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Springsteen tops ‘Rolling Stone’ magazine’s ’10 Highest Paid Musicians’ list

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The pandemic may have completely up-ended the music industry’s traditional business model, but artistes found all kinds of ways to make many millions of dollars in 2021, according to ‘Variety’.

And the big winners were nearly all white and male, if one goes by a ’10 Highest Paid Musicians’ list published by ‘Rolling Stone’ magazine on Friday (US Time).

Jay-Z, Kanye West and Taylor Swift are the three exceptions in the list that includes Paul Simon, Ryan Tedder, Red Hot Chili Peppers, Lindsey Buckingham, Motley Crue and Blake Shelton.

Created by former Forbes correspondent Zack O’Malley Greenburg, the list features several artistes who cashed in their song catalogues for nine-figure sums last year.

The leader of the pack, reports ‘Variety’, was Bruce Springsteen, who not only sold his publishing and recorded-music rights to Sony Music in December for a figure sources say was around $550 million, but also was the rare performer to make a healthy sum from live performances, with his ‘Springsteen on Broadway’ summer reprise.

Seven of the 10 made the list based on catalogue sales, with the only exceptions being Jay-Z, Kanye West, and Taylor Swift, who had big years either with non-music ventures, such as West’s Yeezy shoe empire, or Jay’s sale of half of his champagne line.

Or, to quote ‘Variety’, it was a “bounty of heavily streamed and sold music”, as in the case of Swift’s four albums released in just 18 months (along with lucrative partnerships with Peloton and Starbucks). Also notable is a previously undisclosed $50-million catalogue deal from Blake Shelton.

“And in a sad reflection of the state of the world, apart from those exceptions, the list is all older white men — with Stevie Nicks, who struck a $100-million catalogue deal with Primary Wave, just missing the cutoff,” concludes ‘Variety’. The top 10’s total take? $2.3 billion.

Bollywood

Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

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Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

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Bollywood

Pankaj Tripathi talks about how growing up in Bihar influenced his craft

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Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

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Entertainment

Ali Fazal says Anurag Basu uses sets to his advantage, likes to break illusion

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Mumbai, June 24: Actor Ali Fazal, who has collaborated for the first time with director Anurag Basu in ‘Metro… In Dino’, has lavished praise on the director saying that he is very resourceful, and his process is very immersive.

Ali spoke with media recently, and shared that Anurag likes to break illusions as a storyteller, and pushes the envelope for his actors as well.

The actor told media, “Working with Anurag Basu is like walking into the perfect set. What I love about him is that he uses sets to his advantage. He opens up the imagination. He can sometimes think of a shot that can go through a wall”.

He further mentioned, “He allows his imagination to think and shoot that. As opposed to a lot of people, who only think this is how I’ve thought it, but will it be possible in reality? He likes breaking that illusion. And I think that’s what keeps it going. Of course, as an actor, I’m stepping into the perfect set because all I have to do is just catch that rhythm rather than start my own thing and see where it goes”.

Ali is returning to the big screen with ‘Metro… In Dino’ after a brief period of time. Earlier, the actor had said that his favourite Anurag Basu film is ‘Jagga Jasoos’.

‘Metro… In Dino’ also stars Anupam Kher, Pankaj Tripathi, Konkona Sen Sharma, Aditya Roy Kapur, Sara Ali Khan, Fatima Sana Shaikh, and Neena Gupta, and promises soul-stirring tales rooted in the relentless rhythm of ever-moving cities.

Presented by Gulshan Kumar & T-Series presents, in association with Anurag Basu Productions Pvt. Ltd., ‘Metro In Dino’ is produced by Bhushan Kumar, Krishan Kumar, Anurag Basu, and Taani Basu.

The film is set to arrive in cinemas on July 4, 2025.

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