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Remembering Rajesh Khanna: The actor for whom the word ‘superstar’ was coined

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 Rajesh Khanna was a natural. His biographer Gautam Chintamani recalls the director-writer-actor Rumi Jaffery saying how he can “never forget how Rajesh Khanna prided himself on never using aids like glycerine to evoke tears while acting”.

Jaffery recalled in a conversation with Chintamani: “He would ask you, ‘How many tears do you need?’, and just turn around for a moment or two; and when he turned back, there would be tears in his eyes. You could wake him up in the middle of the night and he would just stand and deliver when it came to tears.”

Chintamani will be collaborating with director Farah Khan on the script, based on his book, ‘Dark Star: The Loneliness Of Being Rajesh Khanna’, for a biopic on India’s first superstar.

“Once, Jaffery and (cinematographer) Sameer Arya instructed Rajesh Khanna to randomly shed a few tears in a hotel’s lift lobby and Khanna readily dispelled a few before the lift emerged,” Chintamani writes in the book.

And, there was no end to his ire when aroused.

“There were times when rumours of his sudden death flooded the Internet and saw his fans paying rich tributes on social media sites. Once, an infuriated Khanna walked to the main gate of Aashirwad in his favourite silk lungi-kurta with a cigarette and drink in tow only to prove to a journalist that, contrary to rumours, he was still alive,” Chintamai writes.

It was this strength of character that prompted Rajesh Khanna to appear in his first TV commercial — perhaps to the horror of some, but to the immense delight of a legion of admirers — and boldly declaim: “Fans kya hote hain mujhse poochho. Pyaar ka woh toofan … mohabbat ki woh aandhi .. woh jazbaa … woh junoon. Hawaa badal sakti hai lekin fans hamesha mere rahenge. Babumoshai, mere fans mujhse koi nahin chheen sakta (I will tell you what fans are. That storm of love … that passion … that madness. The direction of the wind may change, but my fans will always stay with me. Babumoshai, no one can steal my fans from me).”

This was only to be expected from an actor showered with love by a generation of fans who had grown up on three immensely poignant songs from his movie ‘Anand’: “Zindagi Kaise Hai Paheli”, “Kahin Door Jab Din Dhal Jaaye” and “Maine Tere Liye Hi Saat Rang Ke Sapne Chune”.

Sure, there were a procession of hit songs from his 17 consecutive hit films as the lead hero from 1969 to 1971, which included 15 solo-hero films and two non-solo-hero films. “Zindagi Ek Safar Hai Suhana” and “Yeh Shaam Mastani” are just two, but listen carefully to the lyrics from ‘Anand’ and you will get a measure of what Rajesh Khanna’s guiding philosophy was all about.

Sharmila Tagore, his co-star in ‘Aradhana’, which began his journey to superstardom, sums this up the best in the foreword to Chintamani’s book: “If ever a life was meant to be a book, few could stake a stronger claim. Like a shooting star doomed to darkness after a glorious run, Rajesh Khanna spent the better half of his career in the shadow of his own stardom. Yet, 40 years after his last monstrous hit, Khanna continues to be the yardstick by which every single Bollywood star is measured.”

She recalls: “At a time when film stars were truly larger than life, Khanna was even more: the one for whom the term ‘superstar’ was coined. Born Jatin Khanna to middle-class parents, the actor was adopted by rich relatives who brought him up like a prince.

“By the time he won the Filmfare-United Producers Combine Talent Hunt, he was already famous for being the struggler who drove an imported sports car.

“With 17 blockbuster hits in succession and mass adulation rarely seen before or since, the world was at Khanna’s feet. Everything he touched turned to gold. The hysteria he generated — women writing him letters in blood, marrying his photograph and donning white when he married Dimple Kapadia, people bringing sick children for his ‘healing’ touch after ‘Haathi Mere Saathi’ — was unparalleled.

“Then, in a matter of months, it all changed. Khanna’s career hit a downward spiral, as spectacular as his meteoric rise just three years after ‘Aradhana’ (1969) and never really recovered.”

Adman-filmmaker R. Balki, who directed Rajesh Khanna in the TV commercial, roundly deprecates the criticism that the actor had been depicted in poor light in the 35-second spot, saying it only points to his strength of character.

“My response to it (the criticism) is simple,” he said in an interview after the commercial was aired. “If a man is great enough to laugh at himself, why should anyone have a problem? When he wasn’t doing anything on screen all these years, people were making all kinds of jokes about it. When a legend chooses to laugh at himself, then some people start getting uncomfortable. I don’t even think that they are Rajesh Khanna fans in the first place. … He’s the one who is cracking a joke at himself, he is sporting enough to say, ‘Yes, I am not what I used to be. But so what!'”

Legendary script-writer Salim Khan, who in tandem with Javed Akhtar, has penned some of Bollywood’s most memorable films, provides a balanced perspective in his foreword to an earlier biography, ‘Rajesh Khanna: The Untold Story of India’s First Superstar’, by journalist-author Yaseer Usman.

Salim Khan writes in the Foreword: “Today, my son Salman Khan is a big star. Crowds cluster daily in front of our house to catch a glimpse of him. People often come to me and say that they haven’t seen such a craze for any star before this.

“But I tell these people that just a small distance away from here, on Carter Road, I have witnessed many such sights in front of Aashirwad. And I have never seen that kind of mass adulation for any other star after Rajesh Khanna.”

Salim Khan concludes: “We often forget when we talk about film stars or public figures that they are also human beings who also make mistakes, face failure and are scared of losing their successful run professionally, like everyone else.”

One thing is for sure: It has been a decade since Rajesh Khanna departed from this world, but his legacy will continue to live for generations to come.

(Vishnu Makhijani can be reached at vishnu.makhijani@ians.in)

Bollywood

Varun Dhawan: One must travel to learn

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Mumbai, June 3: Actor Varun Dhawan stressed that travel is essential for gaining knowledge and life experience.

The actor took to Instagram, where he shared three pictures from the airport. The first was an image of the actor posing inside the airport with the airplane docked. The other was of him at the same location but this time his back was towards the camera as he looked at the aircraft. The third was a closeup image of him as he made his way inside the flight.

“One must travel to learn,” Varun wrote as the caption.

A few days ago, Varun wrapped up the Scotland schedule of his upcoming project ‘Hai Jawani Toh Ishq Hona Hai’.

Sharing the professional update on social media, Varun penned, “It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home.”

The post also included some fun moments of the “Badlapur’ actor in Scotland with his co-stars Mrunal Thakur, Mouni Roy, Chunkey Panday and Pooja Hegde.

The title “Hain Jawani Toh Ishq Hona Hain” is inspired by the song “Ishq Sona Hai” from “Biwi No.1.” starring Salman Khan, Karisma Kapoor, and Sushmita Sen. The 1999 drama was helmed by David Dhawan, who is also directing Varun’s next.

“Hai Jawani Toh Ishq Hona Hai” is reported to have the charm of classic 90s rom-coms.

Varun also has Shashank Khaitan’s “Sunny Sanskari Ki Tulsi Kumari.” Janhvi Kapoor, Sanya Malhotra, Abhinav Sharma, Maniesh Paul, and Manini Chadha are also a part of the project’s pivotal cast.

Furthermore, Varun also had “Border 2”, which is being made under the direction of Anurag Singh. He will be co-starring Sunny Deol, Diljit Dosanjh, and Ahan Shetty in the highly-anticipated sequel.

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Mohit Suri calls ‘Saiyaara’ an ode to his favourite love stories

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Mumbai, May 31: Director Mohit Suri, who is awaiting the release of his upcoming film ‘Saiyaara’, has called it an homage to the love stories that he has grown up loving.

Mohit is known for his musical hits like ‘Zeher’, ‘Kalyug’, ‘Woh Lamhe’, the cult-classic ‘Awarapan’ and the blockbuster ‘Aashiqui 2’.

While all the aforementioned films were made under the banner of Vishesh Films, with ‘Saiyaara’, Mohit has moved into the territory of Yash Raj Films.

‘Saiyaara’ brings together YRF and Mohit, both known for creating timeless romances for an intense love story, and introduces Ahaan Panday and Aneet Padda (of ‘Big Girls Don’t Cry’ fame) as the next YRF heroine.

Talking about the film, Mohit said, “I feel you can tell so many beautiful stories and take people along so many journeys and celebrate so many emotions but romantic genre is always special. ‘Saiyaara’ is my homage to the love stories I love and the sweeping romances that I have come across through my life. I have been fortunate to have met so many people who have been kind enough to share their incredible love stories with me”.

He further mentioned, “I’m delighted to see this unanimous response to the teaser of ‘Saiyaara’. I’m thrilled for Ahaan and Aneet. They deserve all the love because they have really put in everything for people to connect so deeply with the teaser of ‘Saiyaara’. I share this moment with my incredible team and everyone at YRF. I hope people keep engaging and connecting with ‘Saiyaara’ as we peel every layer of emotion, every season of love through our marketing campaign”.

Produced by YRF, ‘Saiyaara’ is set to release in cinemas on July 18, 2025.

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Karan Johar to Shah Rukh Khan: ‘All hail the king of the MET’

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Mumbai, May 6: Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Karan Johar to Shah Rukh Khan: All hail the king of the MET

Mumbai, Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.

Wearing a sharp ensemble by Sabyasachi Mukherjee, Shah Rukh looked dapper in a floor-sweeping black trench coat layered over an unbuttoned shirt. He completed chunky jewellery including eye-popping diamond-studded pendants emblazoned with “K”.

To add to the drama, he carried a walking stick with a tiger-top, which was completely in sync with this year’s theme “Superfine: Tailoring Black Style”.

Karan took to his Instagram, where he shared a video of Shah Rukh walking out in style. The filmmaker captioned it: “All hail the king of the MET!!! The internet just broke into a gazillion hearts!!! Bhai you rule.”

He then shared a picture of Shah Rukh originally posted by the star’s manager Pooja Dadlani and wrote: “The King” along with the song “Here Comes The Hotstepper” playing in the background.

As per reports, Shah Rukh posed, smiled, waved and even treated fans with his signature pose.

The 2025 theme “Superfine: Tailoring Black Style,” is inspired by Monica L Miller’s book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, published in 2009. The fashion gala for the first time has put the spotlight on menswear.

The Met Gala is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art’s Costume Institute in Manhattan. The Met Gala is popularly regarded as the world’s most prestigious and glamorous fashion event.

Attendees are given the opportunity to express themselves through fashion, often producing elaborate and highly publicized outfits inspired by the evening’s theme and broader cultural context.

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