Bollywood
Lata Mangeshkar, the ageless voice of India, passes away at 92

Lata Mangeshkar, India’s most loved singer who had once moved Pandit Jawaharlal Nehru to tears, leaves behind a teary-eyed nation of admirers who grew up listening to her immutable voice give wings to the words of poets and the screen careers of legions of heroines.
India’s Melody Queen, who also composed music for Marathi films and was a producer as well, and had the distinction of being conferred with the highest civilian honours of India and France, passed away on Sunday morning at the Breach Candy Hospital in Mumbai, where she had been admitted because of Covid-related complications on January 11.
Lata Didi, as she was known among her family and followers, was 92 and is survived by her siblings — playback singer and composer Meena Khadilkar, popular singer and restaurateur Asha Bhosale, singer Usha Mangeshkar, and music director Hridayanath Mangeshkar.
She never married, but was close to the late Raj Singh Dungarpur, the aristocratic former cricketer and President of the Board of Control for Cricket in India (BCCI) from 1996 to 1999.
One of India’s most loved voices, Lata Mangeshkar was the recipient of three National Film Awards, seven Filmfare awards, and of course, the Dadasaheb Phalke Award in 1989. She was conferred the Bharat Ratna in 2001, becoming the second singer after M.S. Subbulakshmi to be so honoured, and the French awarded her the Officer of the Legion of Honour.
In 1974, Lata Mangeshkar became the first Indian to perform at the Royal Albert Hall, London. She had indeed come a long, long way since the time when the first song that she recorded for a film — ‘Kiti Hasaal’ in 1942 — was dropped in the final cut.
Born in what was then the princely state of Indore on September 28, 1929, to the classical singer, Marathi theatre actor and writer of musical plays Deenanath Mangeshkar and his wife Shevanti (Shudhamati), Lata Mangeshkar was originally named Hema by her parents, but they later changed it to Lata after the character Latika from one of her father’s musical plays.
Lata Mangeshkar’s association with the performing arts began when she was five and started appearing in her father’s musical plays, and it continued even after her father’s premature death in 1942, thanks to his good friend, the actor and director Master Vinayak (Vinayak Damodar Karnataki), who took the family under his wings.
It was Master Vinayak who took Lata Mangeshkar to Mumbai, paved her way into the world of Marathi cinema, got her to take Hindustani classical music lessons from Ustad Aman Ali Khan of the Bhendi Bazaar Gharana, and introduced her to Vasant Desai, V. Shantaram’s favourite music composer.
But it was not until Master Vinayak’s death in 1948 that the struggling singer-actor found the person whom she considered to be her “godfather” — the music composer Ghulam Haider, who gave Lata Mangeshkar her first big break with the song ‘Dil Mera Toda, Mujhe Kahin Ka Na Chhora’ in the movie ‘Majboor’ (1948). It was her first big break.
Haider took his protege to Shashadhar Mukherjee, the Filmistan boss now better known as Kajol and Rani Mukherjee’s grandfather, for his film, ‘Shaheed’ (1948), but he turned her down because he found her voice to be “too thin”.
Lata Mangeshkar proved him oh-so wrong just a year later when her song ‘Aayega Aanewaala’, filmed on the gorgeous Madhubala in Kamal Amrohi’s debut directorial, ‘Mahal’ (1949), became an ageless hit.
And in one of life’s delicious ironies, Mukherjee’s grand-daughter lip-synced the ‘Dilwale Dulhania Le Jayenge’ song, ‘Mere Khwabon Mein’, which was sung by none other than Lata Mangeshkar, as well as the other numbers picturised on her and Shah Rukh Khan.
Since ‘Mahal’, Lata Mangeshkar was courted by just about every music director of note — from Anil Biswas to S.D. Burman (and his son Rahul Dev, whose first and last song she sang), Naushad (who had asked her to sing like the then reigning nightingale, Noorjehan), Madan Mohan, Shankar-Jaikishan, Laxmikant-Pyarelal (for whom she’s said to have sung 700 songs in 35 years), and Kalyanji-Anandji.
And she worked with every contemporary composer of note — from Anand-Milind, sons of Chitragupt, with whom she had also worked, and Anu Malik, Sardar Malik’s son, to Ilaiyaraaja and A.R. Rahman. It is said she worked with music directors from 13 states in her star-studded career.
