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Remembering Rajesh Khanna: The actor for whom the word ‘superstar’ was coined

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 Rajesh Khanna was a natural. His biographer Gautam Chintamani recalls the director-writer-actor Rumi Jaffery saying how he can “never forget how Rajesh Khanna prided himself on never using aids like glycerine to evoke tears while acting”.

Jaffery recalled in a conversation with Chintamani: “He would ask you, ‘How many tears do you need?’, and just turn around for a moment or two; and when he turned back, there would be tears in his eyes. You could wake him up in the middle of the night and he would just stand and deliver when it came to tears.”

Chintamani will be collaborating with director Farah Khan on the script, based on his book, ‘Dark Star: The Loneliness Of Being Rajesh Khanna’, for a biopic on India’s first superstar.

“Once, Jaffery and (cinematographer) Sameer Arya instructed Rajesh Khanna to randomly shed a few tears in a hotel’s lift lobby and Khanna readily dispelled a few before the lift emerged,” Chintamani writes in the book.

And, there was no end to his ire when aroused.

“There were times when rumours of his sudden death flooded the Internet and saw his fans paying rich tributes on social media sites. Once, an infuriated Khanna walked to the main gate of Aashirwad in his favourite silk lungi-kurta with a cigarette and drink in tow only to prove to a journalist that, contrary to rumours, he was still alive,” Chintamai writes.

It was this strength of character that prompted Rajesh Khanna to appear in his first TV commercial — perhaps to the horror of some, but to the immense delight of a legion of admirers — and boldly declaim: “Fans kya hote hain mujhse poochho. Pyaar ka woh toofan … mohabbat ki woh aandhi .. woh jazbaa … woh junoon. Hawaa badal sakti hai lekin fans hamesha mere rahenge. Babumoshai, mere fans mujhse koi nahin chheen sakta (I will tell you what fans are. That storm of love … that passion … that madness. The direction of the wind may change, but my fans will always stay with me. Babumoshai, no one can steal my fans from me).”

This was only to be expected from an actor showered with love by a generation of fans who had grown up on three immensely poignant songs from his movie ‘Anand’: “Zindagi Kaise Hai Paheli”, “Kahin Door Jab Din Dhal Jaaye” and “Maine Tere Liye Hi Saat Rang Ke Sapne Chune”.

Sure, there were a procession of hit songs from his 17 consecutive hit films as the lead hero from 1969 to 1971, which included 15 solo-hero films and two non-solo-hero films. “Zindagi Ek Safar Hai Suhana” and “Yeh Shaam Mastani” are just two, but listen carefully to the lyrics from ‘Anand’ and you will get a measure of what Rajesh Khanna’s guiding philosophy was all about.

Sharmila Tagore, his co-star in ‘Aradhana’, which began his journey to superstardom, sums this up the best in the foreword to Chintamani’s book: “If ever a life was meant to be a book, few could stake a stronger claim. Like a shooting star doomed to darkness after a glorious run, Rajesh Khanna spent the better half of his career in the shadow of his own stardom. Yet, 40 years after his last monstrous hit, Khanna continues to be the yardstick by which every single Bollywood star is measured.”

She recalls: “At a time when film stars were truly larger than life, Khanna was even more: the one for whom the term ‘superstar’ was coined. Born Jatin Khanna to middle-class parents, the actor was adopted by rich relatives who brought him up like a prince.

“By the time he won the Filmfare-United Producers Combine Talent Hunt, he was already famous for being the struggler who drove an imported sports car.

“With 17 blockbuster hits in succession and mass adulation rarely seen before or since, the world was at Khanna’s feet. Everything he touched turned to gold. The hysteria he generated — women writing him letters in blood, marrying his photograph and donning white when he married Dimple Kapadia, people bringing sick children for his ‘healing’ touch after ‘Haathi Mere Saathi’ — was unparalleled.

“Then, in a matter of months, it all changed. Khanna’s career hit a downward spiral, as spectacular as his meteoric rise just three years after ‘Aradhana’ (1969) and never really recovered.”

