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Devara Part 1 Review: Jr NTR, Janhvi Kapoor, Saif Ali Khan’s Magnum Opus Masters The Art Of Excess

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Devara Part 1 Review: Jr NTR, Janhvi Kapoor, Saif Ali Khan's Magnum Opus Masters The Art Of Excess

Title: Devara: Part 1

Director: Koratala Siva

Cast: NTR Jr., Saif Ali Khan, Janhvi Kapoor, Shruti Marathe, Prakash Raj, Srikanth, Shine Tom Chacko, Narain, Kalaiyarasan, Murali Sharma, Zarina Wahab

Where to watch: In theatres near you

Rating: 3 stars

At the very onset, it’s best to park logic at the door and strap in for a ride designed for the masses. This is not a film that concerns itself with minor inconveniences like subtlety or realism. No, this is a full-blown spectacle, bursting at the seams with larger-than-life characters and a bloated narrative that typifies a magnum opus. The film embraces cinematic liberties with gay abandon, much like a pirate plundering in the deep sea, and questioning its sensibilities would be as pointless as questioning the laws of physics in a superhero flick—futile, really, because some things are just meant to be enjoyed.

The nearly 10-minute prologue itself is a verbose declaration of what’s to come – an ambitious 2-hour-45-minute narrative of good versus bad. Set on the Western coast of India during the late 1980s, the plot unfolds like a legend being passed down from generation to generation, dripping with tradition, machismo, and the smell of the sea.

The tale revolves around Devara (NTR Jr.), a fearless leader of a seafaring community who, much to the dismay of his brethren, decides that aiding smugglers might not be the most virtuous calling. This moral awakening sets him on a collision course with Bhaira (Saif Ali Khan), who, once like a brother to Devara, now feels deeply betrayed and cheated by his sudden change of heart, turning their bond into a bitter rivalry.

The first half is an all-out showcase for NTR Jr., who is introduced with adrenaline-pumping fanfare that could resurrect the dead. Action-packed sequences, replete with a myriad of well-choreographed shots and pulsating music, cement his legendary status. Whether dispatching over two dozen attackers on the beach or emerging victorious from the waves like a mythic hero, Devara is the epitome of the larger-than-life protagonist. But the real cherry on top is the fact that, in the middle of these impossibly choreographed skirmishes, our hero finds time to splash water on his face – because of course, one must always look serious while fending off attackers.

The second half sees a 12-year leap and a noticeable tone shift, focusing more on Devara’s son, Vara (also NTR Jr., for maximum effect), who despite being timid, carries forward his father’s legacy. This section dips into romance, emotion, and songs – lighter and more engaging, perhaps, but still peppered with absurdly entertaining moments.

Visually, the film is a feast. Every frame is atmospheric, poster-worthy, and gorgeous to behold. You’d almost want to frame a few shots if it weren’t for the jarring clash between the supposed 1980s setting and the distinctly medieval set design. It’s a strange but oddly amusing oversight.

NTR Jr. tackles both roles with flair, though the script offers little depth beyond the surface. Saif Ali Khan, as Bhaira, plays his part with sincerity, though he essentially recycles his villainous act from previous roles. Janhvi Kapoor, unfortunately, is woefully underutilized, reduced to being little more than arm candy.

Overall, the film is a spectacle – bloated, brash, and utterly unapologetic about the narrative. You might laugh, you might roll your eyes, but you won’t look away.

Entertainment

Telangana minister threatens to stop release of Pawan Kalyan’s films over ‘insulting’ remark

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Hyderabad, Dec 2: Telangana Cinematography Minister Komatireddy Venkat Reddy on Tuesday warned that Andhra Pradesh Deputy Chief Minister Pawan Kalyan’s movies will not be allowed to be released in theatres in Telangana if he fails to apologise over his “insulting” remarks about Telangana.

He told media persons that screening of Pawan Kalyan’s films will be permitted only after he tenders an unconditional apology for his remarks.

“If Pawan Kalyan apologises, his movies will be screened at least for a couple of days, but if he fails to apologise, his films will not release anywhere in Telangana. I am saying this as the minister for cinematography,” said Venkat Reddy, who also holds the portfolio of roads and buildings.

The minister clarified that the issue is not related to megastar Chiranjeevi, who is elder brother of Pawan Kalyan. “Chiranjeevi is a sober man. He always stays away from controversies,” he said.

He remarked that Pawan Kalyan is new to politics and, after becoming the Deputy Chief Minister, he had been making “controversial” statements.

The minister said that at a time when Telangana completed 12 years, and entered into the 13th year, Pawan Kalyan made the “insulting” remarks.

The Andhra Pradesh Deputy Chief Minister had recently blamed the “evil eye” for “dying” coconut trees in the development of the Konaseema region, known for lush green fields.

