Bollywood
Lata Mangeshkar, the ageless voice of India, passes away at 92

Lata Mangeshkar, India’s most loved singer who had once moved Pandit Jawaharlal Nehru to tears, leaves behind a teary-eyed nation of admirers who grew up listening to her immutable voice give wings to the words of poets and the screen careers of legions of heroines.
India’s Melody Queen, who also composed music for Marathi films and was a producer as well, and had the distinction of being conferred with the highest civilian honours of India and France, passed away on Sunday morning at the Breach Candy Hospital in Mumbai, where she had been admitted because of Covid-related complications on January 11.
Lata Didi, as she was known among her family and followers, was 92 and is survived by her siblings — playback singer and composer Meena Khadilkar, popular singer and restaurateur Asha Bhosale, singer Usha Mangeshkar, and music director Hridayanath Mangeshkar.
She never married, but was close to the late Raj Singh Dungarpur, the aristocratic former cricketer and President of the Board of Control for Cricket in India (BCCI) from 1996 to 1999.
One of India’s most loved voices, Lata Mangeshkar was the recipient of three National Film Awards, seven Filmfare awards, and of course, the Dadasaheb Phalke Award in 1989. She was conferred the Bharat Ratna in 2001, becoming the second singer after M.S. Subbulakshmi to be so honoured, and the French awarded her the Officer of the Legion of Honour.
In 1974, Lata Mangeshkar became the first Indian to perform at the Royal Albert Hall, London. She had indeed come a long, long way since the time when the first song that she recorded for a film — ‘Kiti Hasaal’ in 1942 — was dropped in the final cut.
Born in what was then the princely state of Indore on September 28, 1929, to the classical singer, Marathi theatre actor and writer of musical plays Deenanath Mangeshkar and his wife Shevanti (Shudhamati), Lata Mangeshkar was originally named Hema by her parents, but they later changed it to Lata after the character Latika from one of her father’s musical plays.
Lata Mangeshkar’s association with the performing arts began when she was five and started appearing in her father’s musical plays, and it continued even after her father’s premature death in 1942, thanks to his good friend, the actor and director Master Vinayak (Vinayak Damodar Karnataki), who took the family under his wings.
It was Master Vinayak who took Lata Mangeshkar to Mumbai, paved her way into the world of Marathi cinema, got her to take Hindustani classical music lessons from Ustad Aman Ali Khan of the Bhendi Bazaar Gharana, and introduced her to Vasant Desai, V. Shantaram’s favourite music composer.
But it was not until Master Vinayak’s death in 1948 that the struggling singer-actor found the person whom she considered to be her “godfather” — the music composer Ghulam Haider, who gave Lata Mangeshkar her first big break with the song ‘Dil Mera Toda, Mujhe Kahin Ka Na Chhora’ in the movie ‘Majboor’ (1948). It was her first big break.
Haider took his protege to Shashadhar Mukherjee, the Filmistan boss now better known as Kajol and Rani Mukherjee’s grandfather, for his film, ‘Shaheed’ (1948), but he turned her down because he found her voice to be “too thin”.
Lata Mangeshkar proved him oh-so wrong just a year later when her song ‘Aayega Aanewaala’, filmed on the gorgeous Madhubala in Kamal Amrohi’s debut directorial, ‘Mahal’ (1949), became an ageless hit.
And in one of life’s delicious ironies, Mukherjee’s grand-daughter lip-synced the ‘Dilwale Dulhania Le Jayenge’ song, ‘Mere Khwabon Mein’, which was sung by none other than Lata Mangeshkar, as well as the other numbers picturised on her and Shah Rukh Khan.
Since ‘Mahal’, Lata Mangeshkar was courted by just about every music director of note — from Anil Biswas to S.D. Burman (and his son Rahul Dev, whose first and last song she sang), Naushad (who had asked her to sing like the then reigning nightingale, Noorjehan), Madan Mohan, Shankar-Jaikishan, Laxmikant-Pyarelal (for whom she’s said to have sung 700 songs in 35 years), and Kalyanji-Anandji.
