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Lata Mangeshkar, the ageless voice of India, passes away at 92

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Lata Mangeshkar, India’s most loved singer who had once moved Pandit Jawaharlal Nehru to tears, leaves behind a teary-eyed nation of admirers who grew up listening to her immutable voice give wings to the words of poets and the screen careers of legions of heroines.

India’s Melody Queen, who also composed music for Marathi films and was a producer as well, and had the distinction of being conferred with the highest civilian honours of India and France, passed away on Sunday morning at the Breach Candy Hospital in Mumbai, where she had been admitted because of Covid-related complications on January 11.

Lata Didi, as she was known among her family and followers, was 92 and is survived by her siblings — playback singer and composer Meena Khadilkar, popular singer and restaurateur Asha Bhosale, singer Usha Mangeshkar, and music director Hridayanath Mangeshkar.

She never married, but was close to the late Raj Singh Dungarpur, the aristocratic former cricketer and President of the Board of Control for Cricket in India (BCCI) from 1996 to 1999.

One of India’s most loved voices, Lata Mangeshkar was the recipient of three National Film Awards, seven Filmfare awards, and of course, the Dadasaheb Phalke Award in 1989. She was conferred the Bharat Ratna in 2001, becoming the second singer after M.S. Subbulakshmi to be so honoured, and the French awarded her the Officer of the Legion of Honour.

In 1974, Lata Mangeshkar became the first Indian to perform at the Royal Albert Hall, London. She had indeed come a long, long way since the time when the first song that she recorded for a film — ‘Kiti Hasaal’ in 1942 — was dropped in the final cut.

Born in what was then the princely state of Indore on September 28, 1929, to the classical singer, Marathi theatre actor and writer of musical plays Deenanath Mangeshkar and his wife Shevanti (Shudhamati), Lata Mangeshkar was originally named Hema by her parents, but they later changed it to Lata after the character Latika from one of her father’s musical plays.

Lata Mangeshkar’s association with the performing arts began when she was five and started appearing in her father’s musical plays, and it continued even after her father’s premature death in 1942, thanks to his good friend, the actor and director Master Vinayak (Vinayak Damodar Karnataki), who took the family under his wings.

It was Master Vinayak who took Lata Mangeshkar to Mumbai, paved her way into the world of Marathi cinema, got her to take Hindustani classical music lessons from Ustad Aman Ali Khan of the Bhendi Bazaar Gharana, and introduced her to Vasant Desai, V. Shantaram’s favourite music composer.

But it was not until Master Vinayak’s death in 1948 that the struggling singer-actor found the person whom she considered to be her “godfather” — the music composer Ghulam Haider, who gave Lata Mangeshkar her first big break with the song ‘Dil Mera Toda, Mujhe Kahin Ka Na Chhora’ in the movie ‘Majboor’ (1948). It was her first big break.

Haider took his protege to Shashadhar Mukherjee, the Filmistan boss now better known as Kajol and Rani Mukherjee’s grandfather, for his film, ‘Shaheed’ (1948), but he turned her down because he found her voice to be “too thin”.

Lata Mangeshkar proved him oh-so wrong just a year later when her song ‘Aayega Aanewaala’, filmed on the gorgeous Madhubala in Kamal Amrohi’s debut directorial, ‘Mahal’ (1949), became an ageless hit.

And in one of life’s delicious ironies, Mukherjee’s grand-daughter lip-synced the ‘Dilwale Dulhania Le Jayenge’ song, ‘Mere Khwabon Mein’, which was sung by none other than Lata Mangeshkar, as well as the other numbers picturised on her and Shah Rukh Khan.

Since ‘Mahal’, Lata Mangeshkar was courted by just about every music director of note — from Anil Biswas to S.D. Burman (and his son Rahul Dev, whose first and last song she sang), Naushad (who had asked her to sing like the then reigning nightingale, Noorjehan), Madan Mohan, Shankar-Jaikishan, Laxmikant-Pyarelal (for whom she’s said to have sung 700 songs in 35 years), and Kalyanji-Anandji.