The Jana Sena leader, who visited the region last week to inspect the coconut trees damaged by seawater from a drain, blamed it on “evil eye”. He was apparently referring to the bifurcation of the state.

His remarks have evoked a strong reaction from leaders in Telangana.

Animal Husbandry Minister Vakati Srihari said that Pawan Kalyan was “unable to digest” the tremendous development of Telangana.

He remarked that the Andhra Pradesh Deputy CM “lacks” maturity.

Srihari alleged that the Jana Sena leader was making such statements for political mileage and demanded that he immediately take back his words.

Congress MLA from Jadcherla J. Anirudh Reddy demanded that Pawan Kalyan tender an unconditional apology.

“If Telangana has cast an evil eye on Godavari and Konaseema, why is Pawan Kalyan staying in Hyderabad?” he asked.

Anirudh Reddy told Pawan Kalyan to sell his properties in Hyderabad and shift to Vijayawada.

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Bollywood

Kartik Aaryan, Ananya Panday promote ‘Tu Meri Main Tera, Main Tera Tu Meri’ on Amitabh Bachchan’s KBC

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Mumbai, Dec 1: Actors Kartik Aaryan and Ananya Panday are all geared up for their upcoming movie Tu Meri Main Tera, Main Tera Tu Meri, which is slated for a Christmas release this year.

The actors who are currently on a promotional spree were spotted at the Kaun Banega Crorepati sets on the 1st of December to promote their movie on the iconic quiz reality show hosted by the legendary Amitabh Bachchan. Ananaya was seen dressed in a beautiful and classy saree, while Kartik looked dapper in his suit-boot avatar.

Apart from imparting knowledge to the audience, KBC has become a hotspot for movie and show promotions for the entertainment industry, owing to its popularity. Earlier, the cast of Family Man, Jaideep Ahlawat, Manoj Bajpayee, and Sharib Hashmi, had appeared on the show to promote their series. The cast, along with Big B, was seen having a blast.

Talking about Tu Meri Main Tera, Main Tera Tu Meri, Kartik and Ananya were recently in the city of Jaipur to promote their movie. At a packed press conference in Jaipur, Kartik was seen opening up about Ananya’s journey as an actress, especially when asked what it felt like to come together again after seven years, referring to the movie Pati, Patni Aur Woh.

The actor had recalled how she was just starting out when they first collaborated and how today she stands tall with a newfound confidence, sharper craft, and a mature ease that shows both on and off screen. Kartik also spoke warmly about watching Ananya grow not just as an actor but also as a person. Reuniting after their Pati Patni Aur Woh days, the duo seemed to slip straight back into their spark. Recently, Kartik and Ananya had opened up about filming the title track of “Tu Meri Main Tera Main Tera Tu Meri”

Kartik, in a statement, had shared, “The energy on set while shooting this track was an absolute banger!! Vishal and Sheykhar have delivered something extraordinary with this one. And with Remo bringing his magic to the choreography, the vibe on set was next-level electric. Can’t wait to see the audience grooving on this track!! ”

Ananya had added, “This track is totally on fire! It captures the entire feel of the film, the fun, the chaos, and the electric connection between Rumi and Ray. We had such a blast shooting it, and I truly believe this is the biggest party anthem of the season.” She added, “Huge props to Vishal and Sheykhar for this banger! And of course, Remo sir’s choreography just makes you want to get up and dance; he brought such infectious energy to the song with his choreography! ”The season’s biggest, loudest, and most addictive banger.”

On November 28, the makers of the upcoming film released the first and the title track, “Tu Meri Main Tera”. Directed by Sameer Vidwans, the film is slated to release this Christmas on 25th December.

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Bollywood

Samantha Ruth Prabhu Shares FIRST Wedding Photos With Raj Nidimoru, Exchanges Rings At Sadhguru’s Isha Foundation In Coimbatore

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Samantha Ruth Prabhu and Raj Nidimoru are officially married! The couple tied the knot in an intimate ceremony at Sadhguru’s Isha Yoga Centre in Coimbatore, at the Linga Bhairavi Temple, with reportedly only 30 guests in attendance.

In the photos, Samantha was seen wearing a traditional red saree. The couple also exchanged rings. In one of the photos, Samantha was adorably looking at her husband, while Raj could not stop beaming with a smile at their wedding

Born in Chennai on April 28, 1987, Samantha is currently 38 years old, while her husband, Raj, born on August 4, 1979, is 46. This makes an age gap of 8 years between the two.

Despite the age difference, the couple seems to share a strong bond.

Samantha Ruth Prabhu was previously married to Naga Chaitanya, and Nidimoru was previously married to Sshyamali De.

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