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Review: Karan Razdan’s ‘Hindutva Chapter 1’ explores identity of being a Hindu today

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Film: Hindutva Chapter One – Main Hindu Hoon (playing in theatres) Director: Karan Razdan. Cast: Aashiesh Sharrma, Sonarika Bhadoria, Ankit Raj, Govind Namdev, Anup Jalota.

IANS Rating: 3.5 stars

Writer, producer, and director Karan Razdan’s film ‘Hindutva Chapter One – Main Hindu Hoon’ has been in the news for its title and theme. The film has been released in theatres this week. Ever since the trailer of the film and its strong title song came out and was well received by the audience, people were waiting for the picture, so when the film came out, the audience grabbed it.

The film presents the story of today’s youth. The film depicts the depth of Hindutva through the main characters and dialogues. If seen, it is based on the story of friendship, love, and student politics.

Bharat Shastri played by Aashiesh Sharrma, is the son of a Hindu priest who comes to prominence after his fierce speech in response to a protest orchestrated by the college student leader. Through its lead character Bharat Shastri, the film Hindutva tells the story of Bhaarat (India).

Aashiesh Sharma has been exemplary in his performance and has beautifully carried the film on his shoulders. Bharat Shastri’s character will receive a lot of love from the audience as he raises very sensitive but important questions with a tone that does make you think without being subjected to feeling opinionated. This is not an easy feat to achieve especially when the subject is so sensitive not just in India but throughout the world.

Ankit Raj plays the character of Sameer Siddiqui in the film. Sameer is a popular student leader who believes his community is discriminated against. He pretends to be a leftist, but he fights to protect his (Qaum) community. However, his parents are liberal Muslims. They love Bharat (Aashiesh Sharrma) like a son. Sameer is in love with Sapna (Sonarika Bhadoria) and Sapna is in love with his leadership at the university.

The story is kept interesting in such a way that Bharat and Sameer are childhood friends. But now they are divided due to their respective ideologies and this becomes the reason for their mammoth conflict.

Meanwhile, Bhalerao (Govind Namdev) persuades Bharat to contest the university elections against Sameer Siddiqui.

After this, the game of turns and twists begins. Sapna turns sides and Sameer becomes a loser in love. Sapna comes closer to Bharat but Bharat struggles to prove to the world what is the true meaning of Hindutva, what is the history of Hindutva. Hindutva has taught us how to approach science through meditation. The film delves into the meaning of Hindutva.

As far as the acting is concerned, Aashiesh has been flawless in his performance and embodies the true essence of Hindutva. He has been able to keep the audience gripped throughout the film. It is a treat to watch Aashiesh Sharrma in his element and has lived the character of Bharat with a vigour that is worth watching.

Ankit Raj has done full justice to his character and has given life to the role of Sameer Siddiqui in his debut film. The confrontation of both the characters and the dialogue between them builds a strong narrative for the film.

Nowadays, everyone waits for the monologue of the main character in many Bollywood movies and this time Aashiesh Sharma has delivered it perfectly. The audience is surprised when he speaks a long monologue about the definition of Hindutva, and its history. This dialogue gives the audience goosebumps. This scene is portrayed perfectly by Aashiesh Sharma with his amazing dialogue delivery.

Sonarika Bhadoria has also left her mark on the character of Sapna. Sapna has an attitude and she has adopted this approach very well. She looks very beautiful and attractive on screen. Anup Jalota has not only sung a bhajan in the film but he is also seen acting.

Produced under the banners of JAIKARA Films and Pragun Bharat, this film is well-written and directed by Karan Razdan. He has made a better cinema by doing a lot of research on a sensitive subject. He has also drawn strong performances from all the actors. The music of the film is its plus point.

The movie Hindutva is worth watching because of its theme, presentation, some amazing dialogues, and wonderful performances by the actors. The film is produced by Sachin Choudhary and Karan Razdan.

Bollywood

Varun Dhawan: One must travel to learn

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Mumbai, June 3: Actor Varun Dhawan stressed that travel is essential for gaining knowledge and life experience.

The actor took to Instagram, where he shared three pictures from the airport. The first was an image of the actor posing inside the airport with the airplane docked. The other was of him at the same location but this time his back was towards the camera as he looked at the aircraft. The third was a closeup image of him as he made his way inside the flight.

“One must travel to learn,” Varun wrote as the caption.

