Bollywood
Review: ‘Dasvi’: Underlying message and good performances elevate this film
Film: ‘Dasvi’ (Streaming on Netflix); Duration: 126 minutes
Director: Tushar Jalota
Cast: Abhishek Bachchan, Nimrat Kaur, Yami Gautam, Manu Rishi Chadha, Arun Kushwaha, Chitranjan Tripati, Danish Husain, Dhanveer Singh, Abhimanyu Yadav
IANS Rating: ***
Director Tushar Jalota’s ‘Dasvi’ is designed as a satire in a political set-up, revealing the importance of education.
Set in the fictional state of Harit Pradesh, the arrogant and pompous Chief Minister Ganga Ram Chaudhary (Abhishek Bachchan) is arrested for a scam. But before getting locked up in judicial custody, he relinquishes his position in favour of his wife, Bimla Devi (Nimrit Kaur), and remote controls the state from behind the bars.
In prison, he is pampered by his sycophants till the arrival of super inspector, Jyoti Deswal (Yami Gautam), who insists that one should be assigned work according to one’s level of education.
Since Ganga Ram Chaudhary is only eighth-passed, he is eligible to work as a gardener, carpenter, or any other menial work. But being the CM and a man of clout, his pride is injured.
He tries seeking his wife’s help to get Inspector Jyoti transferred, but she blatantly refuses, citing a perception issue.
When he learns that prisoners who study are exempted from working in prisons, he contemplates appearing for the Secondary School Certificate exam, which is the tenth standard or “Dasvi” in Hindi.
But when he realises that education empowers you, he takes up the challenge, and how with the help of other inmates, he works towards studying for the exam forms the crux of the narrative.
Being a satire, the writers have crafted a vitreous cocktail of naked ambition and blustery bravado with a distinctly bitter aftertaste. On the face of it, you chuckle constantly, but subconsciously you realise the sad state of affairs that prevails. While the writing is good in parts, it is also the weakest element of the film as the narrative lacks chutzpah.
On the performance front, the film is an outright Abhishek Bachchan canvas. He plays the big-headed, self-important politician who mellows with time to perfection. He is aptly supported by Nimrit Kaur as his timid wife, who suddenly tastes power, and faster than a chameleon changes its colour, she transforms herself into a bumbling shrewd character who lacks any real conviction other than a desire for power and position.
Coming to Yami Gautam as the super-strict police inspector, despite delivering a competent performance, she does not have the persona to play such a character she seems to be a misfit in the film, and the makers of the film are solely to be blamed for it.
The rest of the supporting cast are flat stock characters who have their moments of limited on-screen glory.
The music and songs in the film appear of mediocre quality with oft-heard tunes.
Overall, the film is fairly entertaining and engaging.
Bollywood
Singham Again Movie Review: Ajay Devgn, Rohit Shetty’s ‘High-Voltage’ Ramayana Is Explosively Entertaining!
Title: Singham Again
Director: Rohit Shetty
Cast: Ajay Devgn, Deepika Padukone, Tiger Shroff, Arjun Kapoor, Ranveer Singh, Jackie Shroff, Akshay Kumar and Shweta Tiwari.
Where: In cinemas
Rating: 3 stars
Positioned and postured as a full-blown action entertainer to be enjoyed with your family, Rohit Shetty brings Ajay Devgn’s Bajirao Singham back to narrate the modern day Ramayana, replete with a bunch of B-town stars to do justice to the epic saga that shows the ultimate victory of good over evil. So, right from Sita-haran (Sita’s abduction) to Jatayu’s sacrifice to Lanka-dahan, every chapter must unfold with cinematic liberty and melodrama that must serve justice to every key situation of the epic battle.
And truth be stated, we get the events, and we even cheer for every sequence and subtext that the film mounts to showcase the Ram Vs Ravan battle. Right from the unconditional love of Laxman and Bharat to the ultimate loyalty of Hanuman to Sita’s cruel abduction– every character has a context placement and contemplation to ruminate over. But hang on a sec! Who is Deepika placed as in this tale? She is neither Shabri, Shurpanakha or Mandodri. Her character seems as misfit and misplaced as her poor acting and her wobbly (read: horribly put on and off-putting) accent!
While the rest of the star cast plays to the gallery amidst the ear-splitting background score, Deepika sticks out like a sore thumb as the lady Singham.
At 2 hours and 24 minutes, Shetty unleashes the mega star-power of his film, and how! From Simmba (Ranveer Singh) to Sooryavanshi (Akshay Kumar), everybody jumps in to offer their bit to ensure that the audience remains engaged and entertained. Equally engaging and pleasant are the backdrops against which the makers have set the pieces of the narrative. Every locale is either scenic, handsomely mounted or ‘explosive’ with the trademark sign of Shetty pasted all over.
The story is simple and straight to state the obvious. Bajirao Singham nabs a notorious terrorist (Jackie Shroff) and his arrest triggers another baddie (Arjun Kapoor) to abduct Singham’ wife (Kareena Kapoor Khan). So, what’s the connection between these two events, you may wonder! You will have to watch the film to find out the link, as Shetty gives you a backstory that sets the current tale rolling.
