Entertainment
Diljit Dosanjh Faces Legal Action Over Singing Songs With Alcohol References At Ludhiana Concert On New Year’s Eve

Singer and actor Diljit Dosanjh’s highly anticipated New Year’s Eve concert in Ludhiana was marred by legal controversy following a complaint filed by Punditrao Dharenavar, an assistant professor from Chandigarh.
The complaint prompted the Deputy Director of the Women and Child Department, Government of Punjab, to issue a formal notice to Ludhiana’s District Commissioner, urging them to prevent the singer from performing certain songs during his live show on December 31, 2024.
The notice, which was addressed to the local authorities in Ludhiana, specifically calls for a ban on songs that have been accused of promoting alcohol, such as ‘Patiala Pegg’, ‘5 Tara Theke’, and ‘Case (Jeeb Vicho Feem Labbiya)’, even if modified with altered lyrics.
The complaint references prior warnings issued to Diljit Dosanjh by various commissions, where he was advised against performing these controversial tracks. Despite these advisories, the singer has allegedly continued to perform them with slight alterations to the lyrics.
Panditrao Dharenavar, who filed the complaint, expressed strong concerns over the impact of such songs, particularly on young audiences, especially when underage children are in the audience.
Further complicating the situation, Dharenavar cited a ruling from the Punjab and Haryana High Court, which in 2019 directed the police to ensure that no songs promoting alcohol, drugs, or violence are played at public events, including live concerts.
According to the court’s decision, songs that glorify substances like alcohol or drugs have a detrimental impact on impressionable children.
Panditrao has also made it clear that he is prepared to escalate the matter to the Punjab and Haryana High Court if the concert proceeds with these tracks.
He further criticized Dosanjh for performing such songs while wearing a pagadi, a traditional headgear that he believes should not be associated with promoting negative values.
The Ludhiana concert, which was added as a last-minute stop on Dosanjh’s Dil-Luminati India Tour, marked the grand finale of his three-month nationwide performance schedule.
Initially, the tour was set to conclude in Guwahati, but the Ludhiana show was announced on December 23 and sold out within minutes of ticket sales opening.
In the days leading up to the Ludhiana performance, Diljit Dosanjh had already faced scrutiny in other cities for similar reasons.
During his concert in Hyderabad in November, he received a legal notice from the Telangana government, which cited a complaint about his performance of alcohol and violence-promoting songs.
Additionally, during his Indore show, the singer addressed the issue of black market ticket sales, defending himself against accusations that his tickets were being resold for inflated prices.
The controversy surrounding Diljit Dosanjh’s song lyrics isn’t new. Earlier in the year, the singer made headlines for his comments on alcohol in his music.
During a performance in Ahmedabad, he promised that he would cease making songs about alcohol if the Indian government enacted a nationwide ban on liquor. “If all the states declare themselves as dry states, I promise I won’t sing about alcohol ever again,” Dosanjh stated.
Despite these ongoing legal challenges, Dosanjh’s Dil-Luminati tour has been a major success, with tickets selling out quickly at every stop.
Bollywood
Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.
Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.
She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.
“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”
Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.
Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”
Bollywood
Pankaj Tripathi talks about how growing up in Bihar influenced his craft

Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.
Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”
Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”
“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”
The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.
The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.
The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.
It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.
Entertainment
Ali Fazal says Anurag Basu uses sets to his advantage, likes to break illusion

Mumbai, June 24: Actor Ali Fazal, who has collaborated for the first time with director Anurag Basu in ‘Metro… In Dino’, has lavished praise on the director saying that he is very resourceful, and his process is very immersive.
Ali spoke with media recently, and shared that Anurag likes to break illusions as a storyteller, and pushes the envelope for his actors as well.
The actor told media, “Working with Anurag Basu is like walking into the perfect set. What I love about him is that he uses sets to his advantage. He opens up the imagination. He can sometimes think of a shot that can go through a wall”.
He further mentioned, “He allows his imagination to think and shoot that. As opposed to a lot of people, who only think this is how I’ve thought it, but will it be possible in reality? He likes breaking that illusion. And I think that’s what keeps it going. Of course, as an actor, I’m stepping into the perfect set because all I have to do is just catch that rhythm rather than start my own thing and see where it goes”.
Ali is returning to the big screen with ‘Metro… In Dino’ after a brief period of time. Earlier, the actor had said that his favourite Anurag Basu film is ‘Jagga Jasoos’.
‘Metro… In Dino’ also stars Anupam Kher, Pankaj Tripathi, Konkona Sen Sharma, Aditya Roy Kapur, Sara Ali Khan, Fatima Sana Shaikh, and Neena Gupta, and promises soul-stirring tales rooted in the relentless rhythm of ever-moving cities.
Presented by Gulshan Kumar & T-Series presents, in association with Anurag Basu Productions Pvt. Ltd., ‘Metro In Dino’ is produced by Bhushan Kumar, Krishan Kumar, Anurag Basu, and Taani Basu.
The film is set to arrive in cinemas on July 4, 2025.
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