And she worked with every contemporary composer of note — from Anand-Milind, sons of Chitragupt, with whom she had also worked, and Anu Malik, Sardar Malik’s son, to Ilaiyaraaja and A.R. Rahman. It is said she worked with music directors from 13 states in her star-studded career.

After Noorjehan moved to Pakistan, Lata Mangeshkar became the go-to playback singer for every film producer and music composer. She did not disappoint them.

Lata Mangeshkar lent her voice to an endless succession of chart-topping numbers in Hindi cinema, from ‘Allah Tero Naam’ and ‘Rangeela Re’ to the ‘Satyam Shivam Sundaram’ title track, to ‘Lukka Chuppi’ in ‘Rang De Basanti’, apart from songs in Marathi (she also composed the music for several Marathi films in her ‘Anandghan’ avatar), Bengali, Tamil, Kannada, Malayalam, and Sinhala.

In 1974, the Guinness Book of Records listed Lata Mangeshkar as the most recorded artiste in human history, stating that she had recorded “not less than 25,000 solo, duet and chorus-backed songs in 20 Indian languages” between 1948 and 1974. The claim was contested by her long-time rival, Mohammad Rafi, who claimed to have sung around 28,000 songs.

After Rafi’s death, the Guinness Book in its 1984 edition listed Lata Mangeshkar in its entry for ‘Most Recordings’, but it also recorded Rafi’s claim. Later editions of the Guinness Book said Lata Mangeshkar had sung no less than 30,000 songs from 1948 to 1987.

For 73 years, from 1943 to 2015, when she recorded her last song for a film (the Indo-Norwegian production, ‘Dunno Y2…Life Is A Moment’, which was all about gay love), Lata Mangeshkar commanded a fan following and an inimitable reputation with not many parallels in the Indian performing arts.

The late Yash Chopra, who was one of Lata Mangeshkar’s favourite directors, said in an article he had penned for BBC.com on the occasion of the singer’s 75th birthday (not longer after she had sung the famous ‘Veer Zaara’ song, ‘Tere Liye Hum Hain Jiye’, with Roop Kumar Rathod): “I see God’s blessing in her voice.” We are blessed to have that voice live with us forever.

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Indian cinemas biggest stars rally behind WAVES 2025 event in Mumbai

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Mumbai, April 19: The who’s who of the Indian film industry are set to attend the WAVES (World Audio Visual and Entertainment Summit) in Mumbai.

On Saturday, Ashwini Vaishnaw, the Union Minister of Railways of India took to his X, formerly Twitter, and shared a promotional video featuring the biggest stars of Indian cinema including Amitabh Bachchan, Shah Rukh Khan, Aamir Khan, Vikrant Massey and Nagarjuna.

In the video, the actors talk about the upcoming event, and also reveal that the conversation will be taken forward by the Prime Minister of India, Narendra Modi.

It’s also revealed in the video that the event will see thought leaders from the entertainment industry, and pioneers across the industries lending their inputs to the event.

The World Audio Visual and Entertainment Summit (WAVES) is a global platform that unites pioneers, visionaries, and aspiring creatives from the Media and Entertainment (M&E) industry.

The event is organised by the Federation of Indian Chambers of Commerce and Industry (FICCI) in collaboration with the Ministry of Information & Broadcasting and the Create in India Challenge, and is poised to be a groundbreaking forum for discussions, collaborations, and transformative innovations.

It is sponsored by Netflix and orchestrated by Reskilll, and is set to redefine the future of storytelling, filmmaking, and digital content creation.

Waves Summit 2025 has been nothing short of extraordinary. With over 3,000 applications, only the top 600 candidates were meticulously selected and trained, ensuring a pool of highly skilled and passionate participants. The ‘Trailer Making Competition’, the event’s crown jewel, saw an overwhelming 134 entries, showcasing an array of creative talents eager to make their mark in the industry.

The event has seen over 3,000 applications, of which top 600 candidates have been selected and trained, ensuring a pool of highly skilled and passionate participants. The event is set to be held in Mumbai from May 1 to May 4 in the BKC area of Mumbai.

