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‘Thamma’ Movie Review: A massy, mythical, Maddock-style fire-cracker blockbuster!

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Director: Aditya Sarpotdar, Writer: Niren Bhatt, Suresh Mathew, Arun Falara, Cast: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Paresh Rawal, Sathyaraj, Fasial Malik, Geeta Aggarwal, Rachit Singh, Duration: 149 Minutes, Rating: 4.

Thamma is big-screen fun at its purest — a daring mix of folklore, family, fantasy, and fanfare of a full-blown franchise. With this new movie in the Maddock horror-verse, director Aditya Sarpotdar is taking Indian genre cinema to a whole new level. It’s all sorts of strange, clever, and wildly creative — yet, very relatable. While Stree was scary and subversive and Bhediya went into the wilds, Thamma conquers the territory by merging horror with love and, thus, leaving a cinematic experience that is totally different.

The story revolves around the forest of myths where the past is still alive and the ancient guardians are awakening. Not Thamma by any means, but it still manages to conjure up a bizarre fantasy universe complete with its own laws, curses, and consequences. Compared to other supernatural thrillers, this one is basically an emotional comedy with a dose of humor and the human instinct to save those whom we love even if it costs our lives. It doesn’t become scary but rather keeps its faith. The movie is funny but not farcical. It is also emotional without being overly dramatic.

One of the main characters is journalist protagonist Khurrana from a small town. His incidental supernatural experience leads to a series of events that is not in his capacity to grasp the enormity of it. In the first half, he is simply lovable and relatable but later on he becomes quite intense. Mandanna delivers an emotional performance that is also very down-to-earth. She has the fire as well as the delicate side of her nature and does not go for the usual stereotypical trope of horror comedy being over-the-top.

The continuing part is just an explosive work of art — it features fight, change of characters, and a breathtaking fight between Alok and Bhediya (Varun Dhawan). Special effects are of great quality and the confrontation between these two forces is signaling their underlying relationship which will definitely influence this cinematic universe storyline in the future. Such a moment of grandeur is the kind of moment in which you wish to applaud in a jam-packed hall, and subsequently, you are left with more questions than answers. How are these two characters related? I promise; the answer will be beyond your imagination.

On the subject of universe-building, the movie is full of Easter eggs and a few character recalls, but one highlights: the comeback of Sar Kata, the frightening character from Stree, who ominously appears, signaling the massive danger that lies ahead for the Maddock horror-verse. To be honest, the connection between Stree 2 and Thamma is quite strong, and by the time you get to the end, it’s only evident that it’s something huge that is on its way. The seeds of a mega-crossover have been dropped.

The acting, in general, is great. Paresh Rawal offers a great comic relief performance as the sarcastic and sharp-witted father while Nawazuddin Siddiqui dominates the movie with his intense and dark presence. The upward movement of his character feels like the dawn of something bigger and maybe a major factor in the future war of good vs. evil in this ever-expanding universe.

Following that is the comeback of Sathyaraj as Elvis, the idiosyncratic paranormal expert who got the nickname Hand of God. However, this time, he is not only here for the laughs — his arrival subtly changes the bigger picture. In a significant moment, Elvis points to a vital connection between Alok’s freshly changed Betaal and Bhediya, the one who was last seen grappling with Sar Kata in Stree 2. It’s a clever, low-key link that signals the coming events and the Maddock universe fans will instantly get the excitement of the bigger plot unfolding.

Moreover, the talked-about Nora Fatehi cameo is not only a glam reel but also an addition to the lore. Her unveiling provides a wonderful emotional connection to Stree and is a massive high point for long-time fans of the universe. Being a kind of fan service, it rewards attention and gives a totally different perspective to everything that we thought we knew about this world. Is she the one who opens the door to its secrets or something else?

Before the release, the buzz was mostly about item numbers and flashy visuals. However, Thamma, turn, defies the expectation. In the typical Maddock manner, every song in this movie has its function-character revelation, story advancement, or myth deepening. There are no unnecessary diversions, no hollow spectacles, only the narrative-driven songs that keep the emotional part of the story going. It is a very important revamp of the Bollywood horror formula and the result is great.

Bollywood

Don 3 Row: FWICE Withdraws Non-Cooperation Directive Against Ranveer Singh Following Legal Notice, Says ‘No One Has Won Or Lost’

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Actor Ranveer Singh received major relief in the ongoing Don 3 controversy, with the Federation of Western India Cine Employees (FWICE) officially withdrawing its non-cooperation directive against him. The decision was announced on Wednesday (June 3) after discussions involving several key industry bodies, including the Indian Motion Picture Producers’ Association (IMPPA), the Producers Guild of India (PGI) and the Cine & TV Artistes’ Association (CINTAA).

The move comes days after FWICE issued the directive over Ranveer’s reported exit from Farhan Akhtar’s much-awaited film Don 3. The matter later escalated when the actor sent a legal notice to the organisation.

Speaking to reporters, FWICE president BN Tiwari confirmed that the directive had been revoked with immediate effect.

“We are taking back our non cooperative directive from immediate effect after a request by IMPAA, the producers’ guild and CINTAA. We have been told that we should all sit together with the producers’ body and take an appropriate decision where neither the producers and directors nor the actor face any issues,” FWICE president BN Tiwari told reporters in Mumbai, according to PTI.

Tiwari also clarified that the organisation does not view the development as a victory or defeat for either side. “No one has won or lost in this matter. Our legal department will respond to his legal notice,” he added.

The controversy began on May 25 when FWICE announced a non-cooperation directive against Ranveer following a complaint filed by Farhan and his producing partner Ritesh Sidhwani with the Indian Film and Television Directors’ Association (IFTDA).

The matter was subsequently referred to FWICE for intervention.

According to reports, Don 3 has been in development for nearly three years and is yet to go on floors. The producers have reportedly claimed that more than Rs 45 crore has already been invested in the film’s pre-production process.

Amid the growing dispute, Ranveer Singh chose not to comment publicly on the issue. However, his spokesperson issued a statement emphasizing the actor’s respect for everyone associated with the project and the film industry.

“Throughout the recent developments surrounding ‘Don 3’, he has consciously chosen to maintain silence, believing that professional discussions and personal equations are best handled with dignity, maturity and mutual respect,” the statement said.

The spokesperson also stated that Singh continues to hold “deep respect and goodwill” for all those connected to the film and the industry.

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Jacqueline Fernandez did not cooperate during probe: ED tells Delhi court

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New Delhi, May 11: The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.

Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA).

The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar.

Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents.

According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities.

After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12.

The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts.

In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED.

Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime.

The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand.

The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness.

The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf.

The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth.

The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows.

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Asha Bhosle’s son says last respects to be paid at residence in Lower Parel, followed by last rites at Shivaji Park

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Mumbai, April 12: Legendary playback singer Asha Bhosle’s son Anand Bhosle has shared that the last respects will be held at her residence in Lower Parel.

Speaking to the media, he said, “My mother passed away today. People can pay their last respects to her at 11:00 am tomorrow at Casa Grande, Lower Parel, where she lived. Her last rites will be performed at 4 pm tomorrow at Shivaji Park”.

Her elder sister, Lata Mangeshkar, who was a Bharat Ratna awardee was also cremated at the Shivaji Park in 2022.

Asha Bhosle passed away at the age of 93 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm.

One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages.

In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008.

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