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Lata Mangeshkar, the ageless voice of India, passes away at 92

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Lata Mangeshkar, India’s most loved singer who had once moved Pandit Jawaharlal Nehru to tears, leaves behind a teary-eyed nation of admirers who grew up listening to her immutable voice give wings to the words of poets and the screen careers of legions of heroines.

India’s Melody Queen, who also composed music for Marathi films and was a producer as well, and had the distinction of being conferred with the highest civilian honours of India and France, passed away on Sunday morning at the Breach Candy Hospital in Mumbai, where she had been admitted because of Covid-related complications on January 11.

Lata Didi, as she was known among her family and followers, was 92 and is survived by her siblings — playback singer and composer Meena Khadilkar, popular singer and restaurateur Asha Bhosale, singer Usha Mangeshkar, and music director Hridayanath Mangeshkar.

She never married, but was close to the late Raj Singh Dungarpur, the aristocratic former cricketer and President of the Board of Control for Cricket in India (BCCI) from 1996 to 1999.

One of India’s most loved voices, Lata Mangeshkar was the recipient of three National Film Awards, seven Filmfare awards, and of course, the Dadasaheb Phalke Award in 1989. She was conferred the Bharat Ratna in 2001, becoming the second singer after M.S. Subbulakshmi to be so honoured, and the French awarded her the Officer of the Legion of Honour.

In 1974, Lata Mangeshkar became the first Indian to perform at the Royal Albert Hall, London. She had indeed come a long, long way since the time when the first song that she recorded for a film — ‘Kiti Hasaal’ in 1942 — was dropped in the final cut.

Born in what was then the princely state of Indore on September 28, 1929, to the classical singer, Marathi theatre actor and writer of musical plays Deenanath Mangeshkar and his wife Shevanti (Shudhamati), Lata Mangeshkar was originally named Hema by her parents, but they later changed it to Lata after the character Latika from one of her father’s musical plays.

Lata Mangeshkar’s association with the performing arts began when she was five and started appearing in her father’s musical plays, and it continued even after her father’s premature death in 1942, thanks to his good friend, the actor and director Master Vinayak (Vinayak Damodar Karnataki), who took the family under his wings.

It was Master Vinayak who took Lata Mangeshkar to Mumbai, paved her way into the world of Marathi cinema, got her to take Hindustani classical music lessons from Ustad Aman Ali Khan of the Bhendi Bazaar Gharana, and introduced her to Vasant Desai, V. Shantaram’s favourite music composer.

But it was not until Master Vinayak’s death in 1948 that the struggling singer-actor found the person whom she considered to be her “godfather” — the music composer Ghulam Haider, who gave Lata Mangeshkar her first big break with the song ‘Dil Mera Toda, Mujhe Kahin Ka Na Chhora’ in the movie ‘Majboor’ (1948). It was her first big break.

Haider took his protege to Shashadhar Mukherjee, the Filmistan boss now better known as Kajol and Rani Mukherjee’s grandfather, for his film, ‘Shaheed’ (1948), but he turned her down because he found her voice to be “too thin”.

Lata Mangeshkar proved him oh-so wrong just a year later when her song ‘Aayega Aanewaala’, filmed on the gorgeous Madhubala in Kamal Amrohi’s debut directorial, ‘Mahal’ (1949), became an ageless hit.

And in one of life’s delicious ironies, Mukherjee’s grand-daughter lip-synced the ‘Dilwale Dulhania Le Jayenge’ song, ‘Mere Khwabon Mein’, which was sung by none other than Lata Mangeshkar, as well as the other numbers picturised on her and Shah Rukh Khan.

Since ‘Mahal’, Lata Mangeshkar was courted by just about every music director of note — from Anil Biswas to S.D. Burman (and his son Rahul Dev, whose first and last song she sang), Naushad (who had asked her to sing like the then reigning nightingale, Noorjehan), Madan Mohan, Shankar-Jaikishan, Laxmikant-Pyarelal (for whom she’s said to have sung 700 songs in 35 years), and Kalyanji-Anandji.

And she worked with every contemporary composer of note — from Anand-Milind, sons of Chitragupt, with whom she had also worked, and Anu Malik, Sardar Malik’s son, to Ilaiyaraaja and A.R. Rahman. It is said she worked with music directors from 13 states in her star-studded career.

After Noorjehan moved to Pakistan, Lata Mangeshkar became the go-to playback singer for every film producer and music composer. She did not disappoint them.

