Bollywood
‘Match Fixing – The Nation at Stake’: A Gripping Political Thriller That Unravels Dark Truths
Director: Kedaar Gaekwad , Producer: Pallavi Gurjar, Cast: Vineet Kumar Singh, Anuja Sathe, Manoj Joshi, Raj Arjun, Shataf Figar, Lalit Parimoo and Kishore Kadam, Duration: 2h26m, Rating: 4 stars.
‘Match Fixing – The Nation at Stake’ is based on a book ‘The Game Behind Saffron Terror’ written by an ex-army officer, Col. Kanwar Khatana. This gripping yet controversial political thriller unfolds the intricate web of Indo-Pak politics. The film dramatizes a series of devastating terror attacks that shook India between 2004 and 2008, culminating in the catastrophic 26/11 Mumbai attacks.
The opening scenes of the film, pack a punch, drawing viewers into a complex web of conspiracies and parallel plots. As the story unfolds, closed-door meetings between Indian and Pakistani politicians and leaders reveal a shocking agenda – to malign the reputation of Hindus by concocting the term “Saffron Terror” for the sake of vote-bank politics.
The film’s first half masterfully sets the tone, weaving together multiple subplots in India and Pakistan, while introducing the protagonist who is an undercover army officer from intelligence. He has become a thorn in the flesh of those who are hell bent on spreading the false narrative of Saffron Terror. The ominous Samjhauta Express and Malegoan blasts serve as bookends to this half.
As the narrative unfolds, the second half becomes increasingly engrossing, with the antagonists meticulously planning their final, devastating attack. The culmination is expertly handled as the protagonist hands are tied. All of this leads to a thought-provoking and impactful conclusion that lingers long after the credits roll, leaving audiences to ponder and deliberate.
The producer Pallavi Gurjar has not only chosen an extremely powerful subject but also facilitated high production values to the film, bringing the necessary gravitas to this important subject.
The film’s creative brilliance is largely attributed to Director and DOP Kedaar Gaekwad, whose storytelling seamlessly brings together political intrigue, complex characters, and real-life events. His cinematography is a visual treat, making the film an unforgettable viewing experience.
Vineet Kumar Singh’s portrayal of Col. Avinash Patwardhan – the protagonist is pitch perfect. After Mukkabaaz and Gangs of Wasseypur, Vineet gives one of the finest performances of his career. Vineet shines with his remarkable portrayal, effortlessly transitioning between roles as an undercover agent, army officer, and devoted family man, showcasing his impressive range and versatility as an actor.
Vineet is ably supported by an ensemble cast of distinguished actors. Anuja Sathe, as his wife, plays the perfect counterbalance with her solid yet restrained performance.
Veteran actors Manoj Joshi and Kishore Kadam deliver standout performances, bringing to life complex and unconventional characters with convincing authenticity and depth.
Shataf Figar’s towering personality, Elena Tutteja’s uncanny resemblance, Ramanjit Kaur’s intensity and Lalit Parimoo’s effortlessness are noteworthy.
The surprise package of the film is Raj Arjun. His outstanding portrayal of a Pakistani Colonel is nuanced and multifaceted. He masterfully provides justification and motivation to his character’s actions, avoiding stereotypes with remarkable subtlety.
The film’s location and production design teams have meticulously recreated the era with remarkable accuracy. The makers have ensured authenticity, accurately replicating army protocols with attention to detail in every frame.
Anuj S. Mehta’s exceptional screenplay weaves a riveting narrative, expertly intertwining multiple plot threads, characters, and layers. Sameer Garud’s razor-sharp dialogue and incisive character interactions. The writing team pack a lasting punch, lingering in the viewer’s mind long after the credits roll.
Ashish Mhatre’s crafts a thrilling narrative with his sharp editing, skillfully balancing tension and comprehension of such a complex subject. Thankfully the film never digresses into unnecessary subplots and largely remains focused to the central plot.
Rimi Dhar has composed two songs for the film. While the first is an electrifying anthem sung by Daler Mehendi, the second is a melodious composition which takes the story forward in flashback. Hrishi Girdhar’s background score is a standout, enhancing each scene.
‘Match Fixing – The Nation’ at Stake is a must watch for those who love intense political thrillers which are entangled in terrorism and conspiracy theories.
Bollywood
Somy Ali on Aamir Khan’s wedding with Gauri: ‘It’s never too late to choose happiness’