And she worked with every contemporary composer of note — from Anand-Milind, sons of Chitragupt, with whom she had also worked, and Anu Malik, Sardar Malik’s son, to Ilaiyaraaja and A.R. Rahman. It is said she worked with music directors from 13 states in her star-studded career.
After Noorjehan moved to Pakistan, Lata Mangeshkar became the go-to playback singer for every film producer and music composer. She did not disappoint them.
Lata Mangeshkar lent her voice to an endless succession of chart-topping numbers in Hindi cinema, from ‘Allah Tero Naam’ and ‘Rangeela Re’ to the ‘Satyam Shivam Sundaram’ title track, to ‘Lukka Chuppi’ in ‘Rang De Basanti’, apart from songs in Marathi (she also composed the music for several Marathi films in her ‘Anandghan’ avatar), Bengali, Tamil, Kannada, Malayalam, and Sinhala.
In 1974, the Guinness Book of Records listed Lata Mangeshkar as the most recorded artiste in human history, stating that she had recorded “not less than 25,000 solo, duet and chorus-backed songs in 20 Indian languages” between 1948 and 1974. The claim was contested by her long-time rival, Mohammad Rafi, who claimed to have sung around 28,000 songs.
After Rafi’s death, the Guinness Book in its 1984 edition listed Lata Mangeshkar in its entry for ‘Most Recordings’, but it also recorded Rafi’s claim. Later editions of the Guinness Book said Lata Mangeshkar had sung no less than 30,000 songs from 1948 to 1987.
For 73 years, from 1943 to 2015, when she recorded her last song for a film (the Indo-Norwegian production, ‘Dunno Y2…Life Is A Moment’, which was all about gay love), Lata Mangeshkar commanded a fan following and an inimitable reputation with not many parallels in the Indian performing arts.
The late Yash Chopra, who was one of Lata Mangeshkar’s favourite directors, said in an article he had penned for BBC.com on the occasion of the singer’s 75th birthday (not longer after she had sung the famous ‘Veer Zaara’ song, ‘Tere Liye Hum Hain Jiye’, with Roop Kumar Rathod): “I see God’s blessing in her voice.” We are blessed to have that voice live with us forever.
Bollywood
Varun Dhawan: One must travel to learn

Mumbai, June 3: Actor Varun Dhawan stressed that travel is essential for gaining knowledge and life experience.
The actor took to Instagram, where he shared three pictures from the airport. The first was an image of the actor posing inside the airport with the airplane docked. The other was of him at the same location but this time his back was towards the camera as he looked at the aircraft. The third was a closeup image of him as he made his way inside the flight.
“One must travel to learn,” Varun wrote as the caption.
A few days ago, Varun wrapped up the Scotland schedule of his upcoming project ‘Hai Jawani Toh Ishq Hona Hai’.
Sharing the professional update on social media, Varun penned, “It’s a schedule wrap for us here in Scotland on #haijawaanitohishqhonahai. So many days everyone pulling together to make this happen. Bringing u all the laughs soon. Now back home.”
The post also included some fun moments of the “Badlapur’ actor in Scotland with his co-stars Mrunal Thakur, Mouni Roy, Chunkey Panday and Pooja Hegde.
The title “Hain Jawani Toh Ishq Hona Hain” is inspired by the song “Ishq Sona Hai” from “Biwi No.1.” starring Salman Khan, Karisma Kapoor, and Sushmita Sen. The 1999 drama was helmed by David Dhawan, who is also directing Varun’s next.
“Hai Jawani Toh Ishq Hona Hai” is reported to have the charm of classic 90s rom-coms.
Varun also has Shashank Khaitan’s “Sunny Sanskari Ki Tulsi Kumari.” Janhvi Kapoor, Sanya Malhotra, Abhinav Sharma, Maniesh Paul, and Manini Chadha are also a part of the project’s pivotal cast.
