Bollywood
Diwali and ‘Sooryavanshi’ Promise Revival, Exhibitors Willing
There is a great sigh of relief in film exhibition circles as well as the film trade in general. With the green signal from the Maharashtra government to the cinemas to reopen from October 22 onwards, it is back to business for the film distribution and exhibition trade.
The cinemas in almost all states in the country were allowed to open up gradually, except in the state of Maharashtra. For the Bombay circuit, Mumbai city and suburbs contribute a big share to the box office. Besides, the city is also the heart of everything in Hindi films. No wise man with stakes in crores would want to release a film till the cinema lockdown is lifted in Maharashtra. Now that the new films are releasing in cinema halls, it is back to business for the film trade; back to business alright but, it is not yet back to business as usual.
Two new films released on October 22, the day cinemas reopened for the public, “Bhavai” and “Babloo Bachelor”. There is not much of a public response yet. I think the reopening as well as the opening features were not publicized enough or, rather, not at all. Was the flocking of crowds taken for granted? The reason to say so is that, had “Bhavai” released on OTT, it would have definitely received a much better response. And, that is because Pratik Gandhi, who plays the pivotal role in “Bhavai”, has established himself as a performing star material with “Scam 1992: The Harshad Mehta Story”. And, people would have wanted to watch “Bhavai” for his sake at least (which, they may eventually do).
Since, this is about cinemas reopening, the films released on October 22 were not even expected to draw crowds. Traditionally, pre Diwali fortnight has always been considered a dull period for film business. People’s priority is to plan for the Diwali celebrations, spend money towards that end and not on watching a movie.
Unfortunately, the new generation corporate honchos have neither been taught about traditions nor have they learnt from experience. Consumer goods or even luxury items may sell during this period (the period is all about adding comfort to your family and life). Even Diwali day won’t get you the desired footfalls except in some metros. So it has never been wise to release a new film on the eve of Diwali. Diwali is a family and social festival, outings happen thereafter. It is a wise decision to release “Sooryavanshi” on November 5, a day after Diwali.
The cinemas, especially some of the multiplex managements, did try to attract viewers with schemes for their opening fare, “Bhavai” and “Babloo Bachelor”. The schemes proved to be a bonus for the few who came and not a lure for others. It is not yet time for the cinema owners to rejoice even if the long awaited “Sooryavanshi”, which stars three (these kinds of multi-starrers have not been seen since the 1970s) top actors, Akshay Kumar, Ajay Devgn and Ranveer Singh. To add to that, it is a Rohit Shetty directorial film and he believes in delivering thorough entertainers.
“Sooryavanshi” is a high budget film and would need full capacity cinema screens to make its mark, for even if it collects between 90 per cent and 100 per cent, the real figures would amount to only half of that. And, this is because many states have allowed the cinemas to function but with the restrictions of filling only 50 per cent of the full capacity and that is not conducive to a good business for a film like “Sooryavanshi”.
But, the multiplexes, especially the top few chains, which call the shots, are acting pricey. Having come out of the year-and-a-half of lockdown, they have started dictating terms again with the makers of “Sooryavanshi”, the film which was held back for the same amount of time for the cinema release instead of going for the OTT! The multiplexes want “Sooryavanshi” to share the play time and screens 50:50 with the Hollywood release, “Eternals”. The multiplex managements’ contention is that Hollywood keeps them supplied all year long while a Hindi filmmaker gives just one film a year! Is the Hindi industry made of just one producer and one film a year?
The haggling has already started but this will definitely be a bad experience for the filmmakers. The market for Hollywood films has grown tremendously in India and their various dubbed versions in the regional languages has broadened the market for them. But, it makes little sense to sacrifice the potential of a major film like “Sooryavanshi”, that too during the Diwali festival, for a Hollywood film. It is rather selfish of cinema managements. The audience for “Eternal” is not going anywhere. The release of “Sooryavanshi” will also be the post Covid-19 pandemic test for the cinema business, it will determine if the people have come out of the pandemic fear. The film’s stay and the business at the box office will decide if the people are ready to take to cinema going, yet.
Least that is needed to boost people’s confidence some more is for the governments all over India, including and mainly Maharashtra, to allow the cinemas to function at 100 per cent occupancy as a Diwali bonus (the Delhi administration has done so this week.). Not only cinemas, all the trades will stand to gain. People have been thronging the local markets, and crowded transport services, restricting cinema occupancy to 50 per cent makes no sense, really.
Even as they start dictating terms, the exhibitors should understand that while they were facing a lockdown, a major alternate entertainment source had not only taken root but had also grown by leaps and bounds. And, that is a horde of OTT platforms with their huge repertoire from all over the world even as they go on adding the original Indian content. The OTT platforms have a lot of advantages when compared to cinemas in options, rates, comfort, sharing with family and friends and so on. The OTT needs a mention here because it brings back to mind when a Sunday evening telecast of a feature film on Doordarhan was a cause of noticeable drop in box office collections. Who could one complain to after all? Films telecast on Doordarhan were supplied by the filmmakers’ own brethren, all for Rs 3 lakh to Rs 5 lakh (middleman’s commission not excluded for nothing here worked without agents!) per telecast. If a Sunday telecast of an old film on Doordarshan affected collections, OTT is certainly going to be a bigger competition for the exhibition trade.
The OTT has managed to create its own star system (besides giving a chance to many out of work actors to showcase their talent and earn whose films would not get a fair playtime at cinemas). While the cinemas dig big star films, thinking that is their survival model, OTT don’t care for the lot. They seek content and have been successful to some extent. So far, all films had their only outlet in cinema screens. The cinemas played hard to get for small films though without them it would be hard for cinemas to fill up their 52-week playtime. After all, how many big films release a year, 6 or 12? These small films now make their films for and opt for OTT as the outlet. So, even while the exhibition trade may celebrate the reopening, they face new challenges and a rethink.
Cinema was called opium of the masses and the masses have long been driven away with the advent of multiplex and high admission rate exhibition trade. “Sooryavanshi” is expected to make the miracle happen if the exhibitors know what is good for them.
Bollywood
Actor Salim Kumar under expert medical supervision in Kochi hospital

