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‘Thamma’ Movie Review: A massy, mythical, Maddock-style fire-cracker blockbuster!

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Director: Aditya Sarpotdar, Writer: Niren Bhatt, Suresh Mathew, Arun Falara, Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh, Duration: 149 Minutes, Rating: 4.

Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.

The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.

One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.

The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.

On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.

The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.

Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.

Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?

Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.

Bollywood

Delhi HC adjourns Salman Khan’s plea against release of ‘Kala Hiran’ till July 1

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New Delhi, June 19: The Delhi High Court on Friday adjourned the hearing on Bollywood actor Salman Khan’s plea seeking to restrain the release of the proposed film “Kala Hiran”, without granting any interim relief at this stage.

A vacation Bench of Justice Madhu Jain directed that a complete copy of the plaint and accompanying documents be supplied to the respondent filmmaker and listed the matter for hearing on July 1.

During the hearing, Salman Khan’s counsel, advocate Nizam Pasha, submitted that the film is purportedly based on the actor’s life and has been produced without his consent.

While pressing for interim relief, Pasha also informed the high court that the poster and trailer of the film had already been released, though the release date of the movie is yet to be announced.

Opposing the plea for urgent relief, counsel appearing for the filmmakers submitted that they had not been served the complete set of documents in the case.

“On Wednesday, they served me only a copy of the application, not the plaint,” the counsel argued, adding that the filmmakers were receiving death threats over the project and that an FIR had already been lodged.

After hearing the parties, the Delhi High Court directed Salman Khan to furnish the complete set of documents, including the plaint, to the respondent and fixed the matter for arguments on July 1. Shortly thereafter, the actor’s counsel mentioned the matter again and contended that the filmmakers had already been served, seeking an earlier hearing date.

However, Justice Jain observed that the matter had already been listed in July and declined to advance the hearing.

The dispute reached the Delhi High Court days after Salman Khan’s legal team issued a notice to the makers of “Kala Hiran: The Battle for Legacy”, asking them to halt the release of the film and remove all promotional material, including posters and publicity content.

Directed by Bharat S. Shrinet and produced by Amit Jani, the film is inspired by the blackbuck poaching case involving Salman Khan and also portrays his alleged rivalry with gangster Lawrence Bishnoi. The makers have described it as a blend of courtroom drama and crime thriller mounted on an international scale.

The controversy surrounding the film has intensified in recent days, with producer Jani alleging that he has been receiving death threats ahead of the movie’s release. On June 18, Jani claimed that a Pakistani terrorist had threatened him with a drone and grenade attack over the film and said that he had informed the Union Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Subsequently, Jani alleged that he received a second death threat within 24 hours.

In a complaint lodged with police in Jodhpur, he claimed that an unidentified caller, identifying himself as a Salman Khan fan, threatened to kill him within three days. The producer urged authorities to immediately register a case and arrest the accused.

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AICWA demands high-level investigation into actor Sanchita Ugale’s suicide

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Mumbai, June 15: The sudden demise of actress Sanchita Ugale has left the entire television industry in a state of shock.

All India Cine Workers Association (AICWA) President Suresh Shyamlal Gupta has now urged the Chief Minister of Maharashtra, Devendra Fadnavis, to order a high-level inquiry into the death of Sanchita Ugale.

AICWA has requested an in-depth investigation into every possible angle of the case to ensure justice to the deceased and his family.

An official statement shared by the Association read, “Her untimely departure has left her family shattered and the entire Indian film industry mourning the loss of a young talent whose memories will live on forever.”

“Every life is precious. The truth behind this tragic incident must come out, and the family of Sanchita Ugale deserves nothing less than a fair, impartial, and thorough investigation. AICWA urges the authorities to leave no stone unturned and to ensure that all aspects of this case are examined with complete transparency,” they further shared

AICWA has further urged the Government of Maharashtra and the concerned authorities to establish a dedicated committee to examine the increasing number of deaths and mental health-related crises being reported within the entertainment industry.

Additionally, they have also asked to review the safety, well-being, and support systems available to the artists.

“In recent years, the Indian entertainment industry has witnessed several deaths and alleged suicide cases. In many instances, questions raised by family members, colleagues, and the public have remained unanswered. Therefore, it is essential that investigators examine all available evidence, circumstances, and possible angles in this case with complete transparency,” the statement further read.

According to police reports, Sanchita Ugale died by suicide at her residence in Sai Santoshi Building, in Nalasopara East, Mumbai. The unfortunate incident took place on June 14 between 7:00 pm and 7:30 pm.

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Ajay Devgn’s ‘Dhamaal 4’ gets a release date, movie to hit theatres on July 10, 2026

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Mumbai, June 10: The makers of ‘Dhamaal 4’ have officially announced the theatrical release date of the much-awaited comedy entertainer.

Bollywood superstar Ajay Devgn on Wednesday, shared a brand-new poster from the film, revealing that the latest installment of the popular ‘Dhamaal’ franchise will arrive in cinemas on July 10, 2026.

Earlier on Tuesday Ajay had shared another poster that featured Ajay Devgn himself and veteran actor Sanjay Mishra hanging precariously from a rocky cliff as they appear to be on a treasure hunt.

Sharing the poster on, Ajay wrote, “Inn dono ka hai ek hi goal, to get their hands on gold.”

Directed by Indra Kumar, Dhamaal 4 will bring back the franchise’s signature blend of slapstick humour, treasure hunts and larger-than-life comic situations.

The film stars Ajay Devgn, Arshad Warsi, Riteish Deshmukh, Jaaved Jaaferi and Sanjay Mishra in key roles.

The ensemble cast also includes Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar and Ravi Kishan.

For the uninitiated, Dhamaal franchise began with the 2007 hit Dhamaal, followed by Double Dhamaal in 2011 and Total Dhamaal in 2019.

Produced by Ajay Devgn, Bhushan Kumar, Krishan Kumar, Ashok Thakeria, Indra Kumar, Anand Pandit and Kumar Mangat Pathak, Dhamaal 4 is presented by T-Series in association with Devgn Films, Maruti International and Panorama Studios.

Earlier, Riteish Deshmukh had also unveiled a quirky new character poster from the upcoming comedy entertainer. The poster showed Riteish hanging precariously from a cliff edge in the middle of a dense jungle while a frightened Anjali Anand is seen struggling to hold on to him. Adding to the chaos, a monkey is seen swinging nearby and a snake is wrapped around his leg.

Sharing the poster, Riteish wrote, “Get ready to join the most unplanned and unstoppable treasure hunt ever”.

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