Furthermore, Varun also had “Border 2”, which is being made under the direction of Anurag Singh. He will be co-starring Sunny Deol, Diljit Dosanjh, and Ahan Shetty in the highly-anticipated sequel.
Bollywood
Mohit Suri calls ‘Saiyaara’ an ode to his favourite love stories

Mumbai, May 31: Director Mohit Suri, who is awaiting the release of his upcoming film ‘Saiyaara’, has called it an homage to the love stories that he has grown up loving.
Mohit is known for his musical hits like ‘Zeher’, ‘Kalyug’, ‘Woh Lamhe’, the cult-classic ‘Awarapan’ and the blockbuster ‘Aashiqui 2’.
While all the aforementioned films were made under the banner of Vishesh Films, with ‘Saiyaara’, Mohit has moved into the territory of Yash Raj Films.
‘Saiyaara’ brings together YRF and Mohit, both known for creating timeless romances for an intense love story, and introduces Ahaan Panday and Aneet Padda (of ‘Big Girls Don’t Cry’ fame) as the next YRF heroine.
Talking about the film, Mohit said, “I feel you can tell so many beautiful stories and take people along so many journeys and celebrate so many emotions but romantic genre is always special. ‘Saiyaara’ is my homage to the love stories I love and the sweeping romances that I have come across through my life. I have been fortunate to have met so many people who have been kind enough to share their incredible love stories with me”.
He further mentioned, “I’m delighted to see this unanimous response to the teaser of ‘Saiyaara’. I’m thrilled for Ahaan and Aneet. They deserve all the love because they have really put in everything for people to connect so deeply with the teaser of ‘Saiyaara’. I share this moment with my incredible team and everyone at YRF. I hope people keep engaging and connecting with ‘Saiyaara’ as we peel every layer of emotion, every season of love through our marketing campaign”.
Produced by YRF, ‘Saiyaara’ is set to release in cinemas on July 18, 2025.
Bollywood
Karan Johar to Shah Rukh Khan: ‘All hail the king of the MET’

Mumbai, May 6: Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.
Karan Johar to Shah Rukh Khan: All hail the king of the MET
Mumbai, Global icon Shah Rukh Khan made a dazzling debut at the Met Gala 2025, setting the red carpet ablaze with his signature charm and style. His longtime friend Karan Johar couldn’t hold back, declaring, “the internet didn’t just broke into a gazillion hearts” the moment he stepped out.
Wearing a sharp ensemble by Sabyasachi Mukherjee, Shah Rukh looked dapper in a floor-sweeping black trench coat layered over an unbuttoned shirt. He completed chunky jewellery including eye-popping diamond-studded pendants emblazoned with “K”.
To add to the drama, he carried a walking stick with a tiger-top, which was completely in sync with this year’s theme “Superfine: Tailoring Black Style”.
Karan took to his Instagram, where he shared a video of Shah Rukh walking out in style. The filmmaker captioned it: “All hail the king of the MET!!! The internet just broke into a gazillion hearts!!! Bhai you rule.”
He then shared a picture of Shah Rukh originally posted by the star’s manager Pooja Dadlani and wrote: “The King” along with the song “Here Comes The Hotstepper” playing in the background.
As per reports, Shah Rukh posed, smiled, waved and even treated fans with his signature pose.
The 2025 theme “Superfine: Tailoring Black Style,” is inspired by Monica L Miller’s book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, published in 2009. The fashion gala for the first time has put the spotlight on menswear.
The Met Gala is the annual haute couture fundraising festival held for the benefit of the Metropolitan Museum of Art’s Costume Institute in Manhattan. The Met Gala is popularly regarded as the world’s most prestigious and glamorous fashion event.
Attendees are given the opportunity to express themselves through fashion, often producing elaborate and highly publicized outfits inspired by the evening’s theme and broader cultural context.
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