Mumbai, July 4: Former actress Somy Ali has reacted to Aamir Khan’s wedding with Gauri Spratt, scheduled to take place on July 5.
She shared a heartfelt message for the couple, saying it is “never too late to choose happiness.” Extending her best wishes, Ali expressed hope that they embark on a joyful and fulfilling new chapter together.
Taking to Instagram, Somy Ali shared their photo and wrote, “To Guari & Aamir, Love doesn’t follow a calendar. Finding someone to share your life with at any age is just as beautiful as finding them at 20. It’s never too late to choose happiness. A heart that’s open to love is something to celebrate, not criticize. Age is measured in years, but love is measured in moments.”
“Congratulations on finding yours. Some people spend a lifetime looking for the right person. If that journey leads to marriage at any age, that’s not late—that’s right on time. The courage to begin a new chapter is inspiring. Wishing you both a lifetime of joy, laughter, and companionship. The best love stories aren’t defined by when they begin, but by how deeply they’re lived.”
She went on to state, “May those who judge your age one day understand that happiness has no deadline. Growing older is inevitable; growing together is a gift. The greatest achievement isn’t marrying young—it’s finding someone worth growing old with. These sentiments celebrate love, companionship, and the freedom to pursue happiness at any stage of life.”
Recently, during the screening of ‘Pritam and Pedro,’ Aamir opened up about his wedding with Gauri. He revealed that it is going to be an intimate affair with only their close family members and friends in attendance.
Aamir shared, “Yes, we are getting married on the 5th. It’s a very small wedding; we are doing it at home. The 5th is a very special day for us. There will only be both the families, along with some close friends. We are getting married at home only. We only want everyone’s blessings that we remain happy.”
Bollywood
Delhi HC adjourns Salman Khan’s plea against release of ‘Kala Hiran’ till July 1

New Delhi, June 19: The Delhi High Court on Friday adjourned the hearing on Bollywood actor Salman Khan’s plea seeking to restrain the release of the proposed film “Kala Hiran”, without granting any interim relief at this stage.
A vacation Bench of Justice Madhu Jain directed that a complete copy of the plaint and accompanying documents be supplied to the respondent filmmaker and listed the matter for hearing on July 1.
During the hearing, Salman Khan’s counsel, advocate Nizam Pasha, submitted that the film is purportedly based on the actor’s life and has been produced without his consent.
While pressing for interim relief, Pasha also informed the high court that the poster and trailer of the film had already been released, though the release date of the movie is yet to be announced.
Opposing the plea for urgent relief, counsel appearing for the filmmakers submitted that they had not been served the complete set of documents in the case.
“On Wednesday, they served me only a copy of the application, not the plaint,” the counsel argued, adding that the filmmakers were receiving death threats over the project and that an FIR had already been lodged.
After hearing the parties, the Delhi High Court directed Salman Khan to furnish the complete set of documents, including the plaint, to the respondent and fixed the matter for arguments on July 1. Shortly thereafter, the actor’s counsel mentioned the matter again and contended that the filmmakers had already been served, seeking an earlier hearing date.
However, Justice Jain observed that the matter had already been listed in July and declined to advance the hearing.
The dispute reached the Delhi High Court days after Salman Khan’s legal team issued a notice to the makers of “Kala Hiran: The Battle for Legacy”, asking them to halt the release of the film and remove all promotional material, including posters and publicity content.
Directed by Bharat S. Shrinet and produced by Amit Jani, the film is inspired by the blackbuck poaching case involving Salman Khan and also portrays his alleged rivalry with gangster Lawrence Bishnoi. The makers have described it as a blend of courtroom drama and crime thriller mounted on an international scale.
The controversy surrounding the film has intensified in recent days, with producer Jani alleging that he has been receiving death threats ahead of the movie’s release. On June 18, Jani claimed that a Pakistani terrorist had threatened him with a drone and grenade attack over the film and said that he had informed the Union Ministry of Home Affairs, Rajasthan Police, and CRPF officials. Subsequently, Jani alleged that he received a second death threat within 24 hours.
In a complaint lodged with police in Jodhpur, he claimed that an unidentified caller, identifying himself as a Salman Khan fan, threatened to kill him within three days. The producer urged authorities to immediately register a case and arrest the accused.
Bollywood
AICWA demands high-level investigation into actor Sanchita Ugale’s suicide

Mumbai, June 15: The sudden demise of actress Sanchita Ugale has left the entire television industry in a state of shock.
All India Cine Workers Association (AICWA) President Suresh Shyamlal Gupta has now urged the Chief Minister of Maharashtra, Devendra Fadnavis, to order a high-level inquiry into the death of Sanchita Ugale.
AICWA has requested an in-depth investigation into every possible angle of the case to ensure justice to the deceased and his family.
An official statement shared by the Association read, “Her untimely departure has left her family shattered and the entire Indian film industry mourning the loss of a young talent whose memories will live on forever.”
“Every life is precious. The truth behind this tragic incident must come out, and the family of Sanchita Ugale deserves nothing less than a fair, impartial, and thorough investigation. AICWA urges the authorities to leave no stone unturned and to ensure that all aspects of this case are examined with complete transparency,” they further shared
AICWA has further urged the Government of Maharashtra and the concerned authorities to establish a dedicated committee to examine the increasing number of deaths and mental health-related crises being reported within the entertainment industry.
Additionally, they have also asked to review the safety, well-being, and support systems available to the artists.
“In recent years, the Indian entertainment industry has witnessed several deaths and alleged suicide cases. In many instances, questions raised by family members, colleagues, and the public have remained unanswered. Therefore, it is essential that investigators examine all available evidence, circumstances, and possible angles in this case with complete transparency,” the statement further read.
According to police reports, Sanchita Ugale died by suicide at her residence in Sai Santoshi Building, in Nalasopara East, Mumbai. The unfortunate incident took place on June 14 between 7:00 pm and 7:30 pm.
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