After Noorjehan moved to Pakistan, Lata Mangeshkar became the go-to playback singer for every film producer and music composer. She did not disappoint them.
Lata Mangeshkar lent her voice to an endless succession of chart-topping numbers in Hindi cinema, from ‘Allah Tero Naam’ and ‘Rangeela Re’ to the ‘Satyam Shivam Sundaram’ title track, to ‘Lukka Chuppi’ in ‘Rang De Basanti’, apart from songs in Marathi (she also composed the music for several Marathi films in her ‘Anandghan’ avatar), Bengali, Tamil, Kannada, Malayalam, and Sinhala.
In 1974, the Guinness Book of Records listed Lata Mangeshkar as the most recorded artiste in human history, stating that she had recorded “not less than 25,000 solo, duet and chorus-backed songs in 20 Indian languages” between 1948 and 1974. The claim was contested by her long-time rival, Mohammad Rafi, who claimed to have sung around 28,000 songs.
After Rafi’s death, the Guinness Book in its 1984 edition listed Lata Mangeshkar in its entry for ‘Most Recordings’, but it also recorded Rafi’s claim. Later editions of the Guinness Book said Lata Mangeshkar had sung no less than 30,000 songs from 1948 to 1987.
For 73 years, from 1943 to 2015, when she recorded her last song for a film (the Indo-Norwegian production, ‘Dunno Y2…Life Is A Moment’, which was all about gay love), Lata Mangeshkar commanded a fan following and an inimitable reputation with not many parallels in the Indian performing arts.
The late Yash Chopra, who was one of Lata Mangeshkar’s favourite directors, said in an article he had penned for BBC.com on the occasion of the singer’s 75th birthday (not longer after she had sung the famous ‘Veer Zaara’ song, ‘Tere Liye Hum Hain Jiye’, with Roop Kumar Rathod): “I see God’s blessing in her voice.” We are blessed to have that voice live with us forever.
Bollywood
Sanjay Dutt, Palak Tiwari-starrer ‘The Bhootnii’ trailer is all about ghosts, gadgets and guns

Mumbai, March 29: The trailer for the upcoming film “The Bhootnii”, starring Sanjay Dutt, Palak Tiwari, Mouni Roy, and Sunny Singh, was unveiled on Saturday. It promises a thrilling blend of fun and spookiness.
The trailer is filled with witty punchlines, eerie thrills, and a generous dose of Sanjay’s iconic swag. The Bhootnii promises to transport audiences into a world where horror meets humor in the most unexpected ways.
The makers launched the trailer of the movie at a mega event in Mumbai in presence of the entire star cast.
It was on February 26, when Sanjay had revealed the title of the film, which was earlier called “The Virgin Tree”, on the auspicious occasion of Maha Shivratri. It was also revealed that the project will be hitting the theatres on April 18, 2025.
The makers had also shared a teaser, which gives an insight into the mystical world where ‘love turns into darkness’.
Soham Rockstar Entertainment and Three Dimension Motion Pictures are presenting “The Bhootnii”, which has been produced under the banner of A Soham Rockstar Entertainment Production by Deepak Mukut, Sanjay Dutt, Hunar Mukut, and Maanayata Dutt.
Additionally, Sanjay’s lineup includes the much-awaited sequel “Welcome to the Jungle.” The Ahmed Khan’s directorial enjoys an ensemble cast with Akshay Kumar, Raveena Tandon Disha Patani, Suniel Shetty, Lara Dutta, Bobby Deol, Jacqueline Fernandez, Paresh Rawal, Arshad Warsi, Rajpal Yadav, Johny Lever, Shreyas Talpade, and Tusshar Kapoor.
The film is the third installment to the “Welcome” franchise. It was first released in 2007 and the second part Welcome Back hit the screens in 2015.
Furthermore, Sanjay will also be seen playing a crucial role in “Son of Sardaar 2”. The drama has Ajay Devgn and Mrunal Thakur as the lead pair. Directed by Vijay Kumar Arora, Ajay Devgn has produced the film under the banner of Devgn Films in collaboration with Jio Studios.