Adman-filmmaker R. Balki, who directed Rajesh Khanna in the TV commercial, roundly deprecates the criticism that the actor had been depicted in poor light in the 35-second spot, saying it only points to his strength of character.

“My response to it (the criticism) is simple,” he said in an interview after the commercial was aired. “If a man is great enough to laugh at himself, why should anyone have a problem? When he wasn’t doing anything on screen all these years, people were making all kinds of jokes about it. When a legend chooses to laugh at himself, then some people start getting uncomfortable. I don’t even think that they are Rajesh Khanna fans in the first place. … He’s the one who is cracking a joke at himself, he is sporting enough to say, ‘Yes, I am not what I used to be. But so what!'”

Legendary script-writer Salim Khan, who in tandem with Javed Akhtar, has penned some of Bollywood’s most memorable films, provides a balanced perspective in his foreword to an earlier biography, ‘Rajesh Khanna: The Untold Story of India’s First Superstar’, by journalist-author Yaseer Usman.

Salim Khan writes in the Foreword: “Today, my son Salman Khan is a big star. Crowds cluster daily in front of our house to catch a glimpse of him. People often come to me and say that they haven’t seen such a craze for any star before this.

“But I tell these people that just a small distance away from here, on Carter Road, I have witnessed many such sights in front of Aashirwad. And I have never seen that kind of mass adulation for any other star after Rajesh Khanna.”

Salim Khan concludes: “We often forget when we talk about film stars or public figures that they are also human beings who also make mistakes, face failure and are scared of losing their successful run professionally, like everyone else.”

One thing is for sure: It has been a decade since Rajesh Khanna departed from this world, but his legacy will continue to live for generations to come.

(Vishnu Makhijani can be reached at vishnu.makhijani@ians.in)

Bollywood

Delhi HC adjourns Salman Khan’s plea against release of ‘Kala Hiran’ till July 1

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New Delhi, June 19: The Delhi High Court on Friday adjourned the hearing on Bollywood actor Salman Khan’s plea seeking to restrain the release of the proposed film “Kala Hiran”, without granting any interim relief at this stage.

A vacation Bench of Justice Madhu Jain directed that a complete copy of the plaint and accompanying documents be supplied to the respondent filmmaker and listed the matter for hearing on July 1.

During the hearing, Salman Khan’s counsel, advocate Nizam Pasha, submitted that the film is purportedly based on the actor’s life and has been produced without his consent.

While pressing for interim relief, Pasha also informed the high court that the poster and trailer of the film had already been released, though the release date of the movie is yet to be announced.

Opposing the plea for urgent relief, counsel appearing for the filmmakers submitted that they had not been served the complete set of documents in the case.

“On Wednesday, they served me only a copy of the application, not the plaint,” the counsel argued, adding that the filmmakers were receiving death threats over the project and that an FIR had already been lodged.

After hearing the parties, the Delhi High Court directed Salman Khan to furnish the complete set of documents, including the plaint, to the respondent and fixed the matter for arguments on July 1. Shortly thereafter, the actor’s counsel mentioned the matter again and contended that the filmmakers had already been served, seeking an earlier hearing date.

However, Justice Jain observed that the matter had already been listed in July and declined to advance the hearing.

The dispute reached the Delhi High Court days after Salman Khan’s legal team issued a notice to the makers of “Kala Hiran: The Battle for Legacy”, asking them to halt the release of the film and remove all promotional material, including posters and publicity content.

Directed by Bharat S. Shrinet and produced by Amit Jani, the film is inspired by the blackbuck poaching case involving Salman Khan and also portrays his alleged rivalry with gangster Lawrence Bishnoi. The makers have described it as a blend of courtroom drama and crime thriller mounted on an international scale.

The controversy surrounding the film has intensified in recent days, with producer Jani alleging that he has been receiving death threats ahead of the movie’s release. On June 18, Jani claimed that a Pakistani terrorist had threatened him with a drone and grenade attack over the film and said that he had informed the Union Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Subsequently, Jani alleged that he received a second death threat within 24 hours.

