Bollywood
Diwali and ‘Sooryavanshi’ Promise Revival, Exhibitors Willing
There is a great sigh of relief in film exhibition circles as well as the film trade in general. With the green signal from the Maharashtra government to the cinemas to reopen from October 22 onwards, it is back to business for the film distribution and exhibition trade.
The cinemas in almost all states in the country were allowed to open up gradually, except in the state of Maharashtra. For the Bombay circuit, Mumbai city and suburbs contribute a big share to the box office. Besides, the city is also the heart of everything in Hindi films. No wise man with stakes in crores would want to release a film till the cinema lockdown is lifted in Maharashtra. Now that the new films are releasing in cinema halls, it is back to business for the film trade; back to business alright but, it is not yet back to business as usual.
Two new films released on October 22, the day cinemas reopened for the public, “Bhavai” and “Babloo Bachelor”. There is not much of a public response yet. I think the reopening as well as the opening features were not publicized enough or, rather, not at all. Was the flocking of crowds taken for granted? The reason to say so is that, had “Bhavai” released on OTT, it would have definitely received a much better response. And, that is because Pratik Gandhi, who plays the pivotal role in “Bhavai”, has established himself as a performing star material with “Scam 1992: The Harshad Mehta Story”. And, people would have wanted to watch “Bhavai” for his sake at least (which, they may eventually do).
Since, this is about cinemas reopening, the films released on October 22 were not even expected to draw crowds. Traditionally, pre Diwali fortnight has always been considered a dull period for film business. People’s priority is to plan for the Diwali celebrations, spend money towards that end and not on watching a movie.
Unfortunately, the new generation corporate honchos have neither been taught about traditions nor have they learnt from experience. Consumer goods or even luxury items may sell during this period (the period is all about adding comfort to your family and life). Even Diwali day won’t get you the desired footfalls except in some metros. So it has never been wise to release a new film on the eve of Diwali. Diwali is a family and social festival, outings happen thereafter. It is a wise decision to release “Sooryavanshi” on November 5, a day after Diwali.
The cinemas, especially some of the multiplex managements, did try to attract viewers with schemes for their opening fare, “Bhavai” and “Babloo Bachelor”. The schemes proved to be a bonus for the few who came and not a lure for others. It is not yet time for the cinema owners to rejoice even if the long awaited “Sooryavanshi”, which stars three (these kinds of multi-starrers have not been seen since the 1970s) top actors, Akshay Kumar, Ajay Devgn and Ranveer Singh. To add to that, it is a Rohit Shetty directorial film and he believes in delivering thorough entertainers.
“Sooryavanshi” is a high budget film and would need full capacity cinema screens to make its mark, for even if it collects between 90 per cent and 100 per cent, the real figures would amount to only half of that. And, this is because many states have allowed the cinemas to function but with the restrictions of filling only 50 per cent of the full capacity and that is not conducive to a good business for a film like “Sooryavanshi”.
But, the multiplexes, especially the top few chains, which call the shots, are acting pricey. Having come out of the year-and-a-half of lockdown, they have started dictating terms again with the makers of “Sooryavanshi”, the film which was held back for the same amount of time for the cinema release instead of going for the OTT! The multiplexes want “Sooryavanshi” to share the play time and screens 50:50 with the Hollywood release, “Eternals”. The multiplex managements’ contention is that Hollywood keeps them supplied all year long while a Hindi filmmaker gives just one film a year! Is the Hindi industry made of just one producer and one film a year?
The haggling has already started but this will definitely be a bad experience for the filmmakers. The market for Hollywood films has grown tremendously in India and their various dubbed versions in the regional languages has broadened the market for them. But, it makes little sense to sacrifice the potential of a major film like “Sooryavanshi”, that too during the Diwali festival, for a Hollywood film. It is rather selfish of cinema managements. The audience for “Eternal” is not going anywhere. The release of “Sooryavanshi” will also be the post Covid-19 pandemic test for the cinema business, it will determine if the people have come out of the pandemic fear. The film’s stay and the business at the box office will decide if the people are ready to take to cinema going, yet.
Least that is needed to boost people’s confidence some more is for the governments all over India, including and mainly Maharashtra, to allow the cinemas to function at 100 per cent occupancy as a Diwali bonus (the Delhi administration has done so this week.). Not only cinemas, all the trades will stand to gain. People have been thronging the local markets, and crowded transport services, restricting cinema occupancy to 50 per cent makes no sense, really.