Bollywood
Hrithik Roshan turns director for ‘Krish 4’ produced by Aditya Chopra

Mumbai, March 28: Actor Hrithik Roshan is set to turn director for the upcoming film ‘Krrish 4’, and take the baton from his father Rakesh Roshan for the franchise. The development of the fourth installment of India’s biggest superhero franchise has been confirmed by Rakesh Roshan, who has helmed the earlier 3 parts of the franchise.
The film is being produced by Yash Raj Films in association with Rakesh Roshan. The Indian superstar Hrithik Roshan will be swinging between the two departments of direction and acting for the film as he essays the titular superhero in the franchise. The shooting for the film is set to begin early next year.
Confirming the development Rakesh Roshan said, “I’m passing the baton of the director of Krrish 4 to my son, Hrithik Roshan, who has lived, breathed and dreamt about this franchise since its inception with me! Hrithik has a clear and a very ambitious vision of taking Krrish’s journey forward with the audience for the next decades”.
He further mentioned, “I couldn’t be more proud to see him wear the director’s hat for a film that means the world to us as a family. ‘Krrish’ has entertained audiences the world over and Hrithik will now reveal the next chapters of this superhero saga and take the vision I created so many years ago to greater heights”.
The department of direction is not something new for Hrithik as he worked as an assistant director on the sets of films like ‘Karan Arjun’, directed by his father. In fact, it was Hrithik, who started the trend of actors learning the ropes on a film set, gaining practical knowledge of the technicalities involved in filmmaking, and eventually venturing into acting with the wealth of filmmaking knowledge.
Rakesh Roshan is thrilled that Aditya Chopra is taking over the reigns of ‘Krrish 4’ as the producer.
He further mentioned, “It brings me so much joy to see someone like Adi as the producer of Krrish 4. It was he who convinced Hrithik to sit in the director’s chair. Adi and Yash Raj Films have the knowledge, understanding and technological might to produce this film and add great value to this project”.
“Hrithik and Adi coming together as a producer-director pair with me behind them is a rare and deliciously creative combination! I’m sure they will turn Krrish 4 into a theatrical experience that has never been made in India. The dream is to make India proud globally with a larger than life experience like ‘Krrish 4’”, he added.
Bollywood
Aamir Khan vs Salman Khan: Face-Off to determine who is the real ‘Sikandar’

Mumbai, March 25: In a battle of Bollywood giants, Aamir Khan and Salman Khan are facing off to claim the title of the real ‘Sikandar.’
As both stars have made significant marks in their careers with iconic roles, the question of who truly deserves the title of ‘Sikandar’ has even left filmmaker AR Murugadoss in a tough position. On Tuesday, Salman shared a video of him with Aamir and Murugadoss on his Instagram handle, writing, “Amar Prem ka Andaaz with AR Murugadoss! #SikandarMeetsGhajini #AamirKhan #SajidNadiadwala’s #Sikandar Directed by @a.r.murugadoss.”
In the video, the trio can be seen seated, engaged in an intriguing conversation. The clip opens with Aamir asking AR Murugadoss, “Between me and Salman, who is the real Sikandar?” The filmmaker is seen with a serious expression on his face.
Interestingly, Salman Khan and Aamir Khan share a great rapport. They had previously worked together in the iconic film “Andaz Apna Apna.” The two superstars often show mutual support for each other’s films, and this camaraderie is evident as part of Salman’s upcoming film “Sikandar” promotions. Not to forget, the ‘Wanted’ actor even made an appearance at the screening of Aamir Khan’s son Junaid’s debut film, showing his support for the young actor.
Meanwhile, Salman is currently busy promoting his next project, “Sikandar,” which marks his first on-screen pairing with Rashmika Mandanna. On March 23, the makers dropped its highly awaited trailer, packed with action and suspense. In the trailer, the ‘Dabangg’ actor takes on the titular role of Sikandar, a man driven by a strong sense of purpose.
Speaking at the trailer launch, the actor spoke about the age gap between superstars and younger actresses, sharing his thoughts on the evolving dynamics in the film industry. In his trademark style, Salman stated, “I have a 31-year age difference between me and the heroine. The heroine doesn’t have this problem. The heroine’s father doesn’t have this problem.” He then turned towards Rashmika and asked her, “You don’t have this problem, right?”
Produced by Sajid Nadiadwala, “Sikandar” is set to release in theatres on March 30, 2025.
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