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Devara Part 1 Review: Jr NTR, Janhvi Kapoor, Saif Ali Khan’s Magnum Opus Masters The Art Of Excess

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Devara Part 1 Review: Jr NTR, Janhvi Kapoor, Saif Ali Khan's Magnum Opus Masters The Art Of Excess

Title: Devara: Part 1

Director: Koratala Siva

Cast: NTR Jr., Saif Ali Khan, Janhvi Kapoor, Shruti Marathe, Prakash Raj, Srikanth, Shine Tom Chacko, Narain, Kalaiyarasan, Murali Sharma, Zarina Wahab

Where to watch: In theatres near you

Rating: 3 stars

At the very onset, it’s best to park logic at the door and strap in for a ride designed for the masses. This is not a film that concerns itself with minor inconveniences like subtlety or realism. No, this is a full-blown spectacle, bursting at the seams with larger-than-life characters and a bloated narrative that typifies a magnum opus. The film embraces cinematic liberties with gay abandon, much like a pirate plundering in the deep sea, and questioning its sensibilities would be as pointless as questioning the laws of physics in a superhero flick—futile, really, because some things are just meant to be enjoyed.

The nearly 10-minute prologue itself is a verbose declaration of what’s to come – an ambitious 2-hour-45-minute narrative of good versus bad. Set on the Western coast of India during the late 1980s, the plot unfolds like a legend being passed down from generation to generation, dripping with tradition, machismo, and the smell of the sea.

The tale revolves around Devara (NTR Jr.), a fearless leader of a seafaring community who, much to the dismay of his brethren, decides that aiding smugglers might not be the most virtuous calling. This moral awakening sets him on a collision course with Bhaira (Saif Ali Khan), who, once like a brother to Devara, now feels deeply betrayed and cheated by his sudden change of heart, turning their bond into a bitter rivalry.

The first half is an all-out showcase for NTR Jr., who is introduced with adrenaline-pumping fanfare that could resurrect the dead. Action-packed sequences, replete with a myriad of well-choreographed shots and pulsating music, cement his legendary status. Whether dispatching over two dozen attackers on the beach or emerging victorious from the waves like a mythic hero, Devara is the epitome of the larger-than-life protagonist. But the real cherry on top is the fact that, in the middle of these impossibly choreographed skirmishes, our hero finds time to splash water on his face – because of course, one must always look serious while fending off attackers.

The second half sees a 12-year leap and a noticeable tone shift, focusing more on Devara’s son, Vara (also NTR Jr., for maximum effect), who despite being timid, carries forward his father’s legacy. This section dips into romance, emotion, and songs – lighter and more engaging, perhaps, but still peppered with absurdly entertaining moments.

Visually, the film is a feast. Every frame is atmospheric, poster-worthy, and gorgeous to behold. You’d almost want to frame a few shots if it weren’t for the jarring clash between the supposed 1980s setting and the distinctly medieval set design. It’s a strange but oddly amusing oversight.

NTR Jr. tackles both roles with flair, though the script offers little depth beyond the surface. Saif Ali Khan, as Bhaira, plays his part with sincerity, though he essentially recycles his villainous act from previous roles. Janhvi Kapoor, unfortunately, is woefully underutilized, reduced to being little more than arm candy.

Overall, the film is a spectacle – bloated, brash, and utterly unapologetic about the narrative. You might laugh, you might roll your eyes, but you won’t look away.

Bollywood

Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

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Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

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Bollywood

Pankaj Tripathi talks about how growing up in Bihar influenced his craft

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Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

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Entertainment

Ali Fazal says Anurag Basu uses sets to his advantage, likes to break illusion

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Mumbai, June 24: Actor Ali Fazal, who has collaborated for the first time with director Anurag Basu in ‘Metro… In Dino’, has lavished praise on the director saying that he is very resourceful, and his process is very immersive.

Ali spoke with media recently, and shared that Anurag likes to break illusions as a storyteller, and pushes the envelope for his actors as well.

The actor told media, “Working with Anurag Basu is like walking into the perfect set. What I love about him is that he uses sets to his advantage. He opens up the imagination. He can sometimes think of a shot that can go through a wall”.

He further mentioned, “He allows his imagination to think and shoot that. As opposed to a lot of people, who only think this is how I’ve thought it, but will it be possible in reality? He likes breaking that illusion. And I think that’s what keeps it going. Of course, as an actor, I’m stepping into the perfect set because all I have to do is just catch that rhythm rather than start my own thing and see where it goes”.

Ali is returning to the big screen with ‘Metro… In Dino’ after a brief period of time. Earlier, the actor had said that his favourite Anurag Basu film is ‘Jagga Jasoos’.

‘Metro… In Dino’ also stars Anupam Kher, Pankaj Tripathi, Konkona Sen Sharma, Aditya Roy Kapur, Sara Ali Khan, Fatima Sana Shaikh, and Neena Gupta, and promises soul-stirring tales rooted in the relentless rhythm of ever-moving cities.

Presented by Gulshan Kumar & T-Series presents, in association with Anurag Basu Productions Pvt. Ltd., ‘Metro In Dino’ is produced by Bhushan Kumar, Krishan Kumar, Anurag Basu, and Taani Basu.

The film is set to arrive in cinemas on July 4, 2025.

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