Bollywood
‘Sky Force’: A high-flying triumph of heroism, sacrifice, and cinematic brilliance
Mumbai, Jan 23: As Republic Day 2025 approaches, ‘Sky Force’ doesn’t just soar through the skies, it soars straight into your heart. Directed by Abhishek Anil Kapur and Sandeep Kewlani, this film is an awe-inspiring tribute to the valiant men of India’s Air Force. It seamlessly blends heart-stopping aerial combat with an emotionally charged narrative, offering more than just an action flick—it’s a tribute to real-life heroes, both on-screen and off.
The film is set against the backdrop of the 1965 Indo-Pakistani War, and chronicles India’s first retaliatory airstrike, a defining moment that not only shifted the course of the war but also cemented the Indian Air Force’s place in history. At the heart of this gripping tale are two characters whose journeys will keep you glued to your seat, Wing Commander K.O. Ahuja (played by Akshay Kumar) and T. Vijaya (played by Veer Pahariya). A war movie this intense, this personal, is something Bollywood has rarely seen before.
The film kicks off with Wing Commander K.O. Ahuja, a seasoned and determined leader, on a mission to uncover the truth about his missing pilot, T. Vijaya. When Ahuja discovers that Vijaya may still be alive, it leads him down a path of revelation, sacrifice, and a bond that no one can break. What unfolds is not just a search for a missing pilot, but a testament to the unwavering courage and brotherhood between soldiers.
Akshay Kumar’s portrayal of Wing Commander K.O. Ahuja is nothing short of spectacular. The man who fought for justice, led his men, and wore his duty like a badge of honor, Kumar brings the gravitas and emotion that makes Ahuja one of the most compelling characters in recent cinematic memory.
His performance isn’t just about being the stoic military commander—it’s the subtle vulnerability that shines through. Ahuja’s deep connection to his men, particularly the missing Vijaya, elevates Kumar’s performance to another level. There are moments in the film when his eyes do the talking, and that’s when you realize the true depth of his character.
Veer Pahariya, in his debut role, is an absolute revelation as T. Vijaya. Pahariya doesn’t just play the role of a fearless pilot—he embodies the spirit of sacrifice, rebellion, and valor. As Vijaya, a man who risks everything to defend his country, Pahariya channels both the youthful defiance and the gravity of a soldier who knows the cost of duty. His portrayal of Squadron Leader Ajjamada Boppayya Devayya MVC will surely leave a lasting impression. His emotional arc is brilliantly interwoven with the film’s action, and by the time he faces his final moments on screen, you’ll be on the edge of your seat, feeling every bit of his sacrifice.
Then there’s the powerhouse of supporting performances—Sara Ali Khan and Nimrat Kaur. Kaur’s portrayal of Ahuja’s wife offers a quiet, deeply emotional strength. While the world is engulfed in war, she holds the fort back home, a reminder that the battle isn’t only fought in the skies. Sara Ali Khan, as Vijaya’s pregnant wife, brings an emotional depth that adds even more weight to the film. Her struggle, caught between hope and despair, creates one of the film’s most heart-wrenching moments. Together, Kaur and Ali Khan humanize the toll war takes, not just on the soldiers, but also on those waiting back home.
What truly sets ‘Sky Force’ apart from other war films is the fusion of action and emotion. Kapur and Kewlani manage to balance the pulse-quickening aerial dogfights with intimate moments of vulnerability. The pacing is tight, and the direction doesn’t allow the film to lose its emotional focus, even in the midst of spectacular combat sequences. Every scene builds on the previous one, raising the stakes as the film progresses, ensuring you’re emotionally invested in both the fate of the pilots and the larger historical events.
Speaking of those aerial combat sequences, ‘Sky Force’ raises the bar for Indian action films. The flight sequences are nothing short of jaw-dropping, shot with such precision and realism that you feel like you’re strapped into the cockpit yourself. The dogfights are breathtaking, grounded in authenticity, with each plane’s movement feeling as if it’s a carefully calculated military maneuver rather than a CGI-heavy spectacle. The visual effects are top-notch, capturing everything from missile strikes to the twisting barrel rolls with such clarity and realism that you’ll be holding your breath through every second.
The VFX team deserves special mention for crafting these sequences with such attention to detail. The explosive airstrikes, the dogfights, and the painstakingly recreated historical moments are not just visually stunning—they’re intensely immersive. The action sequences in ‘Sky Force’ are designed with a purpose—they’re thrilling, yes, but they’re also integral to the film’s emotional heartbeat.
And then there’s the background score—if the action is what keeps your pulse racing, the music is what makes your heart swell. The score is epic in every sense of the word, driving the narrative, intensifying the tension, and underscoring the sacrifices made by the pilots. It’s perfectly timed, swelling during key moments and allowing the quieter, emotional scenes to resonate with the same power. The music doesn’t just accompany the action—it enhances it, making every combat sequence and emotional beat feel larger than life.
In the end, ‘Sky Force’ is a triumph in every sense. It’s an action-packed spectacle, yes, but it’s also a deeply human story about sacrifice, duty, and the unbreakable bonds of brotherhood. With unforgettable performances, spectacular direction, and mind-blowing aerial combat, ‘Sky Force’ is a cinematic masterpiece that will undoubtedly be remembered as one of the best war films Bollywood has ever produced.
Produced by Dinesh Vijan and Amar Kaushik under Maddock Films, along with Jyoti Deshpande under Jio Studios, ‘Sky Force’ is a landmark in Indian filmmaking. It’s a film that celebrates courage, a tribute to the heroes who defend the skies, and an unforgettable cinematic journey that will leave you in awe.
Director – Abhishek Anil Kapur and Sandeep Kewlani
Cast – Akshay Kumar, Veer Pahariya, Sara Ali Khan, Nimrat Kaur and Sharad Kelkar
Duration – 125 minutes
Rating – 4.5
Bollywood
Jacqueline Fernandez did not cooperate during probe: ED tells Delhi court