What’s remarkable is how the makers have designed the entry of each character, and how the sequences have been spaced out to do justice to every character that makes their presence felt. Nobody disappears or gets diluted in terms of the presence and storytelling in the name of cinematic liberty. Add to it Ranveer Singh’s over the top hysteria, Akshay Kumar’s reassuring screen-presence and Tiger Shroff’s crisp, but impactful action chops, and you would know how Shetty elevates the film as a sheer entertainer worthy of all the whistles and cheers.
The sequence where Ranveer sets Arjun Kapoor’s territory on fire or when Shetty brings Chulbul Pandey (Salman Khan) to spice up the already high-voltage drama is incredible!
For a strory where you know how everything is going to unfold and conclude like, Shetty brings his A game to the table to showcase his strength –which is action and comedy–and dare we say, he doesn’t miss a single beat. While some sequences look stretched out beyond their capacities, and some could easily have been edited out, all in all one enjoys this ‘copverse’ studded with bharpoor dialoguebaazi and seemingly never ending ‘action’.
Bollywood
Salman Khan To Shoot For Singham Again Cameo In Mumbai With 120 Guards, 30 Cops
After much back and forth, Bollywood superstar Salman Khan will be fulfilling his commitment of his character Chulbul Pandey’s cameo in Rohit Shetty’s “Singham Again” and will be shooting for it amidst tight security.
the superstar will be shooting in a studio, which cannot be named due to security reasons.
The source said: “Salman Khan will be fulfilling his commitment of Chulbul Pandey cameo in “Singham Again” at 4.00 P.M. today at a Mumbai Suburban Studio. The studio name cannot be given due to security reasons.”
The source also shared that the superstar was advised to not shoot at the moment given the security reasons after politician Baba Siddique was gunned down by three assailants.
The source said: “Mumbai Police and officials had advised to not shoot at the moment for security reasons but to fulfill his commitments given to Rohit he has decided to shoot today amidst 120 individual security guards and 30 police officials.”
It was earlier reported that Salman will not be making a special appearance in the Ajay Devgn-starrer “Singham Again” amid security concerns.
The third installment from the “Singham” franchise has a motley of stars. It has Ajay as Bajirao Singham, Ranveer Singh as Simmba, Akshay Kumar as DCP Veer Sooryavanshi, Kareena Kapoor as Bajirao Singham’s wife Avni, Deepika Padukone as police officer Shakti Shetty, Ravi Kishan, Jackie Shroff and Tiger Shroff.
Actor Arjun Kapoor will be seen playing the role of antagonist named Danger Lanka. The film will have a contemporary spin to the “Ramayana” and is slated to be released on Diwali on November 1.
It was on October 12 night, when NCP leader and former Maharashtra minister Baba Siddiqui was murdered by three armed men. He was attacked outside son Zeeshan Siddique’s office in Mumbai’s Bandra area.
Bollywood
‘Aur Kitna Overacting…’: Sunny Deol Unveils Intense FIRST Look Poster Of Jatt, Leaves Netizens Disappointed
Bollywood star Sunny Deol’s upcoming action movie with filmmaker Gopichand Malineni has been titled Jaat. Touted as a film with high-octane drama and larger-than-life action sequences, Jaat is produced by Mythri Movie Makers and People Media Factory, the makers said in a statement.
Sunny Deol, whose last film Gadar 2 became a huge blockbuster, shared a poster of the new movie on his social media handles.
“Introducing the man with a national permit for MASSIVE ACTION. @iamsunnydeol in and as #JAAT #SDGM is #JAAT… MASS FEAST LOADING,” the 67-year-old actor wrote on Instagram.
Netizens Reacts
As soon as Sunny shared the post on social media, media netizens reacted to his latest poster. While some appreciated it and compared it to Marvel, the other trolled the actor for his look and the poster. One of the user wrote, “Pehle laga Marvel ka koi naya movie hai.”
Another user wrote, “Half boyfriend chahiye.”
The third user commented, “No hate to Sunny Deol but bilkul faltu poster ha.”
“Aur kitna overacting karega ye buddha”, the comment reads.
Malineni is best known for directing Telugu action films such as Don Seenu, Bodyguard, Balupu, and Veera Simha Reddy.
Jaat will also feature Randeep Hooda, Vineet Kumar Singh, Saiyami Kher and Regina Cassandra in pivotal roles. Ace composer Thaman S has provided music for the film.
The film is produced by Naveen Yerneni and Y Ravi Shankar of Mythri Movie Makers, alongside TG Vishwa Prasad of People Media Factory.
The music of the film is composed by Thaman S and cinematography by Rishi Punjabi, Naveen Nooli is the Editor, and Avinash Kolla is the production designer. Peter Hein, Anl Arasu, Ram Laxman, and Venkat are the action choreographers.
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