A few days ago, Varun wrapped up the Scotland schedule of his upcoming project ‘Hai Jawani Toh Ishq Hona Hai’.

Sharing the professional update on social media, Varun penned, “It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home.”

The post also included some fun moments of the “Badlapur’ actor in Scotland with his co-stars Mrunal Thakur, Mouni Roy, Chunkey Panday and Pooja Hegde.

The title “Hain Jawani Toh Ishq Hona Hain” is inspired by the song “Ishq Sona Hai” from “Biwi No.1.” starring Salman Khan, Karisma Kapoor, and Sushmita Sen. The 1999 drama was helmed by David Dhawan, who is also directing Varun’s next.

“Hai Jawani Toh Ishq Hona Hai” is reported to have the charm of classic 90s rom-coms.

Varun also has Shashank Khaitan’s “Sunny Sanskari Ki Tulsi Kumari.” Janhvi Kapoor, Sanya Malhotra, Abhinav Sharma, Maniesh Paul, and Manini Chadha are also a part of the project’s pivotal cast.

Furthermore, Varun also had “Border 2”, which is being made under the direction of Anurag Singh. He will be co-starring Sunny Deol, Diljit Dosanjh, and Ahan Shetty in the highly-anticipated sequel.

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Mohit Suri calls ‘Saiyaara’ an ode to his favourite love stories

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Mumbai, May 31: Director Mohit Suri, who is awaiting the release of his upcoming film ‘Saiyaara’, has called it an homage to the love stories that he has grown up loving.

Mohit is known for his musical hits like ‘Zeher’, ‘Kalyug’, ‘Woh Lamhe’, the cult-classic ‘Awarapan’ and the blockbuster ‘Aashiqui 2’.

While all the aforementioned films were made under the banner of Vishesh Films, with ‘Saiyaara’, Mohit has moved into the territory of Yash Raj Films.

‘Saiyaara’ brings together YRF and Mohit, both known for creating timeless romances for an intense love story, and introduces Ahaan Panday and Aneet Padda (of ‘Big Girls Don’t Cry’ fame) as the next YRF heroine.

Talking about the film, Mohit said, “I feel you can tell so many beautiful stories and take people along so many journeys and celebrate so many emotions but romantic genre is always special. ‘Saiyaara’ is my homage to the love stories I love and the sweeping romances that I have come across through my life. I have been fortunate to have met so many people who have been kind enough to share their incredible love stories with me”.

He further mentioned, “I’m delighted to see this unanimous response to the teaser of ‘Saiyaara’. I’m thrilled for Ahaan and Aneet. They deserve all the love because they have really put in everything for people to connect so deeply with the teaser of ‘Saiyaara’. I share this moment with my incredible team and everyone at YRF. I hope people keep engaging and connecting with ‘Saiyaara’ as we peel every layer of emotion, every season of love through our marketing campaign”.

Produced by YRF, ‘Saiyaara’ is set to release in cinemas on July 18, 2025.

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Karan Johar to Shah Rukh Khan: ‘All hail the king of the MET’

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Mumbai, May 6: Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Karan Johar to Shah Rukh Khan: All hail the king of the MET

Mumbai, Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Wearing a sharp ensemble by Sabyasachi Mukherjee, Shah Rukh looked dapper in a floor-sweeping black trench coat layered over an unbuttoned shirt. He completed chunky jewellery including eye-popping diamond-studded pendants emblazoned with “K”.

To add to the drama, he carried a walking stick with a tiger-top, which was completely in sync with this year’s theme “Superfine: Tailoring Black Style”.

Karan took to his Instagram, where he shared a video of Shah Rukh walking out in style. The filmmaker captioned it: “All hail the king of the MET!!! The internet just broke into a gazillion hearts!!! Bhai you rule.”

He then shared a picture of Shah Rukh originally posted by the star’s manager Pooja Dadlani and wrote: “The King” along with the song “Here Comes The Hotstepper” playing in the background.

As per reports, Shah Rukh posed, smiled, waved and even treated fans with his signature pose.

The 2025 theme “Superfine: Tailoring Black Style,” is inspired by Monica L Miller’s book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, published in 2009. The fashion gala for the first time has put the spotlight on menswear.

The Met Gala is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art’s Costume Institute in Manhattan. The Met Gala is popularly regarded as the world’s most prestigious and glamorous fashion event.

Attendees are given the opportunity to express themselves through fashion, often producing elaborate and highly publicized outfits inspired by the evening’s theme and broader cultural context.

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