Even as they start dictating terms, the exhibitors should understand that while they were facing a lockdown, a major alternate entertainment source had not only taken root but had also grown by leaps and bounds. And, that is a horde of OTT platforms with their huge repertoire from all over the world even as they go on adding the original Indian content. The OTT platforms have a lot of advantages when compared to cinemas in options, rates, comfort, sharing with family and friends and so on. The OTT needs a mention here because it brings back to mind when a Sunday evening telecast of a feature film on Doordarhan was a cause of noticeable drop in box office collections. Who could one complain to after all? Films telecast on Doordarhan were supplied by the filmmakers’ own brethren, all for Rs 3 lakh to Rs 5 lakh (middleman’s commission not excluded for nothing here worked without agents!) per telecast. If a Sunday telecast of an old film on Doordarshan affected collections, OTT is certainly going to be a bigger competition for the exhibition trade.
The OTT has managed to create its own star system (besides giving a chance to many out of work actors to showcase their talent and earn whose films would not get a fair playtime at cinemas). While the cinemas dig big star films, thinking that is their survival model, OTT don’t care for the lot. They seek content and have been successful to some extent. So far, all films had their only outlet in cinema screens. The cinemas played hard to get for small films though without them it would be hard for cinemas to fill up their 52-week playtime. After all, how many big films release a year, 6 or 12? These small films now make their films for and opt for OTT as the outlet. So, even while the exhibition trade may celebrate the reopening, they face new challenges and a rethink.
Cinema was called opium of the masses and the masses have long been driven away with the advent of multiplex and high admission rate exhibition trade. “Sooryavanshi” is expected to make the miracle happen if the exhibitors know what is good for them.
Bollywood
Jacqueline Fernandez did not cooperate during probe: ED tells Delhi court

New Delhi, May 11: The Enforcement Directorate (ED) on Monday opposed Bollywood actor Jacqueline Fernandez’s plea seeking to turn approver in the Rs 200 crore money laundering case linked to alleged conman Sukesh Chandrashekhar, telling a Delhi court that her conduct during the investigation was “not satisfactory” and that she failed to fully cooperate with the probe.
Appearing before the Patiala House Court, the federal anti-money laundering agency contended that Jacqueline did not make a “full and true disclosure” in her statements recorded under Section 50 of the Prevention of Money Laundering Act (PMLA).
The ED said that during the course of the investigation, Jacqueline’s conduct was not cooperative as she “consistently failed to make full and truthful disclosures” in connection with the proceeds of crime allegedly generated by Chandrashekhar.
Opposing her plea to become a prosecution witness, the ED further alleged that Jacqueline continued to remain in regular contact with Chandrashekhar even after becoming aware of his criminal antecedents.
According to the probe agency, Chandrashekhar had arranged “all benefits, gifts and valuables” for Jacqueline out of the proceeds of crime generated through the alleged money laundering activities.
After hearing the submissions, the Patiala House Court granted time to Jacqueline Fernandez’s counsel to file a rejoinder to the ED’s reply and posted the matter for further hearing on May 12.
The ED has accused Jacqueline of allegedly receiving luxury gifts worth around Rs 7 crore from Chandrashekhar. However, the actor has consistently maintained that she had no knowledge about his alleged criminal activities or the source of the money used for those gifts.
In September last year, the Supreme Court had declined to entertain Jacqueline Fernandez’s plea seeking the quashing of the money laundering proceedings initiated against her by the ED.
Senior advocate Mukul Rohatgi, appearing for Jacqueline before the apex court, had argued that she could not be prosecuted under Sections 3 and 4 of the PMLA as she had no knowledge that the gifts received from Chandrashekhar were proceeds of crime.
The Justice Datta-led Bench, however, referred to the Supreme Court’s judgment in the Vijay Madanlal Choudhary case, upholding the ED’s powers under the PMLA and observed that allegations at the stage of framing of charges must be accepted as they stand.
The ED has filed multiple charge sheets in the case and named Jacqueline Fernandez as an accused in a supplementary prosecution complaint, while another Bollywood actor, Nora Fatehi, was examined as a witness.
The probe agency has alleged that Chandrashekhar’s aide Pinky Irani facilitated the delivery of luxury gifts and expensive items to Jacqueline on his behalf.
The money laundering case stems from allegations that Chandrashekhar cheated the wives of former Ranbaxy promoters Shivinder Singh and Malvinder Singh of nearly Rs 200 crore. However, Fernandez maintained that she had no role in laundering Chandrashekhar’s alleged illegal wealth.
The 40-year-old Sri Lankan actress, who entered Bollywood after winning the Miss Universe Sri Lanka crown in 2006, has been a prominent figure in Hindi cinema for over a decade, also featuring in music videos and reality shows.