In a complaint lodged with police in Jodhpur, he claimed that an unidentified caller, identifying himself as a Salman Khan fan, threatened to kill him within three days. The producer urged authorities to immediately register a case and arrest the accused.

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AICWA demands high-level investigation into actor Sanchita Ugale’s suicide

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Mumbai, June 15: The sudden demise of actress Sanchita Ugale has left the entire television industry in a state of shock.

All India Cine Workers Association (AICWA) President Suresh Shyamlal Gupta has now urged the Chief Minister of Maharashtra, Devendra Fadnavis, to order a high-level inquiry into the death of Sanchita Ugale.

AICWA has requested an in-depth investigation into every possible angle of the case to ensure justice to the deceased and his family.

An official statement shared by the Association read, “Her untimely departure has left her family shattered and the entire Indian film industry mourning the loss of a young talent whose memories will live on forever.”

“Every life is precious. The truth behind this tragic incident must come out, and the family of Sanchita Ugale deserves nothing less than a fair, impartial, and thorough investigation. AICWA urges the authorities to leave no stone unturned and to ensure that all aspects of this case are examined with complete transparency,” they further shared

AICWA has further urged the Government of Maharashtra and the concerned authorities to establish a dedicated committee to examine the increasing number of deaths and mental health-related crises being reported within the entertainment industry.

Additionally, they have also asked to review the safety, well-being, and support systems available to the artists.

“In recent years, the Indian entertainment industry has witnessed several deaths and alleged suicide cases. In many instances, questions raised by family members, colleagues, and the public have remained unanswered. Therefore, it is essential that investigators examine all available evidence, circumstances, and possible angles in this case with complete transparency,” the statement further read.

According to police reports, Sanchita Ugale died by suicide at her residence in Sai Santoshi Building, in Nalasopara East, Mumbai. The unfortunate incident took place on June 14 between 7:00 pm and 7:30 pm.

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Ajay Devgn’s ‘Dhamaal 4’ gets a release date, movie to hit theatres on July 10, 2026

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Mumbai, June 10: The makers of ‘Dhamaal 4’ have officially announced the theatrical release date of the much-awaited comedy entertainer.

Bollywood superstar Ajay Devgn on Wednesday, shared a brand-new poster from the film, revealing that the latest installment of the popular ‘Dhamaal’ franchise will arrive in cinemas on July 10, 2026.

Earlier on Tuesday Ajay had shared another poster that featured Ajay Devgn himself and veteran actor Sanjay Mishra hanging precariously from a rocky cliff as they appear to be on a treasure hunt.

Sharing the poster on, Ajay wrote, “Inn dono ka hai ek hi goal, to get their hands on gold.”

Directed by Indra Kumar, Dhamaal 4 will bring back the franchise’s signature blend of slapstick humour, treasure hunts and larger-than-life comic situations.

The film stars Ajay Devgn, Arshad Warsi, Riteish Deshmukh, Jaaved Jaaferi and Sanjay Mishra in key roles.

The ensemble cast also includes Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar and Ravi Kishan.

For the uninitiated, Dhamaal franchise began with the 2007 hit Dhamaal, followed by Double Dhamaal in 2011 and Total Dhamaal in 2019.

Produced by Ajay Devgn, Bhushan Kumar, Krishan Kumar, Ashok Thakeria, Indra Kumar, Anand Pandit and Kumar Mangat Pathak, Dhamaal 4 is presented by T-Series in association with Devgn Films, Maruti International and Panorama Studios.

Earlier, Riteish Deshmukh had also unveiled a quirky new character poster from the upcoming comedy entertainer. The poster showed Riteish hanging precariously from a cliff edge in the middle of a dense jungle while a frightened Anjali Anand is seen struggling to hold on to him. Adding to the chaos, a monkey is seen swinging nearby and a snake is wrapped around his leg.

Sharing the poster, Riteish wrote, “Get ready to join the most unplanned and unstoppable treasure hunt ever”.

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