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A.R. Rahman reveals how news about his personal life affects his mental state

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Mumbai, April 17: Music maestro A.R. Rahman, currently preparing for his ambitious “Wonderment” tour, has admitted that news and rumours about him do take a toll on his mental well-being. In an exclusive conversation with Media, A.R. Rahman opened up about his preparation for the ‘Wonderment’ tour, the use of AI in music, his mental state, and much more.

When asked, “Music requires a happy state of mind, do news and rumours about you that circulate everywhere affect you?”

Rahman replied, “I think every artist goes through this. Sometimes they are in a very, very sad state, and they have to do ‘Chhaiya Chhaiya’ or ‘Hamma Hamma’. You can’t say I’m not in the mood. They will go to somebody else. Sometimes you are very happy, and they want you to do the saddest song. You should be ready for it. In music, you have to be in a very neutral condition. You are almost like an actor. You are sad inside but you have to play happy.”

When further inquired , “But as an artist and as a human being, does it really affect you when you read so much about yourself.” Opening about it Rahman quipped, ‘It does, It does affect but it’s part of the game. The ups and downs.”

For the unversed, A.R. Rahman’s wife announced her divorce with him in the month of November 2024. Soon a social media post went viral accusing Rahman of having an extra-marital affair with one of his band members which led Rahman to issue a statement. He also announced to take a legal action against those spreading defamatory news about him.

Further during the conversation, A.R. also spoke about his health and shared a message with his fans stating “Thank you for all the love. Sorry to have scared you. The hospital gave something which went viral. I am here healthy with all your prayers and love. See you on the 3rd at D.Y. Patil stadium.”

In the month of March, A.R. Rahman was admitted to the hospital in Chennai due to chest pain.

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R Madhavan reflects on his glorious 25 Years: ‘A Journey beyond my wildest dreams’

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Mumbai, April 14: One of the most versatile actors, R Madhavan marked 25 glorious years in the Indian film industry on Monday.

The ‘Rehnaa Hai Terre Dil Mein’ actor chose to commemorate the occasion in the most soulful and humble way, with a visit to the Golden Temple in Amritsar. Joining him were his ‘Kesari Chapter 2’ co-stars, Akshay Kumar, and Ananya Panday, as the trio sought blessings ahead of their much-anticipated film’s release on April 18.

Madhavan took to his official IG and dropped a picture of him offering prayers, alongside Akshay and Ananya.

He penned a heartfelt note on the photo-sharing app, reflecting on his 25 wonderful years in the Indian cinema.

He said, “25 Glorious, Wonderful, Rewarding and Blessed years as a Film actor…. Journeys beyond my wildest dreams…with Ecstasy and Agony for constant companion, yet with all the LOVE earned that overwhelms my Heart to this day…. And So… during this very spontaneous Pilgrimage on this very Auspicious and Special day (14th April 2000 when my FIRST FILM ALAIPAYUTHEY Released)..Just To Surrender and show GRATITUDE for all the blessings that can either be Explained nor Justified AAAAA.. Thank You and Guide me.”

As mentioned in the post, Madhavan made his debut with Mani Ratnam’s 2000 flick “Alai Payuthey” and never looked back since.

From memorable roles in “Rehnaa Hai Terre Dil Mein”, “3 Idiots”, and “Tanu Weds Manu” to the critically acclaimed “Shaitaan”, Madhavan’s journey has been rich with diverse characters and impactful stories.

Now, he is looking at another powerful performance as Advocate Neville McKinley in “Kesari Chapter 2”.

A spiritual sequel to the 2019 outing, “Kesari”, the film is a cinematic adaptation of the book “The Case That Shook The Empire” by Raghu Palat and Pushpa Palat, centred around C. Sankaran Nair and the 1919 Jallianwala Bagh massacre.

The Karan Singh Tyagi’s directorial has been produced by Dharma Productions, Leo Media Collective, and Cape of Good Films.

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