New Delhi, May 11: The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.
Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA).
The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar.
Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents.
According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities.
After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12.
The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts.
In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED.
Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime.
The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand.
The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness.
The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf.
The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth.
The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows.
Bollywood
Asha Bhosle’s son says last respects to be paid at residence in Lower Parel, followed by last rites at Shivaji Park

Mumbai, April 12: Legendary playback singer Asha Bhosle’s son Anand Bhosle has shared that the last respects will be held at her residence in Lower Parel.
Speaking to the media, he said, “My mother passed away today. People can pay their last respects to her at 11:00 am tomorrow at Casa Grande, Lower Parel, where she lived. Her last rites will be performed at 4 pm tomorrow at Shivaji Park”.
Her elder sister, Lata Mangeshkar, who was a Bharat Ratna awardee was also cremated at the Shivaji Park in 2022.
Asha Bhosle passed away at the age of 93 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm.
One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages.
In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008.
Bollywood
‘Dhurandhar 2 Is A Pakistani Film, Why Show It To People Of Hindustan?’ Samajwadi Party MLA Abu Azmi Slams Ranveer Singh Starrer Movie

Mumbai: Samajwadi Party MLA Abu Azmi on Friday slammed the Ranveer Singh starrer Dhurandhar 2, calling it ‘a false film’ made to spread hatred. Azmi added that the film is about Pakistan and questioned why it is being shown to audiences in India. His statements came as the release of ‘Dhurandhar: The Revenge’ triggered fresh controversy, with religious leaders raising concerns over its content.
While speaking to media, he questioned, “This film is made only to spread hatred, it is a false film. It is a Pakistani film, so why not show it to the people of Pakistan? Why show the people of Hindustan?”
Azmi accused the film of defaming Muslims, as he alleged that the movie focuses only on a few criminals while ignoring the many major crimes that have occurred in India.
Earlier, SP MLA Rais Shaikh had criticised the film and raised concerns saying that cinema should entertain, not become a tool for propaganda. Taking to his official handle on X (Formerly Twitter), Shaikh claimed that films like Dhurandhar blur the line between storytelling and political messaging, calling the film an agenda, not an art. “Films like #Dhurandhar blur the line between storytelling and political messaging, repeatedly glorifying one government. This isn’t art, it’s agenda,” he wrote.
AIMIM leader Waris Pathan stated movies should ideally provide knowledge and entertainment, alleging that some filmmakers create such content for monetary gain while spreading negativity against a specific community.
Despite the controversy, the film garnered a massive box office collection by crossing the Rs 100 crore mark on Day 1 itself. With this, the film’s total collection now stands at a staggering Rs 145.55 crore (all languages), setting the tone for a blockbuster run ahead.
During the paid previews on March 18, the film faced cancellations and delays across India. Not just this, Director Aditya Dhar also issued an apology to the audience after last-minute cancellations and delays.
Directed by Aditya Dhar, Dhurandhar 2 is a spy action thriller that stars Ranveer Singh, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sanjay Dutt, and Sara Arjun. Dhurandhar 2 offers a glimpse into Ranveer’s character, undercover agent Jaskirat Singh Rangi, who is fully embedded in the criminal underworld under the alias Hamza Ali Mazari. It also depicts his ascension to the role of the new Sher-e-Baloch and his ascendancy as the undisputed king of Lyari, as the actor unleashes his full intensity after eliminating Akshaye Khanna’s character, Rahman Dakait, in the first part.
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