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‘Sky Force’: A high-flying triumph of heroism, sacrifice, and cinematic brilliance

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Mumbai, Jan 23: As Republic Day 2025 approaches, ‘Sky Force’ doesn’t just soar through the skies, it soars straight into your heart. Directed by Abhishek Anil Kapur and Sandeep Kewlani, this film is an awe-inspiring tribute to the valiant men of India’s Air Force. It seamlessly blends heart-stopping aerial combat with an emotionally charged narrative, offering more than just an action flick—it’s a tribute to real-life heroes, both on-screen and off.

The film is set against the backdrop of the 1965 Indo-Pakistani War, and chronicles India’s first retaliatory airstrike, a defining moment that not only shifted the course of the war but also cemented the Indian Air Force’s place in history. At the heart of this gripping tale are two characters whose journeys will keep you glued to your seat, Wing Commander K.O. Ahuja (played by Akshay Kumar) and T. Vijaya (played by Veer Pahariya). A war movie this intense, this personal, is something Bollywood has rarely seen before.

The film kicks off with Wing Commander K.O. Ahuja, a seasoned and determined leader, on a mission to uncover the truth about his missing pilot, T. Vijaya. When Ahuja discovers that Vijaya may still be alive, it leads him down a path of revelation, sacrifice, and a bond that no one can break. What unfolds is not just a search for a missing pilot, but a testament to the unwavering courage and brotherhood between soldiers.

Akshay Kumar’s portrayal of Wing Commander K.O. Ahuja is nothing short of spectacular. The man who fought for justice, led his men, and wore his duty like a badge of honor, Kumar brings the gravitas and emotion that makes Ahuja one of the most compelling characters in recent cinematic memory.

His performance isn’t just about being the stoic military commander—it’s the subtle vulnerability that shines through. Ahuja’s deep connection to his men, particularly the missing Vijaya, elevates Kumar’s performance to another level. There are moments in the film when his eyes do the talking, and that’s when you realize the true depth of his character.

Veer Pahariya, in his debut role, is an absolute revelation as T. Vijaya. Pahariya doesn’t just play the role of a fearless pilot—he embodies the spirit of sacrifice, rebellion, and valor. As Vijaya, a man who risks everything to defend his country, Pahariya channels both the youthful defiance and the gravity of a soldier who knows the cost of duty. His portrayal of Squadron Leader Ajjamada Boppayya Devayya MVC will surely leave a lasting impression. His emotional arc is brilliantly interwoven with the film’s action, and by the time he faces his final moments on screen, you’ll be on the edge of your seat, feeling every bit of his sacrifice.

Then there’s the powerhouse of supporting performances—Sara Ali Khan and Nimrat Kaur. Kaur’s portrayal of Ahuja’s wife offers a quiet, deeply emotional strength. While the world is engulfed in war, she holds the fort back home, a reminder that the battle isn’t only fought in the skies. Sara Ali Khan, as Vijaya’s pregnant wife, brings an emotional depth that adds even more weight to the film. Her struggle, caught between hope and despair, creates one of the film’s most heart-wrenching moments. Together, Kaur and Ali Khan humanize the toll war takes, not just on the soldiers, but also on those waiting back home.

What truly sets ‘Sky Force’ apart from other war films is the fusion of action and emotion. Kapur and Kewlani manage to balance the pulse-quickening aerial dogfights with intimate moments of vulnerability. The pacing is tight, and the direction doesn’t allow the film to lose its emotional focus, even in the midst of spectacular combat sequences. Every scene builds on the previous one, raising the stakes as the film progresses, ensuring you’re emotionally invested in both the fate of the pilots and the larger historical events.

Speaking of those aerial combat sequences, ‘Sky Force’ raises the bar for Indian action films. The flight sequences are nothing short of jaw-dropping, shot with such precision and realism that you feel like you’re strapped into the cockpit yourself. The dogfights are breathtaking, grounded in authenticity, with each plane’s movement feeling as if it’s a carefully calculated military maneuver rather than a CGI-heavy spectacle. The visual effects are top-notch, capturing everything from missile strikes to the twisting barrel rolls with such clarity and realism that you’ll be holding your breath through every second.

