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Charan and I are proud to bring back stardom on screen: Jr NTR on ‘RRR’

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Telugu star Jr NTR is geared up for the release of director S.S. Rajamouli’s epic ‘RRR’, co-starring Ram Charan, and he shares his thoughts on the film.

The ‘Aravinda Sametha Veera Raghava’ actor, who has been quite busy promoting ‘RRR’ had an exclusive chat with IANS.

Jr NTR explains how Rajamouli has evolved as a filmmaker.

Having worked with Rajamouli when he was just getting started, Jr NTR believes that Rajamouli has only grown hungrier to make more movies of great significance.

“The success quotient of S.S. Rajamouli has become exponentially bigger. His vision has become a macro-scale. But, as a person, he is still the same ‘Jakkanna’ to me,” Jr NTR said.

Ram Charan’s plays Alluri Seetharama Raju, which has a few cinematic references. But, for Komaram Bheem played by Jr NTR, there is no single reference about the character.

When quizzed about the same, Jr NTR said, “It is true that Komaram Bheem has no cinematic references.”

“We all grew up hearing the stories about these heroes. We all would have imagined a figure and its characteristics, right? For a Rajamouli movie, you have to undo almost every detail you ever have imagined or assumed.”

He further explained, “So, even though there is a reference, we have to undo those details.”

“So, it was totally Rajamouli’s imagination that you will see on the screen. Only the characters are real, the story surrounding them is totally fictional. We did multiple workshops together, to get into the skin of the characters.”

Jr NTR explains that Rajamouli has imbibed realistic features of the ‘Gond Veer’ Komaram Bheem, while the story is completely fictional.

On being asked about his bond with Ram Charan and their director complaining about their ‘pointless brawls’ on the sets of ‘RRR’, Jr NTR said they had a well-grounded explanation.

“When we have such a big project we are working on, everything gets intense on the sets. As I am an intense person myself, I get deeply engrossed in the work.”

“So, it is legit that we have such fun-filled breaks,” he said.

Jr NTR further explained, “There were times where we all used to break out in laughter. As Ram Charan and I were friends from earlier times, there were no boundaries.”

“We had to take breaks because the pressure of working for a mammoth venture, needs to be in equilibrium.”

“There are a lot of inhibitions for the actors to come together to make movies. I am proud to say that Charan and I have worked together to bring back the lost culture of two big stars working together for a movie.”

“The first two minutes will be Ram Charan’s and NTR’s individual fans watching the movie. But, the third minute, it is the movie fan, the audience, leaving behind the fandom”, Jr. NTR said, when he talks about their individual fandoms.

On January 7, ‘RRR’ will hit the screens. Jr NTR plays Komaram Bheem, while Ram Charan plays Alluri Seetharama Raju.

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Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

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Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

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Pankaj Tripathi talks about how growing up in Bihar influenced his craft

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Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

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Shekhar Kapur explores the deep connection between creativity and mental health

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Mumbai, June 23: Veteran filmmaker Shekhar Kapur shared his thoughts on the relationship between creativity, mental health, and the nature of artistic genius.

Taking to Instagram, Kapur reflected on Vincent van Gogh’s iconic painting Starry Night, calling it “the world’s most valued painting,” and marveling at how it was created during one of the most turbulent phases in the artist’s life. In his post, he revealed that Gogh painted Starry Night while admitted to a mental asylum, a time marked by severe emotional struggles. He further reflected on the fact that while he can return to his “normal” self after storytelling, many legendary artists like Van Gogh struggled with mental illness, sometimes unable to make that switch.

Calling for a broader understanding of mental health, Shekhar Kapur challenged conventional definitions of normalcy and illness. Sharing photos of Vincent’s paintings, the Mr. India director wrote, “This is the world’s most valued painting. Starry Nights was painted by Van Gogh while he was in the mental asylum and at the height of his ‘mental illness.’ Van Gough’s bold, expressive brush created swirling patterns in the night sky. Physicians have long tried to solve the equations of fluid dynamics. Fluid dynamics represents the true nature of the universe. And according to them, apparently Van Gogh painted a true representation of fluid dynamics!” (sic)

“How does an artist reputed to be suffering from schizophrenia manage to capture the true nature of our universe?? Quite apart from examining the relationship between art and science, what I wonder about a lot is the relationship between schizophrenia and creativity. When I write a story, I am transformed into the world of my characters. To help me transport my readers/listeners to that world, I need to believe in that world myself. I need to transport myself to that world. I need to become my characters…. Am I then experiencing a schizoid state? When I am transported into different worlds, believing I am somewhere else and somebody else?”

His post further read, “Fortunately I am able to switch those characters off. And return to my normal state (whatever normal might be) … and yet artists like Van Gogh, who painted some of the greatest poets/artists in the world, have suffered from mental illness. not being able to switch back to normal (whatever normal might be)”

Shekhar Kapur ended his post adding, “In that case we need to redefine mental illnesses… we need to redefine what normal is… if all creativity happens beyond the normal… in a state that so many artists, dancers, musicians, and actors define as the ‘zone’ they tap into… Where is this zone? What do we tap into when we tell stories we believe in? When do we paint the nature of the universe as we see it? Is it a schizophrenic act? #Art #Schizophrenic #Schizophrenia.”

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