believe in that world myself. I need to transport myself to that world. I need to become my characters…. Am I then experiencing a schizoid state? When I am transported into different worlds, believing I am somewhere else and somebody else?”
His post further read, “Fortunately I am able to switch those characters off. And return to my normal state (whatever normal might be) … and yet artists like Van Gogh, who painted some of the greatest poets/artists in the world, have suffered from mental illness. not being able to switch back to normal (whatever normal might be)”
Shekhar Kapur ended his post adding, “In that case we need to redefine mental illnesses… we need to redefine what normal is… if all creativity happens beyond the normal… in a state that so many artists, dancers, musicians, and actors define as the ‘zone’ they tap into… Where is this zone? What do we tap into when we tell stories we believe in? When do we paint the nature of the universe as we see it? Is it a schizophrenic act? #Art #Schizophrenic #Schizophrenia.”
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