The VFX team deserves special mention for crafting these sequences with such attention to detail. The explosive airstrikes, the dogfights, and the painstakingly recreated historical moments are not just visually stunning—they’re intensely immersive. The action sequences in ‘Sky Force’ are designed with a purpose—they’re thrilling, yes, but they’re also integral to the film’s emotional heartbeat.

And then there’s the background score—if the action is what keeps your pulse racing, the music is what makes your heart swell. The score is epic in every sense of the word, driving the narrative, intensifying the tension, and underscoring the sacrifices made by the pilots. It’s perfectly timed, swelling during key moments and allowing the quieter, emotional scenes to resonate with the same power. The music doesn’t just accompany the action—it enhances it, making every combat sequence and emotional beat feel larger than life.

In the end, ‘Sky Force’ is a triumph in every sense. It’s an action-packed spectacle, yes, but it’s also a deeply human story about sacrifice, duty, and the unbreakable bonds of brotherhood. With unforgettable performances, spectacular direction, and mind-blowing aerial combat, ‘Sky Force’ is a cinematic masterpiece that will undoubtedly be remembered as one of the best war films Bollywood has ever produced.

Produced by Dinesh Vijan and Amar Kaushik under Maddock Films, along with Jyoti Deshpande under Jio Studios, ‘Sky Force’ is a landmark in Indian filmmaking. It’s a film that celebrates courage, a tribute to the heroes who defend the skies, and an unforgettable cinematic journey that will leave you in awe.

Director – Abhishek Anil Kapur and Sandeep Kewlani

Cast – Akshay Kumar, Veer Pahariya, Sara Ali Khan, Nimrat Kaur and Sharad Kelkar

Duration – 125 minutes

Rating – 4.5

Bollywood

Delnaaz Irani explains why audience loyalty has shifted in today’s TV landscape

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Mumbai, June 24: Actress Delnaaz Irani opened up about the evolving nature of the small screen and why audience loyalty isn’t what it used to be.

Speaking to media, she shared valuable insights into how the rise of OTT platforms, changing viewing habits, and the abundance of content have transformed the way audiences engage with television today. Irani, known for her extensive body of work on television, spoke about how the industry has evolved over the years. Addressing the common perception that TV shows no longer enjoy the long runs they once did, the actress maintained that the quality of content hasn’t necessarily declined.

She emphasized that each show has its own journey and that content creators are still putting in dedicated effort to bring meaningful stories to viewers. However, she acknowledged that the media landscape has undergone a massive transformation. Comparing it to the ‘90s and early 2000s, Delnaaz pointed out that the television industry back then operated with fewer channels and limited platforms.

“Every show has its own journey. Content creators are working hard, and good content is still being made. But the media landscape has changed drastically. Back in the ’90s and early 2000s, we didn’t have this many channels or platforms. Today, OTT has taken over in a big way. There’s so much variety that audience loyalty is scattered. The TRP game has shifted. It’s not about quality alone—luck and timing play a big role.”

Delnaaz Irani also reflected on her experience with the beloved historical comedy “Akbar Birbal.” She called it one of the most special projects of her career, having been part of the popular TV series for nearly three years. The Kal Ho Naa Ho actress expressed a deep sense of pride in revisiting the same role for the stage version, calling it a full-circle moment.

Speaking about the challenges of live comedy, Delnaaz shared that the stage has always been home for her. With her acting roots grounded in theatre, she finds performing comedy in front of a live audience not just effortless but immensely enjoyable. “Comedy has always come naturally to me. I started my journey from the stage; that’s where my acting roots are. The stage was my school, my training ground. So, for me, doing comedy on stage doesn’t feel like work—it feels like play, like I’m just having fun.”

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Pankaj Tripathi talks about how growing up in Bihar influenced his craft

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Mumbai, June 24: Acclaimed star Pankaj Tripathi has opened up about how his growing up days in Bihar influenced his craft in acting.

