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Sushant Singh Rajput Death Case: CBI Closure Report Vindicates Bandra Police’s Investigation, Confirms No Foul Play

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Mumbai: The Central Bureau of Investigation’s (CBI) closure report in the case of actor Sushant Singh Rajput, 34, vindicates that the Bandra Police’s investigation was headed in the right direction at the time. Five years after the actor’s death, the CBI recently submitted closure reports in two related cases at the Metropolitan Magistrate Court, Bandra, including the one concerning his death in June 2020.

Agency officials confirmed that their investigation found no foul play in his demise, calling it “a simple case of suicide.” This report supports the Bandra Police’s initial investigation and affirms that their inquiry was on the right track before the case was transferred to the CBI.

On June 14, 2020, Sushant Singh Rajput’s body was found at his rented apartment in Bandra West. At that time, the Bandra Police registered an Accidental Death Report (ADR).

However, several politicians, a few celebrities, a few media personalities, and a section of society questioned the Mumbai Police’s investigation, alleging that the actor had been murdered or driven to suicide. Eventually, after conducting its investigation, the CBI found no evidence of foul play and closed the case.

The CBI’s closure report has reinforced that the Bandra Police’s initial investigation was thorough and correctly directed. The Bandra Police had registered the ADR and investigated the matter for 46 days before the case was handed over to the CBI.

During those 46 days, some politicians, celebrities, and sections of the media cast doubts on the credibility of the Mumbai Police, attempting to tarnish its image. However, in the end, it has been proven that their investigation was thorough and impartial.

One of the prime investigating officers (Bandra police) of the case, who was among the first to arrive at the scene after the actor’s death, spoke after the closure report was filed, “I was 100% confident in the findings mentioned in the CBI’s report, and my seniors trusted my investigation. I thank the CBI, but I wish the results had come earlier—it has now been almost five years. I investigated only the ADR, not the other related cases. Officers who handle an investigation from the beginning always know everything. My inquiry was based on the post-mortem report. At that time, many different angles emerged, and we examined all of them thoroughly.”

He further added, “The CBI is also part of the police force, and they conducted a good investigation. When the case was transferred to the CBI, I had no issue because they, too, are part of the same law enforcement system. Whether we work under the central or state government, we belong to the same fraternity. I had a good experience working with the CBI. The Mumbai Police never faced political pressure. However, various illogical theories surfaced in the media and on social media, and the COVID-19 pandemic was also ongoing at the time. Despite all this, nothing impacted our investigation.”

Bhushan Belnekar was the investigating officer in the actor’s ADR case. Along with him, Padmakar Devre, Senior Police Inspector Nikhil Kapse, PSI Ekta Pawar, and Sub-Inspector Vaibhav Jagtap were part of the investigative team. Belnekar, Devre, and Kapse have since retired.

Another police officer from the Bandra Police investigation team stated, “This report proves that our investigation was on the right track. No political agenda influenced us. During our inquiry, we considered all the angles raised by the media and social media. We did not overlook a single possibility and examined every aspect thoroughly. From the beginning, the circumstances, medical reports, and forensic analysis indicated that it was a case of suicide.”

He further mentioned, “The pandemic posed an additional challenge for us. We conducted our investigation based on the available inputs. Many theories emerged, but we found no evidence to support the murder theory or abetment of suicide or murder. All case records have been maintained. At that time, his relatives immediately did not file any complaints.”

When asked whether the Mumbai Police’s morale was affected after the case was transferred to the CBI, he responded, “Our morale was not affected. In fact, we believed that the CBI would conduct a thorough investigation, and now their findings have validated our work.”

The actor used to stay in his sixth-floor duplex flat at Mont Blanc Apartments near Joggers’ Park in Bandra West, where his body was found on June 14, 2020.

Entertainment

Delhi HC issues summons on Kangana Ranaut’s plea seeking protection of personality rights

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New Delhi, Oct 8: Actress and BJP MP Kangana Ranaut has approached the Delhi High Court seeking protection of her personality and publicity rights against the alleged unauthorised use and misuse of her identity, including through pornographic and obscene content posted across digital platforms.

A single-judge Bench of Justice Vikas Mahajan issued summons in the suit and also issued notice on the interim injunction application filed by the actress.

During the proceedings, counsel appearing for Ranaut submitted that she was aggrieved by pornographic and obscene content posted against her on social media.

The High Court asked Ranaut’s counsel to provide the names of the defendants against whom a takedown order was being sought, indicating that an appropriate order may be passed on the interim injunction application after the details are furnished.

It also directed the actress’ counsel to file a revised memo of parties after certain defendants were removed from the proceedings.

The matter has now been listed for further hearing on February 3, 2027.

The development comes amid a growing number of personality rights disputes before the Delhi High Court involving allegations of AI-generated impersonation, deepfakes, fake endorsements and unauthorised commercial exploitation of public figures’ identities.

In recent months, former cricketer Gautam Gambhir, former India captain Sunil Gavaskar, spiritual leader Sri Sri Ravi Shankar, actors Arjun Kapoor, Allu Arjun, Nagarjuna, Varun Dhawan, Kajol, Aishwarya Rai Bachchan and Abhishek Bachchan, singer Jubin Nautiyal, filmmaker Karan Johar, podcaster Raj Shamani, Congress MP Shashi Tharoor and actor Naga Chaitanya have secured or sought court protection against the unauthorised use of their identity, likeness or AI-generated imitations.

The Delhi High Court had recently passed an interim order directing the removal of certain objectionable online content featuring Bollywood actress Tabu while hearing her suit seeking protection of her personality and publicity rights against the unauthorised use of her identity across digital platforms.