Actor Salim Kumar under expert medical supervision in Kochi hospital Kochi, June 6 Popular Malayalam actor and National Award winner Salim Kumar has been admitted to Amrita Hospital in Kochi following health related concerns. The 56-year-old actor, who had been undergoing treatment for various health issues over the past few days, has been placed on ventilator support after doctors assessed his condition to be serious. A team of specialist doctors of the hospital is closely monitoring Salim Kumar’s health and continuing treatment. However, hospital authorities and family members have not released detailed information about his present medical condition.
Salim Kumar has been facing liver-related health issues for the past few years. The actor had earlier spoken about being diagnosed with liver cirrhosis and clarified that the condition was not related to alcohol consumption but was a hereditary health issue. He had revealed that his brother, who did not even consume tea, had also suffered from a similar condition.
Salim Kumar had also spoken about the emotional challenges he faced while dealing with his illness, including periods of isolation and personal struggles related to the deadly disease. Known for his exceptional comic timing and natural style of acting, Salim Kumar has been one of the most popular and versatile performers in Malayalam cinema. Starting his career with comedy roles, he later established himself as a serious actor through powerful character portrayals.
His performance in films across different genres earned him critical acclaim, and he went on to win the National Film Award for Best Actor for his role in ‘Adaminte Makan Abu’. He has also been recognised with several state and film awards for his contribution to Malayalam cinema. The news of his hospitalisation has led to an outpouring of support from colleagues, fans and well-wishers, who have expressed hope for his recovery. Known for his liking for the Congress party, the hugely popular actor has time and again come out in support of the party, especially during the election times.
Bollywood
Don 3 Row: FWICE Withdraws Non-Cooperation Directive Against Ranveer Singh Following Legal Notice, Says ‘No One Has Won Or Lost’

Actor Ranveer Singh received major relief in the ongoing Don 3 controversy, with the Federation of Western India Cine Employees (FWICE) officially withdrawing its non-cooperation directive against him. The decision was announced on Wednesday (June 3) after discussions involving several key industry bodies, including the Indian Motion Picture Producers’ Association (IMPPA), the Producers Guild of India (PGI) and the Cine & TV Artistes’ Association (CINTAA).
The move comes days after FWICE issued the directive over Ranveer’s reported exit from Farhan Akhtar’s much-awaited film Don 3. The matter later escalated when the actor sent a legal notice to the organisation.
Speaking to reporters, FWICE president BN Tiwari confirmed that the directive had been revoked with immediate effect.
“We are taking back our non cooperative directive from immediate effect after a request by IMPAA, the producers’ guild and CINTAA. We have been told that we should all sit together with the producers’ body and take an appropriate decision where neither the producers and directors nor the actor face any issues,” FWICE president BN Tiwari told reporters in Mumbai, according to PTI.
Tiwari also clarified that the organisation does not view the development as a victory or defeat for either side. “No one has won or lost in this matter. Our legal department will respond to his legal notice,” he added.
The controversy began on May 25 when FWICE announced a non-cooperation directive against Ranveer following a complaint filed by Farhan and his producing partner Ritesh Sidhwani with the Indian Film and Television Directors’ Association (IFTDA).
The matter was subsequently referred to FWICE for intervention.
According to reports, Don 3 has been in development for nearly three years and is yet to go on floors. The producers have reportedly claimed that more than Rs 45 crore has already been invested in the film’s pre-production process.
Amid the growing dispute, Ranveer Singh chose not to comment publicly on the issue. However, his spokesperson issued a statement emphasizing the actor’s respect for everyone associated with the project and the film industry.
“Throughout the recent developments surrounding ‘Don 3’, he has consciously chosen to maintain silence, believing that professional discussions and personal equations are best handled with dignity, maturity and mutual respect,” the statement said.
The spokesperson also stated that Singh continues to hold “deep respect and goodwill” for all those connected to the film and the industry.
Bollywood
Jacqueline Fernandez did not cooperate during probe: ED tells Delhi court

New Delhi, May 11: The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.
Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA).
The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar.
Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents.
According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities.
After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12.
The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts.
In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED.
Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime.
The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand.
The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness.
The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf.
The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth.
The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows.
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