Lata Mangeshkar lent her voice to an endless succession of chart-topping numbers in Hindi cinema, from ‘Allah Tero Naam’ and ‘Rangeela Re’ to the ‘Satyam Shivam Sundaram’ title track, to ‘Lukka Chuppi’ in ‘Rang De Basanti’, apart from songs in Marathi (she also composed the music for several Marathi films in her ‘Anandghan’ avatar), Bengali, Tamil, Kannada, Malayalam, and Sinhala.

In 1974, the Guinness Book of Records listed Lata Mangeshkar as the most recorded artiste in human history, stating that she had recorded “not less than 25,000 solo, duet and chorus-backed songs in 20 Indian languages” between 1948 and 1974. The claim was contested by her long-time rival, Mohammad Rafi, who claimed to have sung around 28,000 songs.

After Rafi’s death, the Guinness Book in its 1984 edition listed Lata Mangeshkar in its entry for ‘Most Recordings’, but it also recorded Rafi’s claim. Later editions of the Guinness Book said Lata Mangeshkar had sung no less than 30,000 songs from 1948 to 1987.

For 73 years, from 1943 to 2015, when she recorded her last song for a film (the Indo-Norwegian production, ‘Dunno Y2…Life Is A Moment’, which was all about gay love), Lata Mangeshkar commanded a fan following and an inimitable reputation with not many parallels in the Indian performing arts.

The late Yash Chopra, who was one of Lata Mangeshkar’s favourite directors, said in an article he had penned for BBC.com on the occasion of the singer’s 75th birthday (not longer after she had sung the famous ‘Veer Zaara’ song, ‘Tere Liye Hum Hain Jiye’, with Roop Kumar Rathod): “I see God’s blessing in her voice.” We are blessed to have that voice live with us forever.

Bollywood

Aamir Khan on ‘Laapataa Ladies’ Oscar Exit: This is not the end but a step forward

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Mumbai, Dec 18: The producers of “Laapataa Ladies,” Aamir Khan Productions, Jio Studios, and Kindling Productions, have expressed their reactions following the film’s exit from the Oscars 2025 race.

As India’s official entry in the Best Foreign Feature Film category, Laapataa Ladies held high hopes but unfortunately did not make it to the top 15 shortlist. While the producers admitted to being disappointed by the outcome, they remain proud of the film’s journey and the recognition it garnered along the way.

In a statement, Aamir Khan Productions said, “Laapataa Ladies (Lost Ladies) did not make it to the Academy Awards shortlist this year, and we are of course disappointed, but equally we are immensely grateful for the incredible support and belief we’ve received throughout this journey. We at Aamir Khan Productions, Jio Studios, and Kindling Productions extend our gratitude to the Academy members and the FFI jury for considering our film.”

“To be included in this prestigious process alongside some of the finest films from across the world is an honor in itself. Our heartfelt thanks to all the audiences around the world who have expressed their love and support for our film. We congratulate the teams of all the top 15 shortlisted films and wish them the very best in the next stages of the awards. For us, this is not the end but a step forward. We remain committed to bringing more powerful stories to life and sharing them with the world. Thank you for being part of this journey,” the statement further read.

The Academy of Motion Picture Arts and Sciences has unveiled the shortlist of 15 films competing for the Best International Feature Film category at the 2025 Oscars. Unfortunately, India’s official submission, Laapataa Ladies (Lost Ladies), did not make the cut.

Directed by Kiran Rao, the film had been unanimously chosen by the Film Federation of India (FFI) as the country’s entry, but its selection stirred debate. Many critics argued that Payal Kapadia’s “All We Imagine As Light” would have been a more competitive choice for the prestigious category.

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‘Pushpa 2’ fever grips Akshay Kumar

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Mumbai, Dec 17: As “Pushpa 2” fever continues to take over, Akshay Kumar has joined in on the excitement by recreating the film’s most iconic dialogue, “Wildfire hu.”

In a video circulating on the internet, Akshay is seen delivering Allu Arjun’s iconic line, “Wildfire hu.” Soon after the video surfaced online, fans couldn’t help but gush over Khiladi Kumar. One netizen commented, “Wow, amazing @akshaykumar sir, wildfire pose of mega superstar @alluarjun from #Pushpa2TheRule, great!” Another said, “I remember he supported Pushpa 1 also.”

Not to forget, in 2021, Akshay had penned a congratulatory note for Allu Arjun after the success of “Pushpa: The Rise.”