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‘Welcome’ director Anees Bazmee requests privacy after Nana Patekar demise, says ‘not in a condition to talk’

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Mumbai, Oct 8: Filmmaker Anees Bazmee has requested the media to give him some time to process the demise of veteran actor Nana Patekar.

The two shared a memorable professional association through the iconic movie Welcome, where Bazmee directed Patekar in the role of the iconic Uday Shetty.

Following the actor’s death, the director shared a note saying that he was deeply saddened and was currently not in a condition to speak about the loss.

Sharing a message on his social media account, he addressed his media friends and wrote, “To all my media friends, I’m really sorry, but I’m not in a condition to talk right now. I’m deeply saddened and still unable to process what has happened. Please give me some time. I genuinely don’t have the words or the state of mind to say anything at the moment. This is an unbearable loss and an unbearable pain for me and for all of us. I hope you understand.

Regards, Anees Bazmee.”

Talking about Anees Bazmee and Nana Patekar, they came together for the 2007 comedy Welcome, which went on to become one of Hindi cinema’s most beloved comedies.

Nana Patekar played Uday Shankar Shetty, a feared underworld don who, despite his intimidating persona, is deeply concerned about finding a suitable husband for his sister Sanjana, played by Katrina Kaif.

Anees Bazmee, in an old interview had recalled how he convinced Nana Patekar, an actor predominantly known for intense dramatic performances, to take up a comedy role.

He said he believed the legendary actor would be exceptional at comedy. Nana Patekar eventually agreed after reading the script, famously telling Anees Bazmee that he was like “kachhi mitti” and could be moulded by the director.

The collaboration resulted in one of Nana Patekar’s most memorable comic performances. His chemistry with Anil Kapoor, who played Majnu Bhai, became a major highlight of the film.

Nana Patekar’s Uday Shetty became particularly popular for his fine acting and dialogue delivery. The now-iconic “Control Uday, control” became one of the film’s most recognisable lines and turned into a popular meme.

Another unforgettable moment was Uday’s vegetable-selling sequence, with the dialogue “Aloo le lo, kaanda le lo…”, followed by his ““Subah se na ek aloo bika hai, na bika hai aadha kanda!”, ” went on to become a cult moment.

Earlier, Akshay Kumar, who shared screen space with the legendary actor in Welcome and later reunited with him in Housefull 5, also paid an emotional tribute.

For the uninitiated, Nana Patekar passed away on October 8, 2026, at the age of 75, after suffering a cardiac arrest at his residence in Dona Paula, Goa.

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Entertainment

Will be remembered for his good work for farmers’ welfare and great acting: NDA leaders pay their respects to Nana Patekar

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New Delhi, Oct 8: NDA leaders on Thursday expressed grief over the demise of Nana Patekar and said that the veteran actor was conscious about the welfare of society and it was one of his core values. They further added that the actor will be remembered fondly for his good works and also for his contribution to Hindi and Marathi cinema.

Union Minister Nitin Gadkari said, “He was a very close personal friend, and our families have shared a relationship for many years. He did a lot of work for farmers, water conservation, and those affected by farmer suicides with great sensitivity. Social consciousness, social responsibility, and sensitivity towards society were special qualities of his personality. We will remember his work in Hindi and Marathi cinema for many years. He added that his contribution to Hindi and Marathi cinema will be remembered for a long time.”

Uttar Pradesh Deputy Chief Minister Keshav Prasad Maurya said, “He was a very prominent name in the world of cinema. Whether Marathi-speaking or Hindi-speaking, everyone watched and loved him. We mourn the demise of Nana Patekar ji and pray to God to grant him a place at His feet.”

Uttar Pradesh Deputy Chief Minister Brajesh Pathak said, “This is very sad. When we all received the news of the incident, we were deeply shocked. Nana Patekar’s entire life was dedicated to the film industry, India and Indian culture. His acting left such a lasting impression that people from all sections of society accepted and appreciated him.”

UP Minister O.P. Rajbhar expressed grief over the demise of the brilliant actor and said, “It is a sad incident…We pray to God to give his family the strength to bear this loss. On my behalf, on behalf of my party and the people of the state, I pay tribute to him.”

Bihar minister Ram Kripal Yadav said, “Nana Patekar’s demise is a loss for the country and a major loss for the artistic community. He rose to prominence through the film and theatre world and was a very talented artist. No amount of praise can do justice to his art and acting. Through his characters, he highlighted the ills of society. We pay our heartfelt tributes to him and pray to God for the peace of his soul.”

Punjab Governor Gulab Chand Kataria said that the demise of Nana Patekar was tragic. Calling him one of the greatest Bollywood celebrities, he paid his respects and tribute to him.

Maharashtra Minister Ashish Shelar said, “He was an artist who overcame adverse conditions and left a mark on people through his acting skills. His characters made an impact.”

In a career spanning over four decades, Nana Patekar made a name with his powerful performances across Hindi and Marathi cinema. He made his Hindi film debut with ‘Gaman’ in 1978 and went on to become one of his generation’s most respected performers.

Nana’s breakthrough came with films such as ‘Salaam Bombay!’ and ‘Parinda’. He went on to deliver strong performances in films including ‘Angaar’, ‘Tirangaa’, ‘Krantiveer’, ‘Agni Sakshi’, ‘Khamoshi: The Musical’, ‘Yeshwant’, ‘Ab Tak Chhappan’, ‘Apaharan’ and ‘Raajneeti’.

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