Bollywood
2nd Test: Joe Root, Dan Lawrence put dominant England on top in Barbados

Skipper Joe Root scored the 25th century of his Test career and Dan Lawrence contributed 91 as England controlled the opening day of the second Test against West Indies here.
With the series all-square after a draw in Antigua, England moved into a strong first-innings position at the Kensington Oval thanks to a Root hundred and a fine half-century from Lawrence.
A wicket in the final over of the day saw Lawrence (91) miss out on the chance to bring up his first Test century, but Root will resume unbeaten on 119 with England on 244/3 at the close.
Ben Stokes will join Root at the crease for the start of Day Two, with England on 244 and with seven wickets remaining.
Earlier, the opening day of the Barbados Test started on a disappointing note for the tourists, with captain Root being forced to name a late change to the starting XI, with an unwell Craig Overton replaced by Matthew Fisher for a Test debut.
Fishe’s introduction meant that England are fielding two debutants in their seam attack, with Saqib Mahmood having already been confirmed as the replacement for an injured Mark Wood. But a green England seam attack were given time to put their feet up in the dressing room when Root won the toss and opted to bat first on what appears to be a benign surface in Bridgetown, said a report on the ICC website.
England’s troubles continued in the first session as Jayden Seales struck early to give the hosts a strong start in front of a packed and largely England-supporting crowd, removing Zak Crawley for a seven-ball duck.
But a patient partnership between Alex Lees and Root saw England through to 47/1 at lunch, with the scoring rate at well under two-an-over after the morning session. Root cruised through the gears after the inte’val, but Lees’ obstinate knock came to an end the ball after his captain had reached 50, with the Durham opener trapped in-front by spinner Veerasammy Permaul for a 138-ball 30.
New batter Lawrence had shown attacking flair and a selfless attitude in his second-innings cameo in Antigua, and showed similar positive intent right from the off in Barbados, stroking two fours to quickly reach double figures.
A fluent partnership developed between Root and the prodigious 24-year-old to take England to 136/2 by tea.
The rate of scoring increased markedly immediately after the tea break, with the pair racing towards their respective milestones and reaching them in consecutive deliveries. Lawrence brought up his fourth 50 in Test cricket with a pull around the corner for a single off the first ball of a Seales over, with the half-century coming off just 62 balls. And Root latched onto a bumper next up to flick away a single of his own to bring up his second century of the series and the 25th of his career.
The partnership blossomed from there as England built on the platform that Lees and Root had set in the morning session, and the English made hay.
Lawrence was given a reprieve when a takeable chance was put down by Alzarri Joseph off a frustrated Seales, with the drop not improving the mood of a tiring West Indian bowling attack. And a five-over burst with the new ball didn’t look like being enough to unsettle the England duo, as an increasingly well-oiled and boisterous traveling fanbase serenaded the pair in the middle.
But Lawrence, who had crunched back-to-back fours during the final over from Jason Holder, fell to the penultimate ball of the day for a career-best Test score of 91, finishing agonisingly short of his first Test century.
England are looking forward to continuing their domination on Day Two and put up a big total so that they don’t have to bat again in this Test.
Bollywood
Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.
Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.
Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”
The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”
In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”
“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.
Bollywood
Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.
Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.
The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”
In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”
A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).
The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.
Bollywood
Singer Rochak Kohli shares how AI is empowering musicians

Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.
In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.
“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”
When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”
Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”
Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”
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