Bollywood
‘Match Fixing – The Nation at Stake’: A Gripping Political Thriller That Unravels Dark Truths

Director: Kedaar Gaekwad , Producer: Pallavi Gurjar, Cast: Vineet Kumar Singh, Anuja Sathe, Manoj Joshi, Raj Arjun, Shataf Figar, Lalit Parimoo and Kishore Kadam, Duration: 2h26m, Rating: 4 stars.
‘Match Fixing – The Nation at Stake’ is based on a book ‘The Game Behind Saffron Terror’ written by an ex-army officer, Col. Kanwar Khatana. This gripping yet controversial political thriller unfolds the intricate web of Indo-Pak politics. The film dramatizes a series of devastating terror attacks that shook India between 2004 and 2008, culminating in the catastrophic 26/11 Mumbai attacks.
The opening scenes of the film, pack a punch, drawing viewers into a complex web of conspiracies and parallel plots. As the story unfolds, closed-door meetings between Indian and Pakistani politicians and leaders reveal a shocking agenda – to malign the reputation of Hindus by concocting the term “Saffron Terror” for the sake of vote-bank politics.
The film’s first half masterfully sets the tone, weaving together multiple subplots in India and Pakistan, while introducing the protagonist who is an undercover army officer from intelligence. He has become a thorn in the flesh of those who are hell bent on spreading the false narrative of Saffron Terror. The ominous Samjhauta Express and Malegoan blasts serve as bookends to this half.
As the narrative unfolds, the second half becomes increasingly engrossing, with the antagonists meticulously planning their final, devastating attack. The culmination is expertly handled as the protagonist hands are tied. All of this leads to a thought-provoking and impactful conclusion that lingers long after the credits roll, leaving audiences to ponder and deliberate.
The producer Pallavi Gurjar has not only chosen an extremely powerful subject but also facilitated high production values to the film, bringing the necessary gravitas to this important subject.
The film’s creative brilliance is largely attributed to Director and DOP Kedaar Gaekwad, whose storytelling seamlessly brings together political intrigue, complex characters, and real-life events. His cinematography is a visual treat, making the film an unforgettable viewing experience.
Vineet Kumar Singh’s portrayal of Col. Avinash Patwardhan – the protagonist is pitch perfect. After Mukkabaaz and Gangs of Wasseypur, Vineet gives one of the finest performances of his career. Vineet shines with his remarkable portrayal, effortlessly transitioning between roles as an undercover agent, army officer, and devoted family man, showcasing his impressive range and versatility as an actor.
Vineet is ably supported by an ensemble cast of distinguished actors. Anuja Sathe, as his wife, plays the perfect counterbalance with her solid yet restrained performance.
Veteran actors Manoj Joshi and Kishore Kadam deliver standout performances, bringing to life complex and unconventional characters with convincing authenticity and depth.
Shataf Figar’s towering personality, Elena Tutteja’s uncanny resemblance, Ramanjit Kaur’s intensity and Lalit Parimoo’s effortlessness are noteworthy.
The surprise package of the film is Raj Arjun. His outstanding portrayal of a Pakistani Colonel is nuanced and multifaceted. He masterfully provides justification and motivation to his character’s actions, avoiding stereotypes with remarkable subtlety.
The film’s location and production design teams have meticulously recreated the era with remarkable accuracy. The makers have ensured authenticity, accurately replicating army protocols with attention to detail in every frame.
Anuj S. Mehta’s exceptional screenplay weaves a riveting narrative, expertly intertwining multiple plot threads, characters, and layers. Sameer Garud’s razor-sharp dialogue and incisive character interactions. The writing team pack a lasting punch, lingering in the viewer’s mind long after the credits roll.
Ashish Mhatre’s crafts a thrilling narrative with his sharp editing, skillfully balancing tension and comprehension of such a complex subject. Thankfully the film never digresses into unnecessary subplots and largely remains focused to the central plot.
Rimi Dhar has composed two songs for the film. While the first is an electrifying anthem sung by Daler Mehendi, the second is a melodious composition which takes the story forward in flashback. Hrishi Girdhar’s background score is a standout, enhancing each scene.
‘Match Fixing – The Nation’ at Stake is a must watch for those who love intense political thrillers which are entangled in terrorism and conspiracy theories.
Bollywood
Subhash Ghai shares how Aamir Khan brought dignity to Hindi cinema with his film ‘Sitaare Zameen Par’