Talking about how growing up in Bihar has influenced his craft, Pankaj told IANS: “Of course it has. That will happen. We are nothing. We are puppets of our experience. So my experience, everyone’s experience, not mine, where I was born, where I grew up, my experience is in my work.”

Pankaj added: “Even if I was in corporate, or in any other field, I would still be there because I am in acting, I am in art, and in this, our art form, performing art, is very close to human emotion and nature.”

“If we leave singing, everyone has an instrument, if we leave singing. In the art form of acting, the instrument is your experience, your body, your emotions.Through that we create something. Yes. So the experience we have, we recall that memory and put it in scenes and films.”

The actor currently awaits the release of “Metro…In Dino,” which delves into the complex and modern relationships, the upcoming film promises an exploration of love, heartbreak, and human connection.

The film stars Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Pankaj Tripathi, Konkona Sen Sharma, Anupam Kher and Neena Gupta. Directed by Anurag Basu, the film will be in cinemas on July 4.

The film is a spiritual sequel to the 2007 film “Life in a… Metro” directed by Basu. Partly inspired by Billy Wilder’s romantic comedy film The Apartment, it features an ensemble cast of Dharmendra, Nafisa Ali, Shilpa Shetty, Kay Kay Menon, Shiney Ahuja, Irrfan Khan, Konkona Sen Sharma, Kangana Ranaut, and Sharman Joshi in lead roles.

It narrates the lives of nine people living in Mumbai and deals with topics such as extramarital affairs, sanctity of marriage, commitment phobia, and love.

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Shekhar Kapur explores the deep connection between creativity and mental health

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Mumbai, June 23: Veteran filmmaker Shekhar Kapur shared his thoughts on the relationship between creativity, mental health, and the nature of artistic genius.

Taking to Instagram, Kapur reflected on Vincent van Gogh’s iconic painting Starry Night, calling it “the world’s most valued painting,” and marveling at how it was created during one of the most turbulent phases in the artist’s life. In his post, he revealed that Gogh painted Starry Night while admitted to a mental asylum, a time marked by severe emotional struggles. He further reflected on the fact that while he can return to his “normal” self after storytelling, many legendary artists like Van Gogh struggled with mental illness, sometimes unable to make that switch.

Calling for a broader understanding of mental health, Shekhar Kapur challenged conventional definitions of normalcy and illness. Sharing photos of Vincent’s paintings, the Mr. India director wrote, “This is the world’s most valued painting. Starry Nights was painted by Van Gogh while he was in the mental asylum and at the height of his ‘mental illness.’ Van Gough’s bold, expressive brush created swirling patterns in the night sky. Physicians have long tried to solve the equations of fluid dynamics. Fluid dynamics represents the true nature of the universe. And according to them, apparently Van Gogh painted a true representation of fluid dynamics!” (sic)

“How does an artist reputed to be suffering from schizophrenia manage to capture the true nature of our universe?? Quite apart from examining the relationship between art and science, what I wonder about a lot is the relationship between schizophrenia and creativity. When I write a story, I am transformed into the world of my characters. To help me transport my readers/listeners to that world, I need to believe in that world myself. I need to transport myself to that world. I need to become my characters…. Am I then experiencing a schizoid state? When I am transported into different worlds, believing I am somewhere else and somebody else?”

His post further read, “Fortunately I am able to switch those characters off. And return to my normal state (whatever normal might be) … and yet artists like Van Gogh, who painted some of the greatest poets/artists in the world, have suffered from mental illness. not being able to switch back to normal (whatever normal might be)”

Shekhar Kapur ended his post adding, “In that case we need to redefine mental illnesses… we need to redefine what normal is… if all creativity happens beyond the normal… in a state that so many artists, dancers, musicians, and actors define as the ‘zone’ they tap into… Where is this zone? What do we tap into when we tell stories we believe in? When do we paint the nature of the universe as we see it? Is it a schizophrenic act? #Art #Schizophrenic #Schizophrenia.”

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