Bollywood
Asha Bhosle’s son says last respects to be paid at residence in Lower Parel, followed by last rites at Shivaji Park

Mumbai, April 12: Legendary playback singer Asha Bhosle’s son Anand Bhosle has shared that the last respects will be held at her residence in Lower Parel.
Speaking to the media, he said, “My mother passed away today. People can pay their last respects to her at 11:00 am tomorrow at Casa Grande, Lower Parel, where she lived. Her last rites will be performed at 4 pm tomorrow at Shivaji Park”.
Her elder sister, Lata Mangeshkar, who was a Bharat Ratna awardee was also cremated at the Shivaji Park in 2022.
Asha Bhosle passed away at the age of 93 in Mumbai on Sunday. The singer was admitted to the Breach Candy Hospital on Saturday. Ashish Shelar, the Culture Minister of Maharashtra made the announcement outside the hospital. Her last rites will be held at Shivaji Park on Monday at 4:00 pm.
One of the most influential singers of her time, Asha Bhosle, sang her first song as a playback for the 1943 Marathi drama ‘Majha Bal’. She is known for lending her voice to some noteworthy numbers such as ‘Chura Liya Hai Tumne Jo Dil Ko’, ‘Do Lafzon Ki Hai Dil Ki Kahani’, ‘Kya Ghazab Karte Ho Ji’, ‘O Haseena Zulfonwale Jane Jahan’, and ‘Ye Ladka Hay Allah Kaisa Hai Diwana’, to name just a few. Along with Hindi, she has sung in around 20 Indian and foreign languages.
In 2006, Asha Bhosle herself disclosed that she has almost 12,000 songs to her credit. During her tenure as a singer spanning several decades, Asha Bhosle has worked with many acclaimed music composers such as Shankar-Jaikishan, RD Burman, OP Nayyar, Ilaiyaraaja, Bappi Lahiri, and AR Rahman. She received numerous awards throughout her career for many of her noteworthy songs. The singer was given the prestigious Dadasaheb Phalke Award back in 2000, followed by a Padma Vibhushan in 2008.
Bollywood
‘Dhurandhar 2 Is A Pakistani Film, Why Show It To People Of Hindustan?’ Samajwadi Party MLA Abu Azmi Slams Ranveer Singh Starrer Movie

Mumbai: Samajwadi Party MLA Abu Azmi on Friday slammed the Ranveer Singh starrer Dhurandhar 2, calling it ‘a false film’ made to spread hatred. Azmi added that the film is about Pakistan and questioned why it is being shown to audiences in India. His statements came as the release of ‘Dhurandhar: The Revenge’ triggered fresh controversy, with religious leaders raising concerns over its content.
While speaking to media, he questioned, “This film is made only to spread hatred, it is a false film. It is a Pakistani film, so why not show it to the people of Pakistan? Why show the people of Hindustan?”
Azmi accused the film of defaming Muslims, as he alleged that the movie focuses only on a few criminals while ignoring the many major crimes that have occurred in India.
Earlier, SP MLA Rais Shaikh had criticised the film and raised concerns saying that cinema should entertain, not become a tool for propaganda. Taking to his official handle on X (Formerly Twitter), Shaikh claimed that films like Dhurandhar blur the line between storytelling and political messaging, calling the film an agenda, not an art. “Films like #Dhurandhar blur the line between storytelling and political messaging, repeatedly glorifying one government. This isn’t art, it’s agenda,” he wrote.
AIMIM leader Waris Pathan stated movies should ideally provide knowledge and entertainment, alleging that some filmmakers create such content for monetary gain while spreading negativity against a specific community.
Despite the controversy, the film garnered a massive box office collection by crossing the Rs 100 crore mark on Day 1 itself. With this, the film’s total collection now stands at a staggering Rs 145.55 crore (all languages), setting the tone for a blockbuster run ahead.
During the paid previews on March 18, the film faced cancellations and delays across India. Not just this, Director Aditya Dhar also issued an apology to the audience after last-minute cancellations and delays.
Directed by Aditya Dhar, Dhurandhar 2 is a spy action thriller that stars Ranveer Singh, Akshaye Khanna, R. Madhavan, Arjun Rampal, Sanjay Dutt, and Sara Arjun. Dhurandhar 2 offers a glimpse into Ranveer’s character, undercover agent Jaskirat Singh Rangi, who is fully embedded in the criminal underworld under the alias Hamza Ali Mazari. It also depicts his ascension to the role of the new Sher-e-Baloch and his ascendancy as the undisputed king of Lyari, as the actor unleashes his full intensity after eliminating Akshaye Khanna’s character, Rahman Dakait, in the first part.
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