The ‘Airlift’ actor had written, “Congratulations @alluarjun on the massive response you have received from all over India for #PushpaTheRise, another big win for our industry… planning to watch it real soon. @GTelefilms.” In response, Allu Arjun replied, “Thank you very much, Akshay ji. Nice of you to send your warm wishes. Congratulations to you too. Glad people are coming back to theatres & the Indian film industry is shining again.”

“Pushpa 2: The Rule,” directed by Sukumar, features Allu Arjun, Rashmika Mandanna, and Fahadh Faasil. Released in theatres on December 5, the movie has crossed a remarkable Rs 1000 crore globally within just seven days. The sequel to the 2021 hit has reportedly earned Rs 902 crore at the India box office. It also became the first Hindi film to collect over Rs 100 crore in its second weekend.

Recently, Allu Arjun was arrested in connection with the death of a fan at the premiere of “Pushpa 2.” He was released from jail, with several stars visiting his residence afterward.

In a statement, the actor revealed that his legal team has advised him not to meet anyone or visit his family at this time.

In his note, the actor wrote, “I remain deeply concerned about young Sri Tej, who is under constant medical care after the unfortunate incident.”

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Zakir Hussain: Film industry veterans mourn the demise of the legend

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Mumbai, Dec 16: The tabla maestro Ustad Zakir Hussain left for the heavenly abode on December 15, leaving a huge void in India’s music. With his excellence and humility, the Ustad touched many lives, young and old, people in positions of power and the common man. Such is the impact of one of the greatest tabla players that his demise feels like a personal loss to many.

Several members of the film fraternity like Kamal Haasan, Akshay Kumar, A. R. Rahman, Mohanlal, Kareena Kapoor Khan, Hansal Mehta, and others shared their condolences on his demise.

Bollywood superstar Akshay Kumar took to his social media and shared an image of Zakir Hussain. He wrote, “Very pained to know about the sad demise of Ustad Zakir Hussain Sahab. He was truly a treasure for our country’s musical heritage. Om Shanti”.

Veteran Tamil megastar Kamal Haasan took to his X, formerly Twitter and shared an old image in which Zakir Hussain could be seen giving the taal to the actor as the latter plays tabla. He wrote, “Zakir Bhai! He left too soon. Yet we are grateful for the times he gave us and what he left behind in the form of his art. Goodbye and Thank you”.

Oscar and Grammy-winning music composer A. R. Rahman called Zakir an inspiration and expressed his regret for not collaborating with him in recent years. He wrote, “Inna lillahi wa inna ilayhi raji’un. Zakir Bhai was an inspiration, a towering personality who elevated the tabla to global acclaim. His loss is immeasurable for all of us. I regret not being able to collaborate with him as much as we did decades ago, though we had planned an album together. You shall be truly missed.

May his family and his countless students worldwide find the strength to bear this immense loss”. Veteran Malayalam superstar Mohanlal wrote on his X, “Ustad Zakir Hussain’s passing leaves an irreplaceable void in the world of music. His rhythms united hearts across borders. My deepest condolences to his family and admirers”.

Actress Kareena Kapoor Khan, who was recently seen along with Akshay Kumar in ‘Singham Again’, also paid tribute to the legendary musician with a heartfelt image that featured her alongside Zakir Hussain and her father, Randhir Kapoor. She wrote, “Maestro forever”.

Filmmaker Hansal Mehta, who recently directed Kareena in ‘The Buckingham Murders’ also took to his X, and wrote, “The maestro who made so many sleepless nights at Hindustani classical concerts memorable. The man who knew how to engage with an audience through his artistry. The Ustad who made the tabla sexy. Goodbye Ustad Zakir Hussain”.

Playback singer Sonu Nigam expressed his shock at the demise of the late musician, as he took to his Instagram, and wrote, “Zakir bhai… What is this?”.

Actress Nimrat Kaur recalled the last time she saw Ustad Zakir Hussain perform live earlier this year. She took to her Instagram, and shared a picture and a video of the late musician. She wrote in the caption, “On Feb 28th, ’24, when I last watched Ustad Zakir Hussain live at Prithvi Theatre, I recall my heart beating to the beats of the sheer flawless genius of his talent. His international superstardom and the zenith of his achievements are forever here to inspire and energize us”.

“As a human being, to remain the most humble, gracious, and generous through his incomparable life journey is what remains etched as a life goal in my heart. Your kind eyes and mystical being shall outlive generations…rest in glory Ustad ji. Never shall there be another”, she added.

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