Mumbai, July 4: Veteran filmmaker Subhash Ghai took to social media to shower praise on Aamir Khan for his continued efforts to elevate the stature of Hindi cinema.
Lauding his decision to release ‘Sitaare Zameen Par’ in theatres and hold off on its OTT release for six months, Ghai called it a move that brings “dignity to Hindi cinema.” In his heartfelt note, the director expressed his happiness at how exhibitors across the country honoured Aamir as a “brave filmmaker” for supporting the big-screen experience and showing deep respect for theatrical business.
Sharing a photo featuring Aamir Khan, Subhash Ghai wrote on Instagram, “Dear Aamir. You have done it again to bring dignity to Hindi cinema with your heartwarming film in cinema halls n pledging not to show it on small screen for six months. M glad that all India exhibitors honoured you as a brave film maker yesterday for respecting the business of big screens theatres too. Congratulations n blessings. @muktaa2cinemas @pvrcinemas_official @inoxmovies @cinepolismx @zeecinema @muktaartsltd.”
The makers of the Aamir Khan starrer have decided not to release the film on OTT platforms. The Multiplex Association of India had applauded the move, and Aamir Khan Productions later expressed their gratitude for the support. Sharing MAI’s statement on their official Instagram account, the production house wrote in the caption, “Grateful for the overwhelming love and support MAI (red heart emoji).”
In the statement, Kamal Gianchandani, who served as the President of MAI, had said, “Aamir Khan has always been a filmmaker who puts the audience first. His decision to bring Sitaare Zameen Par exclusively to cinemas is a significant show of confidence in theatres and the shared magic of the moviegoing experience. Indian exhibitors thank Aamir Khan for standing by theatres. As we continue to welcome audiences with renewed energy and world-class films, Sitaare Zammen Par will remain a shining example of cinema’s resilience and its irreplaceable magic.”
“Sitaare Zameen Par,” which also stars Genelia D’Souza, was a sequel to the 2007 hit film “Taare Zameen Par.” Directed by RS Prasanna, the sports drama hit theatres on June 20.
Bollywood
Ranvir Shorey criticizes MNS workers for assaulting a Gujarati shopkeeper for not speaking Marathi

Mumbai, July 3: Bollywood actor Ranvir Shorey took to social media to strongly condemn the actions of MNS workers who allegedly assaulted a Gujarati shopkeeper for not speaking Marathi.
Expressing his outrage, the actor called the incident shameful and unacceptable. He also tagged Maharashtra Chief Minister Devendra Fadnavis in his post. The ‘Ek Tha Tiger’ actor took to his X handle to post a video that captured members of the Maharashtra Navnirman Sena (MNS) allegedly attacking a restaurant owner in Mumbai’s Mira Road area over his inability to speak Marathi. Expressing his anger, Shorey described the incident as “disturbing” and voiced serious concerns about the current state of law and order in Maharashtra.
The actor tweeted, “This is sickening. Monsters on the loose, looking for attention and political relevance. Where’s L&O, @CMOMaharashtra @Dev_Fadnavis ?.” Ranvir also hit back at trolls in the comments section of his post, giving a sharp and fitting response to those who tried to criticise him. One user asked the actor, “Since how many years you now live in Maharashtra? How much effort have you taken to learn Marathi?”
In his reply, Ranvir Shorey said, “First, I’m not answerable to a hateful anonymous troll like you for any of these questions. Second, you’re really dumb if you think beating people up will make them learn and speak a language. And finally, if you do want to bring attention to the issue, there are more positive & constructive ways to bring about change, or even protest for political mileage, instead of beating hapless citizens who’re just trying to make a living!”
A video that went viral on social media showed a group of men visiting a shop to buy food. The situation turned violent when they allegedly attacked the shop owner for not speaking in Marathi. The men were seen wearing scarves associated with Raj Thackeray’s Maharashtra Navnirman Sena (MNS).
The incident took place in Bhayander, located in Maharashtra’s Thane district. It occurred shortly after the state government rolled back its decision to enforce a three-language policy, which had sparked criticism from the opposition.
Bollywood
Singer Rochak Kohli shares how AI is empowering musicians

Mumbai, July 3: Singer and composer Rochak Kohli, who is best known for his song, “Pani Da Rang,” believes that artificial intelligence is not a threat to musicians but a powerful tool that can enhance creativity.
In an exclusive interview with media, the singer shared his thoughts on the evolving role of AI in music. Kohli said he regularly uses AI for generating musical ideas, exploring new instruments, and staying updated with global trends. Rochak even admitted to creating videos using AI for his independent channel, adding that he sees it as a helpful resource rather than something to fear.
“I see AI as a tool—nothing more, nothing less. I use it quite a bit myself. Whether it’s for musical ideas, discovering new instruments, or global trends, it’s very useful. I’ve even made videos using AI on my independent channel. Rather than a threat, I think AI is empowering musicians.”
When asked about the growing remix trend in today’s music industry and whether he prefers original compositions or finds them risky, the singer shared, “Original compositions bring true satisfaction. When there’s a demand for a remix, we carefully consider the song, the reason behind it, and whether it adds value. Nowadays, people don’t accept remixes the way they did a decade ago, and I think that’s a positive shift—original music is finally getting its due.”
Talking about his new album, “Aap jaisa Koi,” Rochak stated, “I’ve composed two songs in this album—Jab Tu Sajan and Dhuaan Dhuaan, which is an intense track. The sequence of songs was a deliberate choice. We used a part of Jab Tu Sajan as a bridge into Dhuaan Dhuaan to ensure the emotional flow remained seamless and cohesive for the listener.”
Rochak Kohli added, “After a long time, I had the opportunity to work on a project where music played a pivotal role. Our first song, Jab Tu Sajan, was shot in a very unique style. It felt really good to see music being given its due importance again.”
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