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Remembering Rajesh Khanna: The actor for whom the word ‘superstar’ was coined

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 Rajesh Khanna was a natural. His biographer Gautam Chintamani recalls the director-writer-actor Rumi Jaffery saying how he can “never forget how Rajesh Khanna prided himself on never using aids like glycerine to evoke tears while acting”.

Jaffery recalled in a conversation with Chintamani: “He would ask you, ‘How many tears do you need?’, and just turn around for a moment or two; and when he turned back, there would be tears in his eyes. You could wake him up in the middle of the night and he would just stand and deliver when it came to tears.”

Chintamani will be collaborating with director Farah Khan on the script, based on his book, ‘Dark Star: The Loneliness Of Being Rajesh Khanna’, for a biopic on India’s first superstar.

“Once, Jaffery and (cinematographer) Sameer Arya instructed Rajesh Khanna to randomly shed a few tears in a hotel’s lift lobby and Khanna readily dispelled a few before the lift emerged,” Chintamani writes in the book.

And, there was no end to his ire when aroused.

“There were times when rumours of his sudden death flooded the Internet and saw his fans paying rich tributes on social media sites. Once, an infuriated Khanna walked to the main gate of Aashirwad in his favourite silk lungi-kurta with a cigarette and drink in tow only to prove to a journalist that, contrary to rumours, he was still alive,” Chintamai writes.

It was this strength of character that prompted Rajesh Khanna to appear in his first TV commercial — perhaps to the horror of some, but to the immense delight of a legion of admirers — and boldly declaim: “Fans kya hote hain mujhse poochho. Pyaar ka woh toofan … mohabbat ki woh aandhi .. woh jazbaa … woh junoon. Hawaa badal sakti hai lekin fans hamesha mere rahenge. Babumoshai, mere fans mujhse koi nahin chheen sakta (I will tell you what fans are. That storm of love … that passion … that madness. The direction of the wind may change, but my fans will always stay with me. Babumoshai, no one can steal my fans from me).”

This was only to be expected from an actor showered with love by a generation of fans who had grown up on three immensely poignant songs from his movie ‘Anand’: “Zindagi Kaise Hai Paheli”, “Kahin Door Jab Din Dhal Jaaye” and “Maine Tere Liye Hi Saat Rang Ke Sapne Chune”.

Sure, there were a procession of hit songs from his 17 consecutive hit films as the lead hero from 1969 to 1971, which included 15 solo-hero films and two non-solo-hero films. “Zindagi Ek Safar Hai Suhana” and “Yeh Shaam Mastani” are just two, but listen carefully to the lyrics from ‘Anand’ and you will get a measure of what Rajesh Khanna’s guiding philosophy was all about.

Sharmila Tagore, his co-star in ‘Aradhana’, which began his journey to superstardom, sums this up the best in the foreword to Chintamani’s book: “If ever a life was meant to be a book, few could stake a stronger claim. Like a shooting star doomed to darkness after a glorious run, Rajesh Khanna spent the better half of his career in the shadow of his own stardom. Yet, 40 years after his last monstrous hit, Khanna continues to be the yardstick by which every single Bollywood star is measured.”

She recalls: “At a time when film stars were truly larger than life, Khanna was even more: the one for whom the term ‘superstar’ was coined. Born Jatin Khanna to middle-class parents, the actor was adopted by rich relatives who brought him up like a prince.

“By the time he won the Filmfare-United Producers Combine Talent Hunt, he was already famous for being the struggler who drove an imported sports car.

“With 17 blockbuster hits in succession and mass adulation rarely seen before or since, the world was at Khanna’s feet. Everything he touched turned to gold. The hysteria he generated — women writing him letters in blood, marrying his photograph and donning white when he married Dimple Kapadia, people bringing sick children for his ‘healing’ touch after ‘Haathi Mere Saathi’ — was unparalleled.

“Then, in a matter of months, it all changed. Khanna’s career hit a downward spiral, as spectacular as his meteoric rise just three years after ‘Aradhana’ (1969) and never really recovered.”

Adman-filmmaker R. Balki, who directed Rajesh Khanna in the TV commercial, roundly deprecates the criticism that the actor had been depicted in poor light in the 35-second spot, saying it only points to his strength of character.

“My response to it (the criticism) is simple,” he said in an interview after the commercial was aired. “If a man is great enough to laugh at himself, why should anyone have a problem? When he wasn’t doing anything on screen all these years, people were making all kinds of jokes about it. When a legend chooses to laugh at himself, then some people start getting uncomfortable. I don’t even think that they are Rajesh Khanna fans in the first place. … He’s the one who is cracking a joke at himself, he is sporting enough to say, ‘Yes, I am not what I used to be. But so what!'”

Legendary script-writer Salim Khan, who in tandem with Javed Akhtar, has penned some of Bollywood’s most memorable films, provides a balanced perspective in his foreword to an earlier biography, ‘Rajesh Khanna: The Untold Story of India’s First Superstar’, by journalist-author Yaseer Usman.

Salim Khan writes in the Foreword: “Today, my son Salman Khan is a big star. Crowds cluster daily in front of our house to catch a glimpse of him. People often come to me and say that they haven’t seen such a craze for any star before this.

“But I tell these people that just a small distance away from here, on Carter Road, I have witnessed many such sights in front of Aashirwad. And I have never seen that kind of mass adulation for any other star after Rajesh Khanna.”

Salim Khan concludes: “We often forget when we talk about film stars or public figures that they are also human beings who also make mistakes, face failure and are scared of losing their successful run professionally, like everyone else.”

One thing is for sure: It has been a decade since Rajesh Khanna departed from this world, but his legacy will continue to live for generations to come.

(Vishnu Makhijani can be reached at vishnu.makhijani@ians.in)

Bollywood

Aditya Roy Kapur, Anil Kapoor’s The Night Manager Gets Nominated In Emmys 2024

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Aditya Roy Kapur, Anil Kapoor's The Night Manager Gets Nominated In Emmys 2024

The Indian version of “The Night Manager”, starring Anil Kapoor, Aditya Roy Kapoor and Sobhita Dhulipala, has received a nomination in the drama series category at the 2024 International Emmy Awards.

“The Night Manager” was the only entry from India across 14 categories at the nominations that were announced on Thursday in New York by the International Academy of Television Arts & Sciences.

The series, directed by Sandeep Modi and Priyanka Ghose, is adapted from both — the John le Carré’s novel and the British show, starring Tom Hiddleston, Hugh Laurie and Olivia Colman.

“The Night Manager” will compete with French show “Les Gouttes de Dieu” (Drops of God), “The Newsreader – Season 2” from Australia and “Iosi, El Espia Arrepentido” season two from Argentina in the category.

Actor Anil Kapoor, who played the role of antagonist Shelly Rungta in the series, said he is “ecstatic” over the nomination, which is a “worthy reminder” that hard work always pays off.

“It’s just been brought to my attention that our Indian adaptation of ‘The Night Manager’ has been nominated for an International Emmy. I remember when the offer came in, I was conflicted. It offered me the opportunity to play a character so complex, but also, on the other hand, the huge responsibility of trying to add newness and authenticity to a part that had been played so masterfully by Hugh Laurie.

“This validation from the Emmys, in addition to the tremendous love that we have received from fans worldwide, is a worthy reminder that hard work always pays.. I am ecstatic and hungrier than ever before for what’s to come,” the actor said.

The International Emmys, to be held in New York on November 25, will be hosted by Indian comedian Vir Das, who won an award last year for his stand-up special “Landing”.

Nominees for International Emmys come from different countries such as Argentina, Australia, Belgium, Brazil, India, Chile, Colombia, France, Japan, Germany and many others.

“Every year the international television community competes to be recognized on the International Emmys’ much coveted global stage,” said International Academy President & CEO Bruce L. Paisner.

“We congratulate the Nominees for their outstanding programs and performances, they are once again a testament to the universal appeal of great storytelling across all genres, countries and cultures,” Paisner said.

The other nominee categories are for best performance by an actor, actress, comedy, documentary, non-scripted entertainment, short-form series, sports documentary, telenovela, TV movie / mini-series, kids: animation, kids: factual, kids: live-action.

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Kangana Ranaut’s Emergency Release Update: Bombay HC Asks CBFC To Take A Decision By September 25

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Kangana Ranaut's Emergency Release Update: Bombay HC Asks CBFC To Take A Decision By September 25

The Bombay High Court on Thursday (September 19) expressed displeasure over the Central Board of Film Certification (CBFC) sitting “over the fence” in issuing certification to the Kangana Ranaut-starrer “Emergency” and asked the censor board to take a decision by September 25.

Noting that creative freedom and freedom of expression cannot be curtailed, the court said that the censor board cannot refuse to certify a film just over the apprehension of law and order problems. It questioned whether the CBFC thought that people of this country are so naive to believe everything that is shown in a movie.

The HC was hearing a petition filed by Zee Entertainment Enterprises seeking direction to the CBFC to issue a certificate for the film “Emergency”.

“You (CBFC) have to take a decision one way or the other. You must have the courage to say this film cannot be released. At least then we will appreciate your courage and boldness. We don’t want the CBFC to sit on the fence,” a bench of Justices B P Colabawalla and Firdosh Pooniwalla said.

The movie was slated to release on September 6. However, the release was delayed following opposition by Sikh organisations including the Shiromani Akali Dal accusing that the movie was misrepresenting the community and getting historical facts wrong. The HC, on September 4, refused to grant urgent relief and directed the CBFC to consider the objections by the Sikh community and then issue certification by September 18.

CBFC counsel Abhinav Chandrachud informed the bench that the board’s chairman has referred the movie to the revising committee for final decision. He added that there was an element of apprehension of public disorder.

However, Zee’s counsel, Venkatesh Dhond contended that this was done to ensure that the movie is not released before October, when the elections are to be held in Haryana.

Irked by the fact that the CBFC had failed to comply with its earlier order and simply passed the buck from one department to another, the HC said that the censor board cannot conclude that there would be a law and order problem and hence refuse to certify the movie. “This has to stop. Otherwise we are completely curtailing creative freedom and freedom of expression by doing all this… Does the CBFC think the public in this country are so naïve and stupid to believe everything they see in films? What about creative freedom?” the bench asked.

The judges wondered why people had become sensitive to what was being shown in movies. “We don’t see why people are so sensitive. My community is made fun of all the time in movies. We don’t say anything. We just laugh and move on,” Justice Colabawalla said on a lighter note.

Dhond submitted that the movie’s release was being delayed due to political reasons. Questioning the political angle, the bench asked if the petitioner claimed that the ruling party was against Ranaut, who is not just the co-producer of the movie but also a sitting BJP Member of Parliament.

However, Dhond said that the ruling party was willing to displease a sitting parliamentarian just to appease a particular section of society.

The HC has asked the CBFC to take a decision by September 25 and communicate the same to the filmmakers.

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Sohum Shah Announces Tumbbad 2 Following First Part’s Re-Release: ‘Bigger Twists, More Intense Exploration’

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Sohum Shah Announces Tumbbad 2 Following First Part's Re-Release: 'Bigger Twists, More Intense Exploration'

Actor Sohum Shah on Saturday announced a sequel to his 2018 critically acclaimed film, “Tumbbad”, a day after the movie was re-released in theatres. Directed by Rahi Anil Barve, the atmospheric horror drama received critical acclaim upon its release six years ago. It was produced by the actor under his banner Sohum Shah Films.

Shah assured fans that the sequel of “Tumbbad” will dig deeper into the theme of greed. “‘Tumbbad’ has been a special journey and a labour of love for us, and to see the love it continues to receive is overwhelming and only ratifies our belief and ethos of Sohum Shah Films, that content is king.

“With ‘Tumbbad 2’, we want to push the cinematic experience and boundaries even further. ‘Tumbbad 2’ will take audiences deeper into the world we’ve created, with bigger twists and a more intense exploration of what happens when greed knows no limits,” the actor-producer said in a statement.

Set in a Maharashtra village, “Tumbbad” explores Vinayak Rao’s (Shah) descent into greed and obsession as he seeks out a mythical treasure guarded by the malevolent entity Hastar. With the sequel, the makers promise an even more gripping narrative that builds on the dark, mythical universe of “Tumbbad”, the press release said.

“Tumbbad”, which was re-released in theatres on Friday